"Joyland" attempts to weave a narrative that delves into themes of identity and unconventional romance, but ultimately struggles to strike a meaningful chord. The film's premise, revolving around Haider's misrepresentation of his job and his infatuation with Biba, a strong-willed trans woman, has the potential to explore societal taboos and challenges faced by the LGBTQ+ community. However, it appears that the execution falls short of expectations.
Despite the initial intrigue, the movie seems to struggle in effectively addressing the social issues it aims to highlight. Rather than skillfully weaving these themes into the story, the inclusion of unnecessary vulgarity and cringeworthy moments detracts from the intended message. The cultural representation, particularly the portrayal of a conservative Pakistani family, appears inaccurate and out of touch with the reality of inner Lahore. The smoking scene on the rooftop and the portrayal of a woman staying alone at a neighbor's place seem detached from the cultural norms and dynamics.
Furthermore, the romantic subplot between Haider and Biba feels contrived and lacks the necessary depth to make their connection believable. The absence of a well-developed backstory explaining Haider's sudden infatuation with Biba leaves audiences struggling to connect with their relationship. This lack of emotional investment weakens the overall impact of the film.
"Joyland" seems to have taken inspiration from Bollywood films that tackle social issues in India, yet it fails to replicate their success in addressing relevant topics within its Pakistani context. Despite a potentially thought-provoking premise, the film ultimately falters due to its weak storytelling, misguided attempts at shock value, and a disconnect from the cultural and emotional aspects it attempts to depict. The backlash the film has received is reflective of its missed opportunities and underwhelming execution.
While the film falls short in its main plotline, it does manage to shed light on the challenges women face in a patriarchal society. The portrayal of clinical depression and its lack of recognition in third-world countries is commendable, serving as a brighter spot in an otherwise lackluster narrative.
