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L'éveil politique d'un jeune homme et son passage à l'âge adulte au cours des jours et des semaines qui ont précédé les émeutes de Stonewall.L'éveil politique d'un jeune homme et son passage à l'âge adulte au cours des jours et des semaines qui ont précédé les émeutes de Stonewall.L'éveil politique d'un jeune homme et son passage à l'âge adulte au cours des jours et des semaines qui ont précédé les émeutes de Stonewall.
- Récompenses
- 4 nominations au total
Vlad Alexis
- Cong
- (as Vladimir Alexis)
Histoire
Le saviez-vous
- AnecdotesThe Stonewall Inn or sometimes referred as Bonnie's Stonewall Inn was originally built as stables in the mid 19th century. By 1930 it became a Tearoom for heterosexuals. The Stonewall Inn first closed in 1964 after 34 year's of business as a Tearoom when the interior was destroyed by fire. It was restored by three mobsters in 1967 as a gay bathhouse and became the largest gay bar in the US. After the riots in 1969 it shortly closed. For twenty years the Stonewall ran as a Bagel Sandwich Shop, a Chinese Restaurant and shoe store before reopening in 1998 as simply Stonewall.
- GaffesThe timing of Danny's arrival in New York is confused. He leaves Indiana during the fall (it's football season, and the World Series is about to start). But his bus arrives in New York in March (3 months before the Stonewall riots).
- ConnexionsFeatured in Identités trans: Au-delà de l'image (2020)
- Bandes originalesI Say A Little Prayer
Written by Hal David & Burt Bacharach
Performed by Stingray Music
Courtesy of Stingray Music c/o Covered Records, Inc.
Commentaire à la une
Roland Emmerich's biggest mistake was calling the movie "Stonewall" and marketing it as if it were the actual story of the rebellion. It gave people the wrong expectation. It's not a movie about Stonewall. It's a movie about a Midwestern gay man whose story takes place on Christopher street at the time of the riots. It's also in part the story of the first person he meets in New York, played by Jonny Beauchamp, who steals the movie. It's basically a very oddball romance and coming-out story. People wanted an accurate historical epic about the importance of the riots, and the movie isn't that and was never meant to be.
For what it really is, it's a very good movie. Like most "historical" movies there are inaccuracies. The worst distortion is giving Danny the "first brick." That's upset a lot of people, but in the dramatic structure of the movie it's as much about Danny's becoming himself--a gay man throwing away his shame--as it is about the situation he finds himself in. The police are depicted as "bad" in the black-and-white morality of an old-fashioned hero-versus-villain Saturday morning serial. But beyond those inaccuracies and the impossibility of recreating Christopher Street as it was (which seems to be especially upsetting to some New York viewers), the movie is as faithful to its surrounding event as any Shakespeare history play to its, including sympathetic depictions of a very diverse neighborhood of LGBT types.
As a long-time gay activist, I liked the movie a great deal. It feels real as I remember things to have been 46 years ago. I felt a genuine emotional rush during and after the riot. The movie ends with typical historical clean-ups, telling us what became of the real people, like Marsha P Johnson and others who appear in the movie, and mentioning the additional nights of rioting and how they went on to be regarded in LGBT history.
For me the saddest thing about this film is the divisions it's exposed among various components of the LGBT community. This history belongs to all of us, black, brown, white, gay, lesbian, transgender, drag queen, troll, twink, and so on; if we can't honor it in all of our variations, no one else will either. Go to see it as a good story well told, not as a factual documentary. I write this knowing some of you won't be able to, some of you won't want to, and some of you won't believe me. I wish there were something I could do about that, but there isn't.
For what it really is, it's a very good movie. Like most "historical" movies there are inaccuracies. The worst distortion is giving Danny the "first brick." That's upset a lot of people, but in the dramatic structure of the movie it's as much about Danny's becoming himself--a gay man throwing away his shame--as it is about the situation he finds himself in. The police are depicted as "bad" in the black-and-white morality of an old-fashioned hero-versus-villain Saturday morning serial. But beyond those inaccuracies and the impossibility of recreating Christopher Street as it was (which seems to be especially upsetting to some New York viewers), the movie is as faithful to its surrounding event as any Shakespeare history play to its, including sympathetic depictions of a very diverse neighborhood of LGBT types.
As a long-time gay activist, I liked the movie a great deal. It feels real as I remember things to have been 46 years ago. I felt a genuine emotional rush during and after the riot. The movie ends with typical historical clean-ups, telling us what became of the real people, like Marsha P Johnson and others who appear in the movie, and mentioning the additional nights of rioting and how they went on to be regarded in LGBT history.
For me the saddest thing about this film is the divisions it's exposed among various components of the LGBT community. This history belongs to all of us, black, brown, white, gay, lesbian, transgender, drag queen, troll, twink, and so on; if we can't honor it in all of our variations, no one else will either. Go to see it as a good story well told, not as a factual documentary. I write this knowing some of you won't be able to, some of you won't want to, and some of you won't believe me. I wish there were something I could do about that, but there isn't.
- gayspiritwarrior
- 26 sept. 2015
- Permalien
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- How long is Stonewall?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- 石牆風暴
- Lieux de tournage
- Montréal, Québec, Canada(as New York City)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 187 674 $US
- Week-end de sortie aux États-Unis et au Canada
- 112 834 $US
- 27 sept. 2015
- Montant brut mondial
- 292 669 $US
- Durée2 heures 9 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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