'Restore Point (2023)' is a Czech sci-fi film about a conspiracy surrounding the planned privatization of a technology that allows people to back-up their brains and be brought back from the dead if they're killed via unnatural means (such as murder). Focusing on a detective with a personal vendetta against the terrorist group she's hunting, the flick presents itself as a slow-burning investigative thriller with occasional bursts of action and a couple of neat twists and turns. Its handsome, clean, probing aesthetic is clearly inspired by the likes of 'Blade Runner 2049 (2017)', albeit with less neon and lashings of rain, and its narrative also takes inspiration from that meditative legacy sequel. Thanks to its conceptually interesting and convincingly conveyed technology and architecture, its version of the future is not only compelling but also surprisingly honest. It's feasible that we're heading in the direction it portrays, with its most potent aspects being extensions of what we're already seeing rather than unattainable fantasies of space battles and laser swords (which are also cool, don't get me wrong). The central idea is intriguing to probe, more from a moral standpoint than a technological one, and it leads to some genuinely exciting questions that hint towards what we've always wondered without feeling as though they succumb to cliché. Although it may be a tiny bit forgettable overall, at least in terms of its specific plot and the relatively low-key way in which it unravels, and its ending is a tiny bit underwhelming (especially considering how engaging the various enigmas leading up to it are), but this is ultimately a confident and absorbing detective thriller that's set in a tangible world, poses some potent questions (without necessarily answering them all), and features a few suspenseful sequences that keep you on the edge of your seat by playing with the picture's established rules in an enjoyable way. It's a really entertaining effort, and it's especially impressive for a directorial debut.
