एक रहस्यमयी शक्ति चंद्रमा को पृथ्वी के ग्रहपथ से बाहर निकाल देती है और उसे जीवन के साथ टकराव के रास्ते पर भेज देती है.एक रहस्यमयी शक्ति चंद्रमा को पृथ्वी के ग्रहपथ से बाहर निकाल देती है और उसे जीवन के साथ टकराव के रास्ते पर भेज देती है.एक रहस्यमयी शक्ति चंद्रमा को पृथ्वी के ग्रहपथ से बाहर निकाल देती है और उसे जीवन के साथ टकराव के रास्ते पर भेज देती है.
- पुरस्कार
- 2 कुल नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाA real astronaut was on set during production as an advisor. Whenever he approached Roland Emmerich and said "That's not really possible," they told him to roll with it because "it's just a movie."
- गूफ़The effect of the Moon is inconsistent throughout the film. People and cars are getting lifted by the gravitational pull while at the same time, debris of mountains hit by incoming Moon rocks fall down at full speed.
- भाव
Sonny Child: I don't wanna move. I hate New Jersey.
- क्रेज़ी क्रेडिटThe Lionsgate, Huayi Brothers and Centropolis Entertainment logos are interspersed with footage of the Apollo 11 mission, and are all together in black and white with TV static.
- साउंडट्रैकAfrica
Performed by TOTO
Written by David Paich and Jeff Porcaro (as Jeffrey Porcaro)
Published by Hudman Publishing Co. Inc. and Rising Storm Music (ASCAP)
Administered by Spirit Four Music (GMR)
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
फीचर्ड रिव्यू
It's been quite some time since I've seen a cast full of talented, well-regarded actors all give performances that are this terrible. To be fair, given this dialogue, I don't think any actor could have pulled off a good performance.
This screenplay was written by guys who have never talked to another human being before. Every line of dialogue is contrived and laughably on the nose, with exposition delivered in a way that sometimes makes Marvel's Eternals feel like a masterclass of writing.
The story has enough logical holes to fit the moon through. Convenience piles on top of convenience to make catastrophe possible, and then to help the characters survive the catastrophe. It's a script that can't withstand even the slightest amount of logical thought.
Moonfall makes just as little sense as 2012, and the characters are just as dull. But, in a way, this film is the more disappointing one because of how much better it could have been.
The character introductions and the setup for the emotional conflicts that these characters are experiencing with each other are actually compelling and somewhat competent. But the writers do NOTHING with these conflicts once they're established. Nobody learns anything; nobody actually overcomes anything or changes at all.
Not that a movie like this really needs masterful character development, but it at least needs something, ANYTHING to make us care and want these characters to succeed. But there's nothing.
Not even the visual effects are particularly good; they're certainly not bad, but no improvements have been made since the 2009 release of 2012, which looked groundbreaking at the time.
Still, I didn't hate watching this. I found myself mesmerised at how the filmmakers were literally dropping the ball every step of the way. If that sort of thing gives you enjoyment, then see this on the biggest screen that you can!
This screenplay was written by guys who have never talked to another human being before. Every line of dialogue is contrived and laughably on the nose, with exposition delivered in a way that sometimes makes Marvel's Eternals feel like a masterclass of writing.
The story has enough logical holes to fit the moon through. Convenience piles on top of convenience to make catastrophe possible, and then to help the characters survive the catastrophe. It's a script that can't withstand even the slightest amount of logical thought.
Moonfall makes just as little sense as 2012, and the characters are just as dull. But, in a way, this film is the more disappointing one because of how much better it could have been.
The character introductions and the setup for the emotional conflicts that these characters are experiencing with each other are actually compelling and somewhat competent. But the writers do NOTHING with these conflicts once they're established. Nobody learns anything; nobody actually overcomes anything or changes at all.
Not that a movie like this really needs masterful character development, but it at least needs something, ANYTHING to make us care and want these characters to succeed. But there's nothing.
Not even the visual effects are particularly good; they're certainly not bad, but no improvements have been made since the 2009 release of 2012, which looked groundbreaking at the time.
Still, I didn't hate watching this. I found myself mesmerised at how the filmmakers were literally dropping the ball every step of the way. If that sort of thing gives you enjoyment, then see this on the biggest screen that you can!
- benjaminskylerhill
- 3 फ़र॰ 2022
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Trăng Rơi
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $15,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,90,60,660
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $98,68,997
- 6 फ़र॰ 2022
- दुनिया भर में सकल
- $6,73,19,703
- चलने की अवधि2 घंटे 10 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें