Un romancier qui en a assez que l'establishment profite des divertissements "noirs" utilise un nom de plume pour écrire un livre qui le propulse au cœur de l'hypocrisie et de la folie qu'il ... Tout lireUn romancier qui en a assez que l'establishment profite des divertissements "noirs" utilise un nom de plume pour écrire un livre qui le propulse au cœur de l'hypocrisie et de la folie qu'il prétend mépriser.Un romancier qui en a assez que l'establishment profite des divertissements "noirs" utilise un nom de plume pour écrire un livre qui le propulse au cœur de l'hypocrisie et de la folie qu'il prétend mépriser.
- Récompensé par 1 Oscar
- 63 victoires et 171 nominations au total
Histoire
Le saviez-vous
- AnecdotesIn a 2023 interview with Esquire, Cord Jefferson explained his approach to a key scene in the film and how the actors elevated it in unexpected ways: "We've all seen that scene of the writer pounding the keyboard frantically, then taking a big sip of coffee and getting back to it. That's how you depict somebody intensely writing. But I thought, 'We can't have that. It's tropey and silly, and it doesn't get the audience's minds going.' So why not have these characters manifest in front of him? When I wrote that scene, I wrote the language to be very silly. It had to be ridiculous so that everybody could see how stupid this book is and what a sham it is. Then we got Keith David and Okieriete Onaodowan, who are both such tremendous actors. All of the sudden, it wasn't silly anymore. They made it seem like the book might be good. I love what the scene became in their hands: suddenly you're questioning whether or not the book is good, which is evidence that something as ridiculous as this book could become a hit."
- GaffesAt the movie's beginning, Monk walks out of a building while being on the phone and holding a coffee cup with a vertical print of Dunkin Donuts, and with a lid on it. Seconds later, when he gets into a car, the logo on the cup is horizontally printed and it has no lid, while he is still holding the phone to his head with the other hand.
- Citations
Sintara Golden: Potential is what people see when they think what's in front of them isn't good enough.
- ConnexionsFeatured in 2024 EE BAFTA Film Awards (2024)
- Bandes originalesWithout You
Written by Aubrey Johnson
Performed by Ace Spectrum
Published by Ace Spec Music
Courtesy of Mojo Music and Media
Commentaire à la une
American Fiction is a rightfully angry satire that gets a lot of laughs out of showing how the industry isn't as progressive as it thinks it is. What makes it even better is that it's also a surprisingly investing family drama that is exactly the kind of film it's complaining there aren't enough of.
The only thing that doesn't entirely land is the ending. It's still on point with everything the film has been saying for the past 2 hours and it is gloriously meta but it feels like it comes at the cost of an actually satisfying resolution to the character based drama it's been focusing on. Regardless, it's an interesting swing.
Jeffrey Wright is amazing in an all too rare leading role. It's the constant shock at how gullible everyone is, the glee in writing his parody book (which is visualised in a fun way) and the quieter moments of reflection. It offers further proof of his comedic talents and shows he can command the screen, though that was never in doubt.
With tons of charisma and a restrained sadness, Sterling K. Brown is really good, even if this performance doesn't feel Academy Award worthy. However, that's more of a general complaint with watching films after the nominations are announced since it adds a distracting and unfair disadvantage to any performance nominated.
Cord Jefferson makes an impressive debut with both his screenplay and direction. The writing has so much wit and the direction has the visual staging to back it up for some very clever gags. Laura Karpman's score accomplishes the difficult task of being a constant presence without becoming overbearing thanks to its calm and easygoing nature.
The only thing that doesn't entirely land is the ending. It's still on point with everything the film has been saying for the past 2 hours and it is gloriously meta but it feels like it comes at the cost of an actually satisfying resolution to the character based drama it's been focusing on. Regardless, it's an interesting swing.
Jeffrey Wright is amazing in an all too rare leading role. It's the constant shock at how gullible everyone is, the glee in writing his parody book (which is visualised in a fun way) and the quieter moments of reflection. It offers further proof of his comedic talents and shows he can command the screen, though that was never in doubt.
With tons of charisma and a restrained sadness, Sterling K. Brown is really good, even if this performance doesn't feel Academy Award worthy. However, that's more of a general complaint with watching films after the nominations are announced since it adds a distracting and unfair disadvantage to any performance nominated.
Cord Jefferson makes an impressive debut with both his screenplay and direction. The writing has so much wit and the direction has the visual staging to back it up for some very clever gags. Laura Karpman's score accomplishes the difficult task of being a constant presence without becoming overbearing thanks to its calm and easygoing nature.
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- How long is American Fiction?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Ficción estadounidense
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 21 098 470 $US
- Week-end de sortie aux États-Unis et au Canada
- 224 469 $US
- 17 déc. 2023
- Montant brut mondial
- 22 483 370 $US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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What is the Canadian French language plot outline for Fiction à l'américaine (2023)?
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