La Chasse

I saw this movie yesterday. I agree with previous reviewers, this is an excellent, moving, wonderfully acted movie. It is impossible I think to go through it without being brought to tears at one point or another. You also feel like screaming at some characters sometimes - "what are you doing? Open your eyes! Listen!" But the great thing is you always understand where each character is coming from- you might not agree with their actions, but nothing they do feels forced or unrealistic. Mikkelsen is amazing in this. I had seen him in a few movies before, and always thought highly of him, but here he is just incredible. It's a tough subject matter, and the movie does not shy away from it, but at the same time it is not vulgar or "in your face", it's tactful. I really loved it.

This is a really tough movie to watch. I don't know how they do it, but keeping it "real" is not an issue with Mr. Vinterberg and others as it seems. Having a real situation that will throw you and others off balance and play it as straight as possible sounds simple, but it really isn't. You need actors like Mads Mikkelsen to convey the story and be able to portray all the facets of his character.

The kid actors in this are very important too and as is said in the making of, none were told the whole truth or what the implications might be. Which is especially important to those who might think kids were exposed to things they shouldn't have been. Which brings us right back to the theme of the movie and the question, if we are over protective or if the world around us has changed too much? There are a lot of other questions too that are raised and not all can be answered with certainty or any satisfying result. Which makes the movie even more disturbing and good.

'The Hunt' is a truly accomplished film, its simple premise and themes are executed perfectly. The film is hugely engrossing and completely and utterly infuriating, which is a testament to the merits of its acting, direction, script and hyper-realism.

The film follows Lucas (Mads Mikkelsen), a lonely primary school teacher who relishes his job and is popular with both the children and the local community. Just as he meets Nadja (Alexandra Rapaport) and begins a relationship with her, his relationship with another woman, 5-year-old Klara (Annika Wedderkopp), lands him in immeasurable trouble. What happens is a completely innocuous misunderstanding, but the community, the 'adults' who are supposed to be rational and fair, turn into a lynch mob.

The film is about the danger of mass hysteria, ignorance and subsequently the frightening power of numbers. It teaches the importance of measure and consideration; it's a much-needed anecdote to the sensational vilification, general ignorance, and trashy media that permeates our lives.

The film is intelligently and thoughtfully written. The girl is by no means vindictive; as much as you want to vent your anger, she's clearly far too young to understand what is happening. It's the 'adults' who display their stupidity, their total lack of reasoning and fairness left me indignant for the entirety of the running time and subsequently the whole evening - the film really works.

There is a palpable sense of danger throughout the film, and you genuinely fear for Lucas' life; seldom have I empathised with a character so dearly. Who would've thought a Danish Art House film could be so thoroughly gripping?

'The Hunt' is a thought-provoking, tactful and important film that should be seen by as many people as possible. It's one of the best films of 2012.

In Thomas Vinterberg's superb psychological thriller, The Hunt, a town turns on its kindergarten teacher, Lucas (Mads Mikkelsen), from the erroneous testimony of a little girl, Klara (Annika Wedderkopp), who accuses him of molesting her. She's also the daughter of his best friend, Theo (Thomas Bo Larsen), who believes along with the town that Lucas is guilty because children, especially his daughter, don't lie. Although Klara claims throughout she said a stupid thing and Lucas did nothing, his parents are convinced she is just reacting to the gravity and changing her story. Tragic blindness is not just the province of Oedipus.

The film's title, with bookending male hunting rituals, is obviously figurative for the hunt by the town's people for Lucas's well being. Only too swift is their condemnation, their righteous indignation, blinded by Salem-witch like certainty that he is guilty. The town's vigilante-like attitude is reminiscent of Frankenstein's townsfolk, hounding the monster without even trying to understand.

Beyond the figurative display of crowd wrong-headed mentality is the disturbing suggestion that at any time a life can be turned upside down without even being responsible. It also suggests that the only antidote is to keep believing in yourself.

Maybe more powerful is a sense of humor, which occurs occasionally in the film and is best exemplified when a friend, upon Lucas's return from police headquarters, shouts as Lucas embraces his son, "Hey! If you fondle your kid, you'll go back to jail." It's gallows humor, but it is effective. Just as effective as the ironic humor is the low-key, natural lighting, consistent close-ups, and ubiquitous hand-held camera work. It is an intimate business that closes in on everyone in the town, not just the innocent victim.

Having witnessed through this intense work of art the vulnerability all have in the face of a crowd mentality, we should remember the Chorus's final warning in Oedipus Rex: "Therefore wait to see life's ending ere thou count one mortal blest; Wait till free from pain and sorrow he has gained his final rest."

Here in the small town where I reside, our local newspaper had a recent headline that a beloved teacher was suspected of improper contact with a student. The article was complete along with his picture and I felt that this teacher's life was over as he knew it whether the information was accurate or false. I felt that I would withhold judgement pending an accurate and a detailed investigation, but I know that others would not give the teacher this courtesy. Human nature is an interesting thing to observe and we often get trapped in our own snares with comments such as "I really can't tolerate judgemental people".

Recently I saw another Danish movie "The Hijacking" and was so impressed with it, that I sought out this movie as it was also a highly regarded project. I'm glad I did. The movie reflected the idea of a rush to judgement and all the implications of how society reacts when information is inaccurately reinforced.

The title of the movie, "The Hunt" is symbolic of Lucas's hunt for justice, but also feeling like the hunted. It begins with friends at a hunting camp drinking & celebrating but this hunt is all a metaphor for Lucas's life. Perhaps it was best expressed when his son got a family heirloom hunting rifle and it was said that now he was old enough to find his way in the forest. "The Hunt" is really about such a journey and the forest was thick with assumptions, accusations, hatred, betrayal, and a host of other thorns, briars, branches and such things to trip up the journey. Having felt like he was being hunted through a community's narrow rifle scope of understanding, Lucas's idea of hunting is ultimately altered....and believably so.

Vinterberg does a masterful job of story telling and in such a way that we hear a morality tale. Yes, many times the information we are told in the news is correct. But what if it isn't? What price is paid by the victim and his/her family? If you want to watch a movie that is different from the typical Hollywood variety and gives you reason to search more deeply before believing what you see and hear, watch "The Hunt" and see if you would find your way through the same forest that Lucas traveled. Few of us would be able to do so....