Un jeune Américain taïwanais de 13 ans découvre le patinage, le flirt et la véritable essence de l'amour maternel au-delà des enseignements de sa famille.Un jeune Américain taïwanais de 13 ans découvre le patinage, le flirt et la véritable essence de l'amour maternel au-delà des enseignements de sa famille.Un jeune Américain taïwanais de 13 ans découvre le patinage, le flirt et la véritable essence de l'amour maternel au-delà des enseignements de sa famille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 16 victoires et 37 nominations au total
Sunil Mukherjee Maurillo
- Cory
- (as Sunil Maurillo)
Georgie August
- Georgia
- (as Dalila George August)
Histoire
Le saviez-vous
- AnecdotesZhang Li Hua, the actress who plays grandma Nai Nai, is director Sean Wang's real-life grandmother. She had previously co-starred in Wang's Academy Award-nominated documentary short Nai Nai & Wài Pó (2023).
- GaffesOne of the Paramore posters in Vivian's room features a logo with three slashes for the E in "Paramore", which the band didn't start using until 2013. The film takes place in 2008.
- Citations
Vivian Wang: [Bursts into Chris' room, grabs him by the neck] If you ever pee in my bottle of lotion again, I'm gonna period in your mouth when you're asleep.
Chris Wang: [Yells] Mom!
- ConnexionsFeatured in Horrible Reviews: Best Movies I've Seen In 2024 (2025)
Commentaire à la une
Watched this at the 2024 Sundance Film Festival.
Sean Wang perfectly captures the drama, cringe comedy of teenage life, and the Asian American culture with tender sweet performances, good camerawork, and fun characters to explore. Wang's direction on the humor aspects, character personalities and writing felt genuine to the setting and many of the themes on culture, friendship, growing up, and reality is well-handled with the maturity of the direction and writing.
There are uses of 2000's internet culture and media that felt strong and interesting and it is clear that Wang understands how internet culture works and how children are able to act. Because many of the child performances are good and Issac Wang is the star stealer of the entire movie, alongside with Joan Chen.
As someone who is Asian American, many of the themes, culture approaches and the characters were emotionally interesting and it felt purposeful and touching. I personally connected with the characters and what Wang was trying to tell. The humor is good as well.
Some small gripes are that I felt some of the lightening could be better in certain nighttime settings and some of the dialogue could be improved. Overall, this could have turned into a cheesy and annoying movie but with Wang's direction and writing, it becomes a thought-provoking yet tender sweet coming of age movie.
Sean Wang perfectly captures the drama, cringe comedy of teenage life, and the Asian American culture with tender sweet performances, good camerawork, and fun characters to explore. Wang's direction on the humor aspects, character personalities and writing felt genuine to the setting and many of the themes on culture, friendship, growing up, and reality is well-handled with the maturity of the direction and writing.
There are uses of 2000's internet culture and media that felt strong and interesting and it is clear that Wang understands how internet culture works and how children are able to act. Because many of the child performances are good and Issac Wang is the star stealer of the entire movie, alongside with Joan Chen.
As someone who is Asian American, many of the themes, culture approaches and the characters were emotionally interesting and it felt purposeful and touching. I personally connected with the characters and what Wang was trying to tell. The humor is good as well.
Some small gripes are that I felt some of the lightening could be better in certain nighttime settings and some of the dialogue could be improved. Overall, this could have turned into a cheesy and annoying movie but with Wang's direction and writing, it becomes a thought-provoking yet tender sweet coming of age movie.
- Bleu-Le-Fluff-0969
- 27 janv. 2024
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Dìdi
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 4 839 360 $US
- Week-end de sortie aux États-Unis et au Canada
- 207 307 $US
- 28 juil. 2024
- Montant brut mondial
- 5 135 513 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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