अपनी भाषा में प्लॉट जोड़ेंThe 16th-century sculptor woos the Duchess of Florence despite the duke.The 16th-century sculptor woos the Duchess of Florence despite the duke.The 16th-century sculptor woos the Duchess of Florence despite the duke.
- 4 ऑस्कर के लिए नामांकित
- 4 कुल नामांकन
Jack Rutherford
- Captain of the Guards
- (as John Rutherford)
Lucille Ball
- Lady-in-Waiting
- (बिना क्रेडिट के)
Bonnie Bannon
- Girl
- (बिना क्रेडिट के)
Lionel Belmore
- Court Member
- (बिना क्रेडिट के)
Ward Bond
- Palace Guard Finding Cellini's Clothes
- (बिना क्रेडिट के)
Lane Chandler
- Jailer
- (बिना क्रेडिट के)
James Flavin
- Palace Guard
- (बिना क्रेडिट के)
Bess Flowers
- Lady-in-Waiting
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाThe play, "The Firebrand of Florence," opened on Broadway in New York City, New York, USA on 15 October 1924 and closed in May 1925 after 261 performances. The opening night cast included Nana Bryant as the Duchess, Frank Morgan as Allessandro (same role as in the movie), Edward G. Robinson as Ottaviano and Joseph Schildkraut as Cellini.
- भाव
Duchess of Florence: Jelly - how like the men of our times.
फीचर्ड रिव्यू
Stumbling across a neat little 80-minute gem like 1934's The Affairs of Cellini is reason enough to lease satellite TV (or a really good cable service, a contradiction in terms if ever there was one). Viewing it almost nearly 70 years after its premiere allows even the neophyte cineaste a neat precis of the progress (or lack of same) that film has made since then, plus primers in ace character acting and deft characterization by the writers.
The film centers on 16th-century Florence, a hotbed of wealth and intrigue run by a family you might of heard of (the Medicis), and one of its leading artisans, the goldsmith Benvenuto Cellini. Cellini (about whom Hector Berlioz wrote an opera and numerous poems and stories have been penned) is sort of a hybrid of Robin Hood and the Scarlet Pimpernel, with a dash of Don Juan thrown in for fun. Played by the very young, unabashedly gorgeous and surprisingly athletic Fredric March (seen many years later in such classics as Inherit the Wind, The Bridges at Toko-Ri and The Best Years of Our Lives), Cellini's a stiffnecked anti-aristocrat that the Duke of Florence (played hilariously by The Wizard of Oz himself, Frank Morgan) and his lethal-seductress wife (Fox's big star of the mid-'30s, Constance Bennett) can't seem to do without, so skilled at goldsmithing and seduction is he.
Toss in Fay Wray (the year after making Kong go ape), Fox stalwart Louis Calhern in the Basil Rathbone role and the VERY young Lucille Ball in a supporting role, oodles of classic B&W cinematography, snappy directorial pace (by Fox veteran Gregory La Cava) and quasi-operatic sets and decoration, and you've got the kind of lunchtime matinee that 24-hour classic movie channels like Turner Classic and Fox Movies (where this can be seen at least twice a month) were meant to provide.
The film centers on 16th-century Florence, a hotbed of wealth and intrigue run by a family you might of heard of (the Medicis), and one of its leading artisans, the goldsmith Benvenuto Cellini. Cellini (about whom Hector Berlioz wrote an opera and numerous poems and stories have been penned) is sort of a hybrid of Robin Hood and the Scarlet Pimpernel, with a dash of Don Juan thrown in for fun. Played by the very young, unabashedly gorgeous and surprisingly athletic Fredric March (seen many years later in such classics as Inherit the Wind, The Bridges at Toko-Ri and The Best Years of Our Lives), Cellini's a stiffnecked anti-aristocrat that the Duke of Florence (played hilariously by The Wizard of Oz himself, Frank Morgan) and his lethal-seductress wife (Fox's big star of the mid-'30s, Constance Bennett) can't seem to do without, so skilled at goldsmithing and seduction is he.
Toss in Fay Wray (the year after making Kong go ape), Fox stalwart Louis Calhern in the Basil Rathbone role and the VERY young Lucille Ball in a supporting role, oodles of classic B&W cinematography, snappy directorial pace (by Fox veteran Gregory La Cava) and quasi-operatic sets and decoration, and you've got the kind of lunchtime matinee that 24-hour classic movie channels like Turner Classic and Fox Movies (where this can be seen at least twice a month) were meant to provide.
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विवरण
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