Bande de filles
- 2014
- Tous publics
- 1h 53min
NOTE IMDb
6,9/10
10 k
MA NOTE
Une fille avec peu de perspectives dans la vie rejoint une bande, se réinvente et ce faisant gagne en confiance. Toutefois, elle découvre vite que cette nouvelle vie ne la rend pas nécessair... Tout lireUne fille avec peu de perspectives dans la vie rejoint une bande, se réinvente et ce faisant gagne en confiance. Toutefois, elle découvre vite que cette nouvelle vie ne la rend pas nécessairement plus heureuse.Une fille avec peu de perspectives dans la vie rejoint une bande, se réinvente et ce faisant gagne en confiance. Toutefois, elle découvre vite que cette nouvelle vie ne la rend pas nécessairement plus heureuse.
- Récompenses
- 12 victoires et 22 nominations au total
Mariétou Touré
- Fily
- (as Marietou Toure)
Aurélie Vérillon
- La CPE
- (voix)
Histoire
Le saviez-vous
- AnecdotesThe most daunting task for the film was to obtain the rights to the Rihanna song Diamonds, written by Sia. The sequence featuring the song, where the girls lip sync to the lyrics, was shot first before Céline Sciamma obtained the rights. Rihanna and Sia gave them the authorization once they had seen the sequence dedicated to the song, for a minimal fee.
- GaffesAt the very beginning of the movie, the running girl of the red team wearing number 6 is someone else than our main actress Mariam who appears later wearing number 6 as well. We can see her face clearly once she takes of her helmet when the match is over.
- ConnexionsFeatured in Mark Kermode's Secrets of Cinema: Coming of Age (2018)
- Bandes originalesDiamonds
Performed by Rihanna
Written by Sia (as Furler), Tor Erik Hermansen (as Hermansen), Mikkel Storleer Eriksen (as Eriksen), Benny Blanco (as Levin)
© 2012 - EMI Music Publishing Ltd. Matza Ballzack Music, Where Da Kasz At? (BMI) administered by Kobalt Music Group Ltd.
(p) 2012 The Island Def Jam Music Group
Courtesy of EMI Music Publishing France, Matza Ballzack Music, Where Da Kasz At? & Univeral Music Vision
All rights reserved
Produced by Benny Blanco (uncredited), Kuk Harrell (uncredited), Mikkel Storleer Eriksen (uncredited) and Tor Erik Hermansen (uncredited)
Commentaire à la une
The film follows the life of a teen growing up in a rough suburb of Paris. The technic on display is solid, creating strong visual motifs that carry and modulate throughout the film. The director likes showing characters in groups, dominating the frame. The film understands the attraction of a posse to a person not fully confident or formed, and communicates it soundly. She contrasts these images with the more personal shots of people alone, lost. These shots are rare, and really work all the better for it. A two-shot is also in use, but also frequent. There is a dissonance, something not fully confident about these shots, showing the heroine's inability to fully be herself and complete with just one person.
While the visual strategy of the film is sound, it also comes off as somewhat simplified. There is only so much you can tell the viewer with a specific shot structure. And one of the things that stays bland is the main character. She never seem to come together as a person, and while thematically it makes perfect sense, it feel frustrating to watch a film that ask you to follow a progression, only to not get to see any kind of payoff. The development is really minimal, with most of the broad changes happening when we're not around.
Overall, the filmmaking kept me interested moment to moment, and the film does take bold turns in order to take the story and character into different places. But the characters leave a lot to be desired and I just never got into the main character arc.
While the visual strategy of the film is sound, it also comes off as somewhat simplified. There is only so much you can tell the viewer with a specific shot structure. And one of the things that stays bland is the main character. She never seem to come together as a person, and while thematically it makes perfect sense, it feel frustrating to watch a film that ask you to follow a progression, only to not get to see any kind of payoff. The development is really minimal, with most of the broad changes happening when we're not around.
Overall, the filmmaking kept me interested moment to moment, and the film does take bold turns in order to take the story and character into different places. But the characters leave a lot to be desired and I just never got into the main character arc.
- reko-latvanen
- 2 mars 2020
- Permalien
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Girlhood?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Girlhood
- Lieux de tournage
- Cité de la Noue, Bagnolet, Seine-Saint-Denis, France(housing project)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 966 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 60 765 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 667 $US
- 1 févr. 2015
- Montant brut mondial
- 1 862 990 $US
- Durée1 heure 53 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Bande de filles (2014) officially released in India in English?
Répondre