The Hollow of His Hand
- Épisode diffusé le 12 mars 2025
- TV-MA
- 47min
NOTE IMDb
8,5/10
13 k
MA NOTE
Ajouter une intrigue dans votre langueThe trial of Hector Ayala begins. Fisk's old business associates seek to claim his vacant mantle.The trial of Hector Ayala begins. Fisk's old business associates seek to claim his vacant mantle.The trial of Hector Ayala begins. Fisk's old business associates seek to claim his vacant mantle.
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Maybe i'm overrating this, maybe not but this is easily my favorite so far. Everything is paced well, the music is incredible, the direction has improved, and the dialogue and acting shines it's brightest here. The entire court case was very exciting and engaging. There's not one time in this episode where I was out of it. I know some will complain about no action or Matt not suiting up but I'm just glad there's a focus on his lawyer stuff just as much as his vigilante stuff (which I assume will come in the next 3 episodes). The ending was amazing.
I've seen some people complain about Matt outing Hector's identity as the White Tiger but I see it fully in character. This episode wasn't just courtroom stuff but also a character study deep into who Matt's character is now. Matt truly and obviously misses Daredevil but he also genuinely thinks he can do better as simply Matt Murdock, Attorney at Law, which he tries to project onto Hector. Every single moment this episode was well acted and enticing. I see that this was apart of the old show pre reshoots, so I wonder if we would've gotten more court cases like this and even less Daredevil action. I mean, at this point, I wouldn't mind it because Charlie Cox really IS a damn good lawyer.
All in all, this was an incredible episode that hit most if not all the marks.
Overall: 9.5/10
Rest in Peace to Kamar de los Reyes. He acted his ass off and I wish we seen more of him.
I've seen some people complain about Matt outing Hector's identity as the White Tiger but I see it fully in character. This episode wasn't just courtroom stuff but also a character study deep into who Matt's character is now. Matt truly and obviously misses Daredevil but he also genuinely thinks he can do better as simply Matt Murdock, Attorney at Law, which he tries to project onto Hector. Every single moment this episode was well acted and enticing. I see that this was apart of the old show pre reshoots, so I wonder if we would've gotten more court cases like this and even less Daredevil action. I mean, at this point, I wouldn't mind it because Charlie Cox really IS a damn good lawyer.
All in all, this was an incredible episode that hit most if not all the marks.
Overall: 9.5/10
Rest in Peace to Kamar de los Reyes. He acted his ass off and I wish we seen more of him.
The court room drama part is really in full gears and i wont mind another. The easter eggs are damn good. I cant wait to see jonny boy in action cause they have teased him enough. Its going to be another one of those much loved conversations between frank and matty. They are nailing the visuals, performances and the sound too. Its really good. Wilson fisk and his anti vigilante agenda is going to be the key to this show i guess. Enough close ups of fisk's fist and just tell what the heck is he upto. Just found out that the actor who played victor ayala passed away which is heartbreaking. May his soul rest in peace.
The second episode had already slowed down the frantic pace of the premiere to focus on worldbuilding and political tensions, and now this one takes things even deeper, using Hector's story as a brutal mirror for Matt. The biggest strength of this episode isn't in over-the-top action scenes or shocking twists, but in how the script lays bare the internal contradictions of its protagonist, contrasting his hesitation to fully embrace Daredevil again with Hector's absolute conviction as White Tiger. It's a narrative choice that might frustrate those expecting a more action-heavy episode, but it adds a much richer emotional depth to Daredevil's return.
And there's no way to talk about this episode without mentioning Kamar de los Reyes. His White Tiger could've easily been just a plot device-a vigilante sacrificed to push Matt's identity crisis-but Kamar's performance elevates the role into something infinitely more memorable. The opening scene, where Matt visits him in prison, already makes it clear that this isn't just another street-level hero trying to prove his innocence. The way he carries tension in his body, the weight in every word he speaks, makes Hector feel real-someone who understands exactly what's at stake but refuses to compromise his principles. He's not just fighting for his freedom; he's fighting for something bigger, for a purpose that Matt has spent a long time trying to ignore. That makes his fate even more tragic and cruel, especially considering the respect and trust he builds with Matt throughout the episode.
Fisk's political arc continues unfolding with an air of inevitability. The former Kingpin is now a mayor focused on consolidating power, but the cost of that legitimacy is starting to show... The emotional distance between him and Vanessa keeps growing, and their breakfast scene-masked as a casual conversation about art-is one of the sharpest moments of the episode. The symbolism of the Francis Bacon painting couldn't be more fitting: a distorted portrait of reality, just like the life Fisk is trying to keep intact while still getting his hands dirty behind the scenes to ensure his plans move forward. And speaking of dirty hands, the episode doesn't shy away from hinting that Fisk might be directly involved in the rising violence across the city, suggesting that his transition to politics doesn't mean he's abandoned his more brutal methods. This duplicity mirrors Matt's own struggles, and the cross-cutting between the two characters, both suppressing their true nature, is one of the smartest visual moments in the episode.
In the courtroom, the tension between Matt and Officer Powell adds another layer of danger to the narrative. Their stare-down in the courthouse bathroom, both still carrying scars from the previous episode, is one of those simple but loaded moments filled with subtext. Powell knows Matt isn't just another lawyer, and Matt knows Powell could destroy him if he decided to talk too much. This fragile balance between justice and self-preservation is what makes "Daredevil" so incredible, and this scene is a reminder that the show's world is never black and white. In the end, it's Powell who twists the situation with false testimony, while Matt finds himself trapped, out of options.
The trial's big twist-Matt revealing that Hector is White Tiger-completely caught me off guard. Like, we know he shouldn't have done it, but it makes sense within his internal conflict. He's trying to win a game where the rules are clearly rigged against him, and in his desperation, he makes a move that may have cost his own client's life. And what makes it even more painful is that Hector, even after being freed, remains exactly who he's always been. He doesn't run, doesn't hide, doesn't abandon his mission. And that's what dooms him.
The final sequence, with the sound of coquis echoing over the credits, is SO tragically beautiful. The memory of Hector's lost paradise-a place he'll never see again-brutally contrasts with the reality of the city that destroyed him. And for Matt, this death isn't just another injustice-it's a wake-up call. Because no matter how much he tries to deny it, he knows he's still Daredevil. He knows he can't just stand by. And now, someone's gonna have to pay for what happened.
Overall, this episode is one of the best in "Born Again" so far and one of the most powerful in the entire "Daredevil" franchise. It captures everything the series does best: complex moral dilemmas, razor-sharp performances, and an overwhelming sense of inevitable tragedy that pits its characters against themselves in painfully human ways. And if the ending is any indication, the real Daredevil is about to come back-and he's not gonna be happy...
And there's no way to talk about this episode without mentioning Kamar de los Reyes. His White Tiger could've easily been just a plot device-a vigilante sacrificed to push Matt's identity crisis-but Kamar's performance elevates the role into something infinitely more memorable. The opening scene, where Matt visits him in prison, already makes it clear that this isn't just another street-level hero trying to prove his innocence. The way he carries tension in his body, the weight in every word he speaks, makes Hector feel real-someone who understands exactly what's at stake but refuses to compromise his principles. He's not just fighting for his freedom; he's fighting for something bigger, for a purpose that Matt has spent a long time trying to ignore. That makes his fate even more tragic and cruel, especially considering the respect and trust he builds with Matt throughout the episode.
Fisk's political arc continues unfolding with an air of inevitability. The former Kingpin is now a mayor focused on consolidating power, but the cost of that legitimacy is starting to show... The emotional distance between him and Vanessa keeps growing, and their breakfast scene-masked as a casual conversation about art-is one of the sharpest moments of the episode. The symbolism of the Francis Bacon painting couldn't be more fitting: a distorted portrait of reality, just like the life Fisk is trying to keep intact while still getting his hands dirty behind the scenes to ensure his plans move forward. And speaking of dirty hands, the episode doesn't shy away from hinting that Fisk might be directly involved in the rising violence across the city, suggesting that his transition to politics doesn't mean he's abandoned his more brutal methods. This duplicity mirrors Matt's own struggles, and the cross-cutting between the two characters, both suppressing their true nature, is one of the smartest visual moments in the episode.
In the courtroom, the tension between Matt and Officer Powell adds another layer of danger to the narrative. Their stare-down in the courthouse bathroom, both still carrying scars from the previous episode, is one of those simple but loaded moments filled with subtext. Powell knows Matt isn't just another lawyer, and Matt knows Powell could destroy him if he decided to talk too much. This fragile balance between justice and self-preservation is what makes "Daredevil" so incredible, and this scene is a reminder that the show's world is never black and white. In the end, it's Powell who twists the situation with false testimony, while Matt finds himself trapped, out of options.
The trial's big twist-Matt revealing that Hector is White Tiger-completely caught me off guard. Like, we know he shouldn't have done it, but it makes sense within his internal conflict. He's trying to win a game where the rules are clearly rigged against him, and in his desperation, he makes a move that may have cost his own client's life. And what makes it even more painful is that Hector, even after being freed, remains exactly who he's always been. He doesn't run, doesn't hide, doesn't abandon his mission. And that's what dooms him.
The final sequence, with the sound of coquis echoing over the credits, is SO tragically beautiful. The memory of Hector's lost paradise-a place he'll never see again-brutally contrasts with the reality of the city that destroyed him. And for Matt, this death isn't just another injustice-it's a wake-up call. Because no matter how much he tries to deny it, he knows he's still Daredevil. He knows he can't just stand by. And now, someone's gonna have to pay for what happened.
Overall, this episode is one of the best in "Born Again" so far and one of the most powerful in the entire "Daredevil" franchise. It captures everything the series does best: complex moral dilemmas, razor-sharp performances, and an overwhelming sense of inevitable tragedy that pits its characters against themselves in painfully human ways. And if the ending is any indication, the real Daredevil is about to come back-and he's not gonna be happy...
"This episode transcended the typical superhero fare, delivering a meticulously crafted courtroom drama that captivated with its thrills, twists, and unexpected turns. At its heart, the hero's emotionally charged yet understated performance left a profound silence in its wake.
The episode served as a powerful reminder of Matt Murdock's legal prowess. We witnessed his strategic brilliance, observing how he and his team meticulously planned their defense. Furthermore, his willingness to deviate from established scripts, though potentially controversial, proved remarkably effective. The narrative deftly explored themes of police corruption, the misappropriation of symbols, and the intrinsic beauty of the values he holds dear, culminating in a poignant lesson about the weight of consequences.
Kamar de los Reyes delivered a tour-de-force performance as Hector Ayala. Despite limited dialogue, his charisma and depth shone through, particularly through his nuanced facial expressions and nonverbal communication. He transformed the character into a compelling force within the courtroom. Disney should undoubtedly champion his guest acting performance during awards season.
The episode's grounded realism, achieved through masterful writing and exceptional acting, resonated deeply. Strikingly, it eschewed spectacle, relying solely on its narrative strength. Moreover, the episode provided a tantalizing glimpse into the overarching story, drawing clear parallels to contemporary social and political issues. The shocking end of the episode draws directly from the comics but updated the events for a deeper sense of disbelief. This episode is a must see.
The episode served as a powerful reminder of Matt Murdock's legal prowess. We witnessed his strategic brilliance, observing how he and his team meticulously planned their defense. Furthermore, his willingness to deviate from established scripts, though potentially controversial, proved remarkably effective. The narrative deftly explored themes of police corruption, the misappropriation of symbols, and the intrinsic beauty of the values he holds dear, culminating in a poignant lesson about the weight of consequences.
Kamar de los Reyes delivered a tour-de-force performance as Hector Ayala. Despite limited dialogue, his charisma and depth shone through, particularly through his nuanced facial expressions and nonverbal communication. He transformed the character into a compelling force within the courtroom. Disney should undoubtedly champion his guest acting performance during awards season.
The episode's grounded realism, achieved through masterful writing and exceptional acting, resonated deeply. Strikingly, it eschewed spectacle, relying solely on its narrative strength. Moreover, the episode provided a tantalizing glimpse into the overarching story, drawing clear parallels to contemporary social and political issues. The shocking end of the episode draws directly from the comics but updated the events for a deeper sense of disbelief. This episode is a must see.
What a perfect drama episode that included absolutely zero action in a marvel show. Im a sucker for court scenes and this episode was delivered one of the most tense court scenes I've seen in a while. It had me really rooting for Hector to win the case.
As a Puerto Rican, I really loved the ongoing mention of Puerto Rico and the coquis throughout the ep.
This episode really resonated with me and I would prob be biased, but it genuinely was the best episode so far in my opinion. Crazy to think it included no action at all.
And ngl when that last scene hit and the end credits roll with the coquis sound. I cried :(
As a Puerto Rican, I really loved the ongoing mention of Puerto Rico and the coquis throughout the ep.
This episode really resonated with me and I would prob be biased, but it genuinely was the best episode so far in my opinion. Crazy to think it included no action at all.
And ngl when that last scene hit and the end credits roll with the coquis sound. I cried :(
Le saviez-vous
- AnecdotesThe fictional Brazilian soft drink "Pingo Doce" appears on a bus stop advertisement. Bruce Banner worked at a Pingo Doce bottling plant in L'Incroyable Hulk (2008).
- GaffesPolice reports are not admissible as evidence. When evidence is admitted, the other side must be able to cross-examine it; one cannot cross-examine the written word. The police officers who wrote the reports could be sworn in as witnesses, but the reports themselves are not admissible.
Under certain circumstances, official government records, such as police reports, are admissible as evidence in many jurisdictions.
- Citations
Vanessa Fisk: [about rogue criminals] They're misbehaving because there's no one at the head of the table. Without you or me there, they'll turn on each other.
Wilson Fisk: They're rats. Rats at the bottom of the barrel. Let them kill each other.
Vanessa Fisk: And when they're done with each other, whoever is left standing will come after you.
- Crédits fousA coqui frog is heard croaking over the closing credits.
- ConnexionsReferences Homicide: The Subway (1997)
- Bandes originalesMi Canto
Written by Salvi Carreras, Franklin Quinonez, Julisa Pineda, and Jose Ramirez
Performed by Salvi ft. Franklin Dam, Yuli, Sitofunk
By arrangement with Bodega Sync
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Détails
- Durée
- 47min
- Couleur
- Mixage
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