NOTE IMDb
5,2/10
3,9 k
MA NOTE
Le sergent Jack Carter doit protéger un témoin crucial pour un procès militaire. Alors que des mercenaires armés débarquent pour les tuer, Carter, n’a qu’une solution : lancer l’assaut.Le sergent Jack Carter doit protéger un témoin crucial pour un procès militaire. Alors que des mercenaires armés débarquent pour les tuer, Carter, n’a qu’une solution : lancer l’assaut.Le sergent Jack Carter doit protéger un témoin crucial pour un procès militaire. Alors que des mercenaires armés débarquent pour les tuer, Carter, n’a qu’une solution : lancer l’assaut.
Danielle Moinet
- Rachel Dawes
- (as Summer Rae)
David James Lewis
- Officer Scott
- (as David Lewis)
Dometrius Hill
- Mercenary
- (non crédité)
Todd Jenkins
- Mercenary
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThis is the first WWE Studios film to feature a WWE Diva with Summer Rae.
- GaffesIn the opening titles, the term "Devil Dogs" is said to have originated during World War II. In fact, the term was coined during World War I, and according to Marine Corps tradition, it referred to the ferocity the Marines showed during the Battle of Belleau Woods in 1918.
- ConnexionsFollowed by The Marine 5: Battleground (2017)
Commentaire à la une
"The Marine 4: Moving Target" succeeds as mindless entertainment. It is related only thematically to "The Marine" (2006), sharing only the basic common elements: a highly capable and decorated former marine attempting to adjust to civilian life, a damsel in distress and a group of ruthless villains with enough firepower to invade the Falklands.
It was produced on a tenth of the budget of the original and its limitations are obvious. The fight choreography is solid, although not of the caliber seen in "Furious 7" or "The Raid." Car chases are fairly lame, on the level of television dramas. The script is an embarrassment, particularly compared to the clever plots developed for the "12 Rounds" movies. Dialogue is hackneyed. Character development is essentially nonexistent. The plot is a rehash of "Eraser" without the locations, character backgrounds, special effects and (thankfully) without that ridiculous portable rail gun.
Given that they haven't anything particularly interesting to say, the actors do a credible job. Mike 'The Miz' Mizanin is believable evincing the virtues of the Marine Corps while feeling awkward in civilian life and uncertain of how to act without clear orders. Josh Blacker is convincing as the relentless, remorseless adversary. They are both adept in the fight scenes. Melissa Roxburgh is not the most gifted thespian to grace a WWE production, but is believable when she stands around looking gorgeous and slightly vulnerable. However, she wears too many clothes throughout. A little more skin would have made her seem more vulnerable and boosted the sexual tension. MacCaull and Moinet do as well as can be expected with what they're given.
The producers might have gotten more bang for their limited bucks by investing more in script development to make the characters more complex, interesting and sympathetic. As a mindless vicarious adrenalin fix, the fight scenes are satisfying and occur with sufficient frequency to compensate for the disappointing car chases and gun battles.
It was produced on a tenth of the budget of the original and its limitations are obvious. The fight choreography is solid, although not of the caliber seen in "Furious 7" or "The Raid." Car chases are fairly lame, on the level of television dramas. The script is an embarrassment, particularly compared to the clever plots developed for the "12 Rounds" movies. Dialogue is hackneyed. Character development is essentially nonexistent. The plot is a rehash of "Eraser" without the locations, character backgrounds, special effects and (thankfully) without that ridiculous portable rail gun.
Given that they haven't anything particularly interesting to say, the actors do a credible job. Mike 'The Miz' Mizanin is believable evincing the virtues of the Marine Corps while feeling awkward in civilian life and uncertain of how to act without clear orders. Josh Blacker is convincing as the relentless, remorseless adversary. They are both adept in the fight scenes. Melissa Roxburgh is not the most gifted thespian to grace a WWE production, but is believable when she stands around looking gorgeous and slightly vulnerable. However, she wears too many clothes throughout. A little more skin would have made her seem more vulnerable and boosted the sexual tension. MacCaull and Moinet do as well as can be expected with what they're given.
The producers might have gotten more bang for their limited bucks by investing more in script development to make the characters more complex, interesting and sympathetic. As a mindless vicarious adrenalin fix, the fight scenes are satisfying and occur with sufficient frequency to compensate for the disappointing car chases and gun battles.
- ginocox-206-336968
- 25 avr. 2015
- Permalien
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Détails
Box-office
- Budget
- 1 950 000 $US (estimé)
- Durée1 heure 30 minutes
- Couleur
- Rapport de forme
- 1.78 : 1
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