Kong: Skull Island
Une équipe de scientifiques explore une île inconnue du Pacifique, s'aventurant dans le domaine du puissant Kong, et doit se battre pour échapper à un Eden primitif.Une équipe de scientifiques explore une île inconnue du Pacifique, s'aventurant dans le domaine du puissant Kong, et doit se battre pour échapper à un Eden primitif.Une équipe de scientifiques explore une île inconnue du Pacifique, s'aventurant dans le domaine du puissant Kong, et doit se battre pour échapper à un Eden primitif.
- Nommé pour 1 Oscar
- 1 victoire et 23 nominations au total
Histoire
Le saviez-vous
- AnecdotesSamuel L. Jackson said on a talk show that throughout filming, he and his co-stars didn't know just how big Kong was supposed to be. Whenever they asked, they got conflicting answers.
- GaffesThe establishing shot of the Athena shows a CH-47 Chinook helicopter on the bow, four UH-1 Hueys amidships, and one CH-53 Sea Stallion on the stern. In the helicopter battle with Kong later, at least 10 Hueys are shown.
- Citations
Hank Marlow: Hey, what happened with the war? Did we win?
James Conrad: Which one?
Hank Marlow: Uh-huh. That makes sense.
- Crédits fousSPOILER: There is a scene after the closing credits: Brooks and Lin meet Conrad and Weaver and show them records that indicate other monsters existing on Earth; the monsters seen are Rodan, Mothra, King Ghidorah and Godzilla. The scene ends with Godzilla's roar. This leads into Godzilla II : Roi des monstres (2019).
- ConnexionsFeatured in Film '72: Épisode #46.1 (2017)
- Bandes originalesTime Has Come Today
Written by Joseph Chambers and Willie Chambers
Performed by The Chambers Brothers
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Commentaire à la une
A strange movie. It is kind of all over the place with its themes and influences but it has a distinct enough personality and some solid setpieces.
This is a straight adventure story with giant monsters, and the way it's shot and the hammy dialogue are mostly B-movie and comic book derived (check out those Dutch angles and blistering colors and 10 times too big sun, moon, aurora...).
But there's also a clunky Vietnam metaphor that's a straight-up over the top "homage" to Apocalypse Now, et al. The song choices even more so. It makes sense in theory (VietKong anyone?) but I don't think it ever really works and it's just an excuse to make Sam Jackson a bad guy to counterpoint Kong's "human" side.
Characters are fine for the most part. They serve their cardboard purposes and that's what's expected. Hiddleston and Larson in particular feel vastly underdeveloped. Everything they say and do fall instantly from memory and their disappearance from the movie all together wouldn't have changed it that much.
But what we want are monsters and we get them. Most of them are wonders to behold (the water buffalo, spider legs, and octo tentacles yum) except the generic Skullcrawers (the scene where Reilly names them is embarrassing - I don't think Larson or Hiddleston had any idea what to do the dialogue is so ferociously dumb. Reilly almost saves it however).
This Kong feels like a very different movie than the new Godzilla. This is very much an entertaining B-movie with strong comic book influences worn loud and proud. It will be interesting to see how these two worlds collide. If any franchises deserve an extended universe, it's these! That's what they're all about.
This is a straight adventure story with giant monsters, and the way it's shot and the hammy dialogue are mostly B-movie and comic book derived (check out those Dutch angles and blistering colors and 10 times too big sun, moon, aurora...).
But there's also a clunky Vietnam metaphor that's a straight-up over the top "homage" to Apocalypse Now, et al. The song choices even more so. It makes sense in theory (VietKong anyone?) but I don't think it ever really works and it's just an excuse to make Sam Jackson a bad guy to counterpoint Kong's "human" side.
Characters are fine for the most part. They serve their cardboard purposes and that's what's expected. Hiddleston and Larson in particular feel vastly underdeveloped. Everything they say and do fall instantly from memory and their disappearance from the movie all together wouldn't have changed it that much.
But what we want are monsters and we get them. Most of them are wonders to behold (the water buffalo, spider legs, and octo tentacles yum) except the generic Skullcrawers (the scene where Reilly names them is embarrassing - I don't think Larson or Hiddleston had any idea what to do the dialogue is so ferociously dumb. Reilly almost saves it however).
This Kong feels like a very different movie than the new Godzilla. This is very much an entertaining B-movie with strong comic book influences worn loud and proud. It will be interesting to see how these two worlds collide. If any franchises deserve an extended universe, it's these! That's what they're all about.
- spencergrande6
- 21 avr. 2017
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Kong. La Isla Calavera
- Lieux de tournage
- Ha Long Bay, Quang Bình Province, Vietnam(aerial shots of Skull Island)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 185 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 168 052 812 $US
- Week-end de sortie aux États-Unis et au Canada
- 61 025 472 $US
- 12 mars 2017
- Montant brut mondial
- 568 652 812 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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