अपनी भाषा में प्लॉट जोड़ेंAlcoholic lawyer Sydney Carton travels to Paris during the Reign of Terror to rescue French aristocrat Charles Darnay, husband of the woman he loves.Alcoholic lawyer Sydney Carton travels to Paris during the Reign of Terror to rescue French aristocrat Charles Darnay, husband of the woman he loves.Alcoholic lawyer Sydney Carton travels to Paris during the Reign of Terror to rescue French aristocrat Charles Darnay, husband of the woman he loves.
Marc B. Robbins
- Jarvis Lorry
- (as Marc Robbins)
Margaret Dumont
- Aristocrat
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाAccording to director Frank Lloyd, "I met a neighbor of ours, a schoolteacher. I told him of my assignment to make the [Charles Dickens] picture. He was very much impressed. 'What a marvelous opportunity,' he said. 'I think it a privilege to bring the works of Dickens before 60 people, and here you have the chance to bring them before 60 million.' I thought of this latter phrase, I think, all during the making of the picture. I decided it would be more discreet to bring the works of Charles Dickens before--possibly--many million people than the work of Frank Lloyd. For that reason I followed as closely as possible the story of the book. Every historical detail was absolutely correct; all the settings were the result of careful, patient research; and the characterizations and theme of the story were transferred to the screen in such a manner as to accurately follow the author's ideas".
- कनेक्शनFeatured in Chris & Don: A Love Story (2007)
फीचर्ड रिव्यू
Not a great film but I was surprised at how much I enjoyed it. Farnum is excellent in a double role, and Jewel Carmen is sympathetic as Miss Manette. The film owes a lot to D. W. Griffith. The editing style, the plot development, the epic scope and the direction are all, strictly David Wark. However, give the director (Frank Lloyd) credit; he knew a good thing when he saw it, and even if he did copy Griffith, at least he did it well. Frank Lloyd eventually became a very capable director with his own style. Like Griffith he had a way of saying a lot in a few frames and doing it in a satisfying way. He moves things right along and so is able to keep the interest of even a modern viewer. If you are a film student, you could learn a lot about artistic economy from watching this film. However, most of us will just be happy that the director is able to keep our interest, and not waste our time with overly long scenes. Only in the very last couple of minutes does it drag slightly. But I suspect that what we see as dragging today, would have been considered art in 1917. There is also a creative use of double exposures and other effects that give the film a bit of visual excitement.
To the average intelligent viewer - don't go too far out of your way, but if you end up seeing it, it will keep your interest better than many modern films and you will be entertained.
To the average intelligent viewer - don't go too far out of your way, but if you end up seeing it, it will keep your interest better than many modern films and you will be entertained.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Historia en dos ciudades
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 10 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.33 : 1
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