Tom, Dick and Harry

TOM DICK AND HARRY gives Ginger Rogers another chance to play an infantile woman (remember THE MAJOR AND THE MINOR, MONKEY BUSINESS and IT HAD TO BE YOU). It's a screwball comedy so it works (to a degree) but she sort of overdoes the job of making this girl a complete dumb-dumb. So, in the end, she makes the right choice when she must choose between three suitors.

She has to decide whether to marry a poor, down-on-his-luck bohemian (BURGESS MEREDITH), a wealthy playboy millionaire (ALAN MARSHAL), or a conservative square (GEORGE MURPHY). Considering that she has no brains whatsoever, she chooses--well, you have to see the movie to find out.

The cute ending provides an original twist to a decidedly unoriginal story which gets a boost from its personable cast. Rogers is delightful enough when she isn't being a bit irritating with her baby-voiced coyness, and the men are splendid as her bewildered suitors. Alan Marshal is much livelier than usual in his playboy role--so much so that you have to wonder why Hollywood didn't find better roles for him as a romantic lead.

Ginger's fans will love this one--but I couldn't help thinking she played it a little too dumb at times.

Summing up: A screwball comedy that could have used a brighter script but the dream sequences are well done, thanks to director Garson Canin's way with wacky comedy.