अपनी भाषा में प्लॉट जोड़ेंA woman (Kay Francis) with two husbands (Monroe Owsley, Henry Kolker) tries to divorce one of them by heading down to Havana where things get more complicated.A woman (Kay Francis) with two husbands (Monroe Owsley, Henry Kolker) tries to divorce one of them by heading down to Havana where things get more complicated.A woman (Kay Francis) with two husbands (Monroe Owsley, Henry Kolker) tries to divorce one of them by heading down to Havana where things get more complicated.
Irving Bacon
- Grover - Brooks' Chauffeur
- (बिना क्रेडिट के)
Maurice Black
- Cuban Jewelry Salesman
- (बिना क्रेडिट के)
George Chandler
- Joe - Desk Clerk
- (बिना क्रेडिट के)
Heinie Conklin
- Mr. Smith - Man Exiting Room 410
- (बिना क्रेडिट के)
Gino Corrado
- Gino - Hotel Metropole Waiter #2
- (बिना क्रेडिट के)
Bill Elliott
- Partygoer
- (बिना क्रेडिट के)
George Humbert
- Hotel Metropole Waiter #1
- (बिना क्रेडिट के)
John Sheehan
- Ship Bartender
- (बिना क्रेडिट के)
Leo White
- Porter in Cuba
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाFirst film pairing of Kay Francis and George Brent. They would co-star in a total of six films together, all at Warner Bros. Their six film collaborations are The Keyhole (1933), Stranded (1935), Living on Velvet (1935), The Goose and the Gander (1935), Give Me Your Heart (1936), and Secrets of an Actress (1938).
- गूफ़In the restaurant of the Hotel Metropole in Havana, the supposedly Cuban waiters (one of whom is referred to as "Pedro") speak to each other in Italian rather than Spanish. The actors playing these roles, George Humbert and Gino Corrado, were both born in Florence, Italy.
- भाव
Ann Brooks: [to Maurice] And the next time you try to kill yourself, let me know; I'd love to help you.
- कनेक्शनRemade as Romance on the High Seas (1948)
फीचर्ड रिव्यू
"The Key Hole" is one of those "If you've seen one, you've seen them all" type films, though it's certainly not bad. Francis plays Ann Brooks, married to a wealthy man (Henry Kolker).
Ann was married before, to Maurice (Monroe Owsley) who never got the divorce he promised her and is now blackmailing her because of it. She works out a scheme with her sister-in-law Portia (Helen Ware) to lure him out of the country, and then Portia would use her influence to have his visa taken away.
As part of the plan, Ann heads for Havana by ship, with Maurice following. Her suspicious husband has hired a detective, Neil Davis (George Brent) to try and seduce her, and along with Brent comes his spy, Hank Wales (Allen Jenkins). Wales meets Dot (Glenda Farrell), and these two provide the film's humor.
Well, you can guess what happens.
Kay Francis wears many fabulous gowns. I used to think the kind of lifestyle her character lived was just in the movies until I saw a 1930s Vogue magazine. What a formal time that was, with people dressing to the nines for lunch and to do any kind of traveling.
Almost all the ads in Vogue were for trips on ocean liners. We've come a long way, and I'm not sure that's a good thing.
Anyway, the film is predictable, but Francis is good, as are Jenkins and Farrell. Brent is very smooth and charming.
Kay Francis made these films by the truckload, and I have to admit I watch them when they appear on TCM. She really epitomizes that early '30s era for me - an era that has not one vestige of it visible today.
Ann was married before, to Maurice (Monroe Owsley) who never got the divorce he promised her and is now blackmailing her because of it. She works out a scheme with her sister-in-law Portia (Helen Ware) to lure him out of the country, and then Portia would use her influence to have his visa taken away.
As part of the plan, Ann heads for Havana by ship, with Maurice following. Her suspicious husband has hired a detective, Neil Davis (George Brent) to try and seduce her, and along with Brent comes his spy, Hank Wales (Allen Jenkins). Wales meets Dot (Glenda Farrell), and these two provide the film's humor.
Well, you can guess what happens.
Kay Francis wears many fabulous gowns. I used to think the kind of lifestyle her character lived was just in the movies until I saw a 1930s Vogue magazine. What a formal time that was, with people dressing to the nines for lunch and to do any kind of traveling.
Almost all the ads in Vogue were for trips on ocean liners. We've come a long way, and I'm not sure that's a good thing.
Anyway, the film is predictable, but Francis is good, as are Jenkins and Farrell. Brent is very smooth and charming.
Kay Francis made these films by the truckload, and I have to admit I watch them when they appear on TCM. She really epitomizes that early '30s era for me - an era that has not one vestige of it visible today.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Genom nyckelhålet
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,69,000(अनुमानित)
- चलने की अवधि1 घंटा 9 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.37 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें