अपनी भाषा में प्लॉट जोड़ेंA Broadway matinee idol famous for his black-face portrayals anonymously joins an amateur acting troupe and falls in love with the leading lady.A Broadway matinee idol famous for his black-face portrayals anonymously joins an amateur acting troupe and falls in love with the leading lady.A Broadway matinee idol famous for his black-face portrayals anonymously joins an amateur acting troupe and falls in love with the leading lady.
Joe Bordeaux
- Auditoning Actor
- (बिना क्रेडिट के)
Sidney Bracey
- Don's Valet
- (बिना क्रेडिट के)
Sidney D'Albrook
- J. Madison Wilberforce
- (बिना क्रेडिट के)
Mary Gordon
- Mother in Audience
- (बिना क्रेडिट के)
Dorothy Vernon
- Mother in Audience
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाThis restored version runs 57 minutes but is still missing about five minutes. The restoration was a joint venture of the Cinematheque Francais, the Motion Picture Academy and Sony Entertainment.
- भाव
Don Wilson, Harry Mann: [after meeting a feminine actor] Who is that? Helen of Troy?
- इसके अलावा अन्य वर्जनIn 1997, Columbia Pictures Industries, Inc., copyrighted a 56-minute restored version of this film with a musical score arranged and conducted by Robert Israel, The addition of modern credits stretched the running time to 57 minutes.
- कनेक्शनFeatured in Frank Capra's American Dream (1997)
फीचर्ड रिव्यू
If this were not an early silent effort by master director Frank Capra, "The Matinée Idol" would likely have remained a lost film. However, this mildly amusing film has been found and restored, and it is well worth seeing to note how deft a director Capra was in his silent works. Led by an attractive pair of leads, Bessie Love and Johnny Walker, the familiar device of a bad stage play getting even worse during an inept performance is used to good effect here (actually used twice) and offers a few chuckles even to those who have seen this done to death in later films from "Auntie Mame" to "Noises Off." Unfortunately, as with many Capra films, there is a bitter aftertaste that lingers in the viewer's mind when the film is over. Using an honest effort by naive "country folks" as the object of amusement for "sophisticated" Broadway audiences is a cruel idea and forms the crux of the plot. Also, Capra has cast the lead actor as a black-face entertainer, which will make some viewers uncomfortable or even appalled, and Capra uses a gay "sissie" stereotype who is the object of other characters' derision, which is even more offensive to contemporary viewers. Although another use of black-face in a Capra film does not come to mind, he was not above using the "sissie" stereotype again, and it reappeared as the Edward Everett Horton character in "Lost Horizon." However, if one can overlook the dated plot and negative stereotyping, "The Matinée Idol" provides an hour of amusement and a peek at the formative years of a great film director.
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