NOTE IMDb
7,4/10
30 k
MA NOTE
Un ancien assassin qui a décidé de ne plus jamais tuer voit son souhait mis durement à l'épreuve.Un ancien assassin qui a décidé de ne plus jamais tuer voit son souhait mis durement à l'épreuve.Un ancien assassin qui a décidé de ne plus jamais tuer voit son souhait mis durement à l'épreuve.
- Récompenses
- 2 nominations au total
Takeru Satoh
- Kenshin Himura
- (as Satô Takeru)
Histoire
Le saviez-vous
- AnecdotesThough Gein, the masked henchman of Kanryu, is based off the character of the same name from the manga, he has much more in common with Han'nya from the manga. Gein is heavily scarred and works as Kanryu's messenger, like Han'nya, while his outfit, personality, and wire-work is more inline with Gein from the manga. His mask is a combination of both Gein and Han'nya's masks. Neither of them use guns or a wakizashi in the manga, however.
- GaffesDuring Saito's final conversation with Kenshin on the steps, one can see clearly that the policemen's cigarette has a filter. Cigarettes with filter tips were not invented until the 1950s.
- Citations
Kenshin Himura: [to Kanryu] you know what money can't buy? What you're begging for right now: your life.
- ConnexionsFollowed by Kenshin Kyoto Inferno (2014)
Commentaire à la une
I went to see this film last night with absolutely no knowledge of the manga upon which it was based, which was both a good and a bad thing. Good, because I understand how the average movie goer like myself will feel about this film. Bad, because I feel like as a fan of the original comic, I would have taken a lot more out of this film.
I'll start with the positives - this movie is beautifully filmed. There is not a single unattractive shot within it. I really feel like this movie was made for fans, by fans, because it is so lovingly crafted. The sets are gorgeous, the lighting and colour palette lovely, and the choreography of the fight scenes? FUN. It's actively enjoyable to watch Kenshin dance around with his sword. You actually believe that he is this extraordinary swordsmen, agile and swift.
Which brings me to Sato Takeru, who plays Kenshin himself. Again, I feel like he was a fan of the series, as he seems to be so invested in the role. I've no idea what the character of Kenshin was like in the manga, but Sato's portrayal is so layered and believable, I can't imagine it strays far. On that note, I felt like all of the actors did quite a good job. I've a friend who assures me the personalities of all the female characters do not line up with the manga, but I was actually completely satisfied with them! I was particularly enamored with Aoi Yu (whom I don't think has ever disappointed me in a role) who did her best with the script given to her in the role of Megumi.
But this brings me to what I felt were the weak points of the film. First, was the over inclusion of bit characters. I said this to friends afterwards, I'm sure if I was a fan of the series they would have been charming cameos from beloved fan favourites. As it is though, to me their inclusion seemed pointless, and stole time that could have been better spent on plot development.
And honestly, the plot for the film? A bit weak, and never properly fleshed out. A lot of characters who seem important to the story are never given proper motivations, leaving them seeming 2 dimensional - and the story as well, as a result. Particularly at the end, I feel like the storyline fell to pieces in a series of rushed character inclusions/fight scenes. This is the problem with a film made by fans for fans - while you can feel the love that's been poured into it, you can also see that they're trying too hard to put EVERYTHING in to a two hour film. These sort of films really suffer because they don't have someone ruthlessly eliminating the excess, and making the film more accessible to the public at large.
I read that they're hoping for an international release for this film, and I'm not terribly convinced that it will succeed. Fans of the original anime overseas will be at best a niche market (at least for the domestic release, there's a good chance the majority of the audience will have at best a passing familiarity with the series) and I feel like the rapid inclusion of bewildering useless characters will leave many in the audience feeling somewhat alienated.
I thoroughly enjoyed the film, don't get me wrong, and I intend to seek out the manga as a result. However, I feel like they've pigeonholed themselves somewhat with their audience, if not so much domestically, then definitely abroad. However, if you can manage to be like me and just sit back and let the beautiful cinematography and Sato's truly excellent portrayal of Kenshin wash over you, you'll derive plenty of pleasure from this film.
I'll start with the positives - this movie is beautifully filmed. There is not a single unattractive shot within it. I really feel like this movie was made for fans, by fans, because it is so lovingly crafted. The sets are gorgeous, the lighting and colour palette lovely, and the choreography of the fight scenes? FUN. It's actively enjoyable to watch Kenshin dance around with his sword. You actually believe that he is this extraordinary swordsmen, agile and swift.
Which brings me to Sato Takeru, who plays Kenshin himself. Again, I feel like he was a fan of the series, as he seems to be so invested in the role. I've no idea what the character of Kenshin was like in the manga, but Sato's portrayal is so layered and believable, I can't imagine it strays far. On that note, I felt like all of the actors did quite a good job. I've a friend who assures me the personalities of all the female characters do not line up with the manga, but I was actually completely satisfied with them! I was particularly enamored with Aoi Yu (whom I don't think has ever disappointed me in a role) who did her best with the script given to her in the role of Megumi.
But this brings me to what I felt were the weak points of the film. First, was the over inclusion of bit characters. I said this to friends afterwards, I'm sure if I was a fan of the series they would have been charming cameos from beloved fan favourites. As it is though, to me their inclusion seemed pointless, and stole time that could have been better spent on plot development.
And honestly, the plot for the film? A bit weak, and never properly fleshed out. A lot of characters who seem important to the story are never given proper motivations, leaving them seeming 2 dimensional - and the story as well, as a result. Particularly at the end, I feel like the storyline fell to pieces in a series of rushed character inclusions/fight scenes. This is the problem with a film made by fans for fans - while you can feel the love that's been poured into it, you can also see that they're trying too hard to put EVERYTHING in to a two hour film. These sort of films really suffer because they don't have someone ruthlessly eliminating the excess, and making the film more accessible to the public at large.
I read that they're hoping for an international release for this film, and I'm not terribly convinced that it will succeed. Fans of the original anime overseas will be at best a niche market (at least for the domestic release, there's a good chance the majority of the audience will have at best a passing familiarity with the series) and I feel like the rapid inclusion of bewildering useless characters will leave many in the audience feeling somewhat alienated.
I thoroughly enjoyed the film, don't get me wrong, and I intend to seek out the manga as a result. However, I feel like they've pigeonholed themselves somewhat with their audience, if not so much domestically, then definitely abroad. However, if you can manage to be like me and just sit back and let the beautiful cinematography and Sato's truly excellent portrayal of Kenshin wash over you, you'll derive plenty of pleasure from this film.
- guiltyschu
- 6 sept. 2012
- Permalien
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- How long is Rurouni Kenshin Part I: Origins?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Rurouni Kenshin Part I: Origins
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 32 445 $US
- Montant brut mondial
- 37 687 024 $US
- Durée2 heures 14 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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What was the official certification given to Kenshin le vagabond (2012) in France?
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