NOTE IMDb
5,7/10
4,4 k
MA NOTE
Ajouter une intrigue dans votre langueA troubled veteran from the war in Afghanistan works to protect an orphaned teenager who witnessed a murder from the killer's henchmen.A troubled veteran from the war in Afghanistan works to protect an orphaned teenager who witnessed a murder from the killer's henchmen.A troubled veteran from the war in Afghanistan works to protect an orphaned teenager who witnessed a murder from the killer's henchmen.
- Récompenses
- 1 victoire et 2 nominations au total
Histoire
Le saviez-vous
- GaffesWhenever a police siren is heard, it sounds like an American-style siren. However, this kind of siren is used nowhere in Germany.
- ConnexionsFeatures The Town (2010)
- Bandes originalesFeel Again
Performed by OneRepublic
Written by Ryan Tedder, Brent Kutzle, Andrew Brown and Noel Zancanella
Commentaire à la une
The man (Schweiger) does good work. I would describe it as an action thriller with some typical schweiger-ish sweetness added. The audience gets both impressive action and quiet scenes that change the pace of the movie. I think the mix works. The story is pretty simple and we never have to guess who the villain is. (Much like a Luc Besson movie. Black and white.) This is what I liked about the movie:
One. The cinematography is just beautiful. Carefully filmed scenes with strong (for lack of a better word:) audio effects. Well, it sounds great when people shoot. You'll notice.
Two. The heroes and villains reload their guns and the hero doesn't hit every target with every shot. A trivial detail? Not for me. I hate it when people fire 30 shots with a 15-round clip. Or if their shotguns magically fire 16 times. Thank you Til Schweiger for taking the time to reload! You are one of the few.
Three. The action doesn't try to come off as super cool. We don't see any of that stupid rolling-on-the-floor-while-shooting, jumping-behind-a-couch-in-slow-motion-for-effect, cheesy one-liners, showy re-loadings, bourne-identity-grade-fighting-scenes (everybody is a black belt these days) or cars-exploding-(for no reason)-after-being-shot-at!
Do you know what I mean? 8 is maybe too generous, but a 6 would be too low. Watch it and decide for yourself.
One. The cinematography is just beautiful. Carefully filmed scenes with strong (for lack of a better word:) audio effects. Well, it sounds great when people shoot. You'll notice.
Two. The heroes and villains reload their guns and the hero doesn't hit every target with every shot. A trivial detail? Not for me. I hate it when people fire 30 shots with a 15-round clip. Or if their shotguns magically fire 16 times. Thank you Til Schweiger for taking the time to reload! You are one of the few.
Three. The action doesn't try to come off as super cool. We don't see any of that stupid rolling-on-the-floor-while-shooting, jumping-behind-a-couch-in-slow-motion-for-effect, cheesy one-liners, showy re-loadings, bourne-identity-grade-fighting-scenes (everybody is a black belt these days) or cars-exploding-(for no reason)-after-being-shot-at!
Do you know what I mean? 8 is maybe too generous, but a 6 would be too low. Watch it and decide for yourself.
- dschlatter
- 29 sept. 2012
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Guardians
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 500 000 € (estimé)
- Montant brut mondial
- 8 530 346 $US
- Durée2 heures 10 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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By what name was Un Témoin pour Cible (2012) officially released in Canada in English?
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