Noise

I keep wondering about the rationale behind Netflix producing films with such weak screenplays. The little intrigue that the film offers quickly evaporates once the second act comes on, and the hallucinatory visions the protagonist (Ward Kerremans) keeps having, lack purpose. The protagonist's wife (Sallie Harmsen) takes the perspective of the audience, trying to make sense of it all - hers is the only performance that I took fair notice of, in this mess. The mystery (or the lack of) is so terribly sketched that I felt it had nothing to achieve, even though the protagonist keeps making such a big, nonsensical fuss. The makers also add a couple of pointless jumpscares. In the end, it just feels like you wholly wasted 90-odd minutes.