Dory, la sympathique poisson aux tanins bleus, mais distraite, part à la recherche de ses parents disparus depuis longtemps, et tout le monde apprend quelques petites choses sur le vrai sens... Tout lireDory, la sympathique poisson aux tanins bleus, mais distraite, part à la recherche de ses parents disparus depuis longtemps, et tout le monde apprend quelques petites choses sur le vrai sens de la famille en cours de route.Dory, la sympathique poisson aux tanins bleus, mais distraite, part à la recherche de ses parents disparus depuis longtemps, et tout le monde apprend quelques petites choses sur le vrai sens de la famille en cours de route.
- Nomination aux 1 BAFTA Award
- 17 victoires et 49 nominations au total
Ellen DeGeneres
- Dory
- (voix)
Albert Brooks
- Marlin
- (voix)
Ed O'Neill
- Hank
- (voix)
Kaitlin Olson
- Destiny
- (voix)
Hayden Rolence
- Nemo
- (voix)
Ty Burrell
- Bailey
- (voix)
Diane Keaton
- Jenny
- (voix)
Eugene Levy
- Charlie
- (voix)
Sloane Murray
- Young Dory
- (voix)
Idris Elba
- Fluke
- (voix)
Dominic West
- Rudder
- (voix)
Bob Peterson
- Mr. Ray
- (voix)
- …
Kate McKinnon
- Wife Fish
- (voix)
Torbin Xan Bullock
- Gerald
- (voix)
- …
Andrew Stanton
- Crush
- (voix)
- …
Histoire
Le saviez-vous
- AnecdotesHank has only seven tentacles because the animators realized they could not fit eight onto his body. His backstory was rewritten to account for the missing limb. For similar reasons, in the classic sci-fi film Le monstre vient de la mer (1955) special effects genius Ray Harryhausen was only able to create a stop-motion giant octopus with six tentacles.
- GaffesBailey the beluga whale and Destiny the whale shark are kept in an adjoining enclosure, separated by a rock wall with a metal grate that indicates they are sharing the same water. A beluga whale makes its home in Arctic and sub-Arctic waters, whereas the whale shark is indigenous to tropical and sub-tropical waters. Factually, they would not be kept adjacent to each other in shared waters.
- Crédits fousIn a post-end credits scene, Fluke and Rudder repel another attempt by Gerald to join them on the rock, while the Tank Gang from Le Monde de Nemo (2003) floats by, still in their bags, which are filthy after crossing the ocean -- except for Jacques' bag of course. They begin to celebrate their arrival before being promptly scooped up by researchers from the Marine Life Institute and thrown into a cooler where they will be presumably rescued, rehabilitated and released. The ordeal distracts Fluke and Rudder long enough for Gerald to sneak onto the rock behind them.
- ConnexionsFeatured in The Saturday Show: Épisode #1.3 (2015)
- Bandes originalesWhat a Wonderful World
Written by Bob Thiele (as Robert Thiele) and George David Weiss
Performed by Louis Armstrong
Courtesy of The Verve Music Group
Under license from Universal Music Enterprises
Commentaire à la une
'Finding Nemo' to me has always been one of Pixar's best, colourful, imaginative, hilarious and poignant with great characters (who cannot love Bruce the shark, plus Dory speaking whale is one of Pixar's funniest moments).
Pixar have been hit and miss since 'Up', with some great films like 'Toy Story 3' and 'Inside Out' (which are two of my favourites from the studio) and some disappointments like 'Cars 2' and 'The Good Dinosaur' (don't hate them as much as many others do though, also didn't think 'Brave' was that bad, though it was not the best animated film that year, and liked 'Monsters University'). While it is not as good as 'Finding Nemo', 'Finding Dory' is a worthy sequel and one of their better efforts since 'Up'.
The film does meander in places with occasional draggy pacing and a couple of rather too convenient plot devices, and Dory's memory loss shtick does get repetitive quickly that it does grate too early on. However, the animation is wonderful with an even richer colour palette perhaps than 'Finding Nemo' and matches that film in meticulous detail and visual imagination. The music score is rousing, whimsical and nuanced.
Where Pixar has always excelled at its best is the balance and execution of humour and pathos. Humour and pathos are balanced deftly in 'Finding Dory', with the humour hilarious and in abundance and the pathos bringing genuine tears and emotional power. The story is flawed and doesn't have the imagination or originality of 'Finding Nemo', but the energy, humour and emotion shine through more than brightly and one does relate to Dory in her quest, one that anybody can relate to if in her situation.
Good characters always help and actually are crucial in making a film work. 'Finding Dory' has them, not just Dory, who has lost none of her comic timing but moves the viewer as well, or Marlin and Nemo who bring sweetness and poignancy to the story, but also the scene stealing seals and gleefully entertaining Hank who provides many great moments. One does miss Bruce though. The voice acting is terrific, with Ellen DeGeneres, Albert Brooks and Ed O'Neill being particularly spot on.
To conclude, 'Finding Nemo' is a great film, this reviewer found 'Finding Dory' to be a worthy sequel. 8/10 Bethany Cox
Pixar have been hit and miss since 'Up', with some great films like 'Toy Story 3' and 'Inside Out' (which are two of my favourites from the studio) and some disappointments like 'Cars 2' and 'The Good Dinosaur' (don't hate them as much as many others do though, also didn't think 'Brave' was that bad, though it was not the best animated film that year, and liked 'Monsters University'). While it is not as good as 'Finding Nemo', 'Finding Dory' is a worthy sequel and one of their better efforts since 'Up'.
The film does meander in places with occasional draggy pacing and a couple of rather too convenient plot devices, and Dory's memory loss shtick does get repetitive quickly that it does grate too early on. However, the animation is wonderful with an even richer colour palette perhaps than 'Finding Nemo' and matches that film in meticulous detail and visual imagination. The music score is rousing, whimsical and nuanced.
Where Pixar has always excelled at its best is the balance and execution of humour and pathos. Humour and pathos are balanced deftly in 'Finding Dory', with the humour hilarious and in abundance and the pathos bringing genuine tears and emotional power. The story is flawed and doesn't have the imagination or originality of 'Finding Nemo', but the energy, humour and emotion shine through more than brightly and one does relate to Dory in her quest, one that anybody can relate to if in her situation.
Good characters always help and actually are crucial in making a film work. 'Finding Dory' has them, not just Dory, who has lost none of her comic timing but moves the viewer as well, or Marlin and Nemo who bring sweetness and poignancy to the story, but also the scene stealing seals and gleefully entertaining Hank who provides many great moments. One does miss Bruce though. The voice acting is terrific, with Ellen DeGeneres, Albert Brooks and Ed O'Neill being particularly spot on.
To conclude, 'Finding Nemo' is a great film, this reviewer found 'Finding Dory' to be a worthy sequel. 8/10 Bethany Cox
- TheLittleSongbird
- 1 août 2016
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Buscando a Dory
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 200 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 486 295 561 $US
- Week-end de sortie aux États-Unis et au Canada
- 135 060 273 $US
- 19 juin 2016
- Montant brut mondial
- 1 029 266 989 $US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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