Deux amis d'enfance et voisins tombent amoureux l'un de l'autre.Deux amis d'enfance et voisins tombent amoureux l'un de l'autre.Deux amis d'enfance et voisins tombent amoureux l'un de l'autre.
- Récompenses
- 1 victoire et 4 nominations au total
Histoire
Le saviez-vous
- AnecdotesDoris Lessing's original novel "The Grandmothers" was said to be based on a true incident.
- GaffesSophie Lowe plays Hannah and Jessica Tovey plays Mary, but their roles are swapped in the end credits.
- ConnexionsReferenced in Celebrated: Naomi Watts (2015)
- Bandes originalesBeautiful Trash (Instrumental)
Written by Lance Ferguson & Meg Washington
Performed by Lanu featuring Meg Washington
Published by Perfect Pitch Music Publishing / J. Albert & Son Pty Ltd
Under license from Tru Thoughts, UK
Licensed courtesy of Inertia Music
Commentaire à la une
This lovely movie was based on Doris Lessing's short story "The Grandmothers". I just saw the premiere at Sundance and absolutely loved it. Supposedly inspired by a true story, it's about two mothers who really like their son's best friend (their best friend's son) And that tag line is what you'll hear all about. Oh, the horror. I imagine middle age male reviewers will not particularly like this movie, though gay men will most likely love it. But it's a film about women--their friendships, husbands, relationships, sons and lovers. It's directed by Anne Fontaine, a French woman (which explains the exorbitant number of scenes with smoking cigarettes, and an insanely un-American story concept that young men might be attracted to older women.)
It's beautifully crafted (gorgeous cinematography) and has intelligent editing (watch for the skillful matched cuts that "age" the characters). The performances are all around great. Robin Wright is amazing--it's an Oscar caliber performance, however, the film probably won't get a large enough release to be on the radar for awards (sort of like poor John Hawkes not getting nominated for "The Sessions", what was the Academy thinking?) Of course, setting the movie in Australia means the other main character is the location. Tanned surfing teenage boys with model-beautiful mothers in bikinis, cowabunga mate (and significantly less handsome husbands and admirers, thankfully not shown in Speedos.)
There was laughter in the screening in places unexpected by the director, but this was probably just anxious laughter by viewers unaccustomed to thinking about middle aged women having sexual and emotional interest in younger men. Actually, I felt the laughter lightened up the viewing experience, and made the characters more human (okay, so I laughed and cried in this movie, but I never laughed at it.) At almost every story point where an expected turn would happen (if following Hollywood development script notes) the writer took what I call the "elegant decision" and pleasantly surprised me.
This is all around superb filmic story telling. Brilliant performances, intelligent and gentle direction, spectacular scenery, highly professional technical craftsmanship, and (for most of us, I expect) new emotional territory. It's a great film. I truly hope you get to see it.
It's beautifully crafted (gorgeous cinematography) and has intelligent editing (watch for the skillful matched cuts that "age" the characters). The performances are all around great. Robin Wright is amazing--it's an Oscar caliber performance, however, the film probably won't get a large enough release to be on the radar for awards (sort of like poor John Hawkes not getting nominated for "The Sessions", what was the Academy thinking?) Of course, setting the movie in Australia means the other main character is the location. Tanned surfing teenage boys with model-beautiful mothers in bikinis, cowabunga mate (and significantly less handsome husbands and admirers, thankfully not shown in Speedos.)
There was laughter in the screening in places unexpected by the director, but this was probably just anxious laughter by viewers unaccustomed to thinking about middle aged women having sexual and emotional interest in younger men. Actually, I felt the laughter lightened up the viewing experience, and made the characters more human (okay, so I laughed and cried in this movie, but I never laughed at it.) At almost every story point where an expected turn would happen (if following Hollywood development script notes) the writer took what I call the "elegant decision" and pleasantly surprised me.
This is all around superb filmic story telling. Brilliant performances, intelligent and gentle direction, spectacular scenery, highly professional technical craftsmanship, and (for most of us, I expect) new emotional territory. It's a great film. I truly hope you get to see it.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Adore, la piel del deseo
- Lieux de tournage
- Seal Rocks, Nouvelle-Galles du Sud, Australie(main location, houses and beach)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 16 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 318 982 $US
- Week-end de sortie aux États-Unis et au Canada
- 119 806 $US
- 8 sept. 2013
- Montant brut mondial
- 1 575 749 $US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What was the official certification given to Perfect Mothers (2013) in Brazil?
Répondre