अपनी भाषा में प्लॉट जोड़ेंChester Kent struggles against time, romance, and a rival's spy to produce spectacular live "prologues" for movie houses.Chester Kent struggles against time, romance, and a rival's spy to produce spectacular live "prologues" for movie houses.Chester Kent struggles against time, romance, and a rival's spy to produce spectacular live "prologues" for movie houses.
- पुरस्कार
- कुल 1 जीत
- Chorus Girl
- (बिना क्रेडिट के)
- Chorus Girl
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाThis film was selected to the National Film Registry, Library of Congress, in 1992.
- गूफ़After the "By A Waterfall" prologue ends, the film cuts to the audience giving an animated and thunderous applause, but in the balcony there is no applause or reaction. In fact, there is no movement whatsoever. They are perfectly still which indicates that a photo or painting was used for the balcony audience and then merged with the live theatre audience. The same photo/painting was also used for the "Shanghai Lil" balcony audience.
- भाव
Nan Prescott: You scram, before I wrap a chair around your neck!
Vivian Rich: [Angrily] It's three o'clock in the morning - where do you want me to go?
[Nan starts to speak, but Vivian immediately cuts her off]
Vivian Rich: You cheap stenographer...
Nan Prescott: Outside, countess. As long as they've got sidewalks YOU'VE got a job.
[Shoves her out, gives her a swift kick in the rump, and slams the door behind her]
- इसके अलावा अन्य वर्जनThere is an Italian edition of this film on DVD, distributed by DNA srl, "VIVA LE DONNE! (1933) + AMORE IN OTTO LEZIONI (1936)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- कनेक्शनEdited into Busby Berkeley and the Gold Diggers (1969)
- साउंडट्रैकShanghai Lil
(1933) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Played during the opening credits and often in the score
Performed by James Cagney, Ruby Keeler and Chorus
The realistic, satirical treatment gives a fresh edge to the material and its pace and line delivery are breathtaking. To think that they only started making feature talking pictures 7 years before this! The brilliance of the dialogue cannot be matched anywhere today, especially considering that "realism" has taken over and engulfed contemporary cinema.
This film was made at a time when the Hayes code restricting content was being ignored and the result is a fresh, self-referential, critical and living cinema that spoke directly to contemporary audiences suffering through the depression and the general angst of the age. I'd recommend watching any film from this period, that is 1930-1935, for a vision of what popular cinema can potentially be.
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Živele žene
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $7,03,000(अनुमानित)
- चलने की अवधि1 घंटा 44 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1