Breaking Bad never made murder this much fun! This innovative, intelligent thriller dark comedy with a dash of sci fi traps its characters in a never ending story full of false leads and false endings that takes the audience along for the ride. In a story that's nothing but twists, the audience finds itself trapped in the same puzzle as its characters, and even ways out are not what they seem.
The clever premise is misleadingly straightforward: Femme fatale Skyler gets herself sent to rehab to recruit a crystal meth cook, where she meets college boy chemistry student Milton who got busted for running his own meth lab. Skyler has her hands on 100 lbs of pseudoephedrine and has one day to make it into meth for a multimillion dollar payday. Well actually, her boyfriend Russell has the pseudo. And Russell's psychotic. With trust issues. But on the plus side, he has a plan to break them out and a secluded cabin for the cook. Yet it turns out that making the meth is easy. Getting back out and cashing in on the payday--that's the hard part, a dilemma the characters struggle endlessly to resolve.
What makes the storytelling so much fun is that the audience knows from the beginning that in this somewhat conventional storyline, nothing is what it seems, sharing in the characters' bewilderment to figure out what's really going on. The story starts on the morning of the cook, where Milton finds a video he's already made to explain to himself what's really going on. As he unravels the mystery of his own circumstances, the characters are trapped together and the audience is trapped with them.
Filmmakers Paxson (director) and Guzelian (writer) are a husband-and-wife team who've built their resumes in Los Angeles developing Disney entertainment. They wanted to make a movie of their own and for it to be a departure. They met the cast in New Zealand while filming a season of the Power Rangers. A group collaboration from the beginning, Guzelian wrote the story with input from Paxson, specifically for their New Zealand friends. Filmed in three locations around Los Angeles, the film has an indy feel, limited budget but professionally produced with substance (story and characters) over flash. Tennet plays Skyler with layers of subtlety, and Cawthorne portrays Milton's evolving confusion convincingly, a nerd who's made bad life decisions. Boyland can't quite portray Russell to be as deeply psychotic as he's supposed to be; the actor seems like just too nice of a guy. Special mention to Holloway who took the over-the-top Archer and even went beyond that.
