IMDb रेटिंग
6.3/10
2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAfter being wronged by the Caribbean authorities, a Dutch captain turns pirate to wage war.After being wronged by the Caribbean authorities, a Dutch captain turns pirate to wage war.After being wronged by the Caribbean authorities, a Dutch captain turns pirate to wage war.
- 1 ऑस्कर के लिए नामांकित
- कुल 1 नामांकन
Jack La Rue
- Lt. Escobar
- (as Jack LaRue)
Demetrius Alexis
- Officer
- (बिना क्रेडिट के)
Don Avalier
- Pirate
- (बिना क्रेडिट के)
Martha Bamattre
- Innkeeper
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाIn defiance of studio tradition, hairy-chested Paul Henreid refused to submit himself to the usual waxing, and appears throughout the film bare-chested and open-shirted with his furry chest intact.
- गूफ़The Governor, upon meeting the Contessa for the first time, wants to see the Barracuda, who is still aboard his pirate ship. He wants to meet him "at once", and she accompanies him. The next scene, arriving by dinghy to the ship, he is in the same uniform he left his office, while the Contessa wears a new outfit, and hair-dress with adornments that could have taken hours to redo.
- भाव
Don Juan Alvarado: My dear child, there is no reason why we shouldn't be married tomorrow.
Contessa Francesca: Tomorrow, your excellency?
Don Juan Alvarado: Well, yesterday, unfortunately, is impossible.
- क्रेज़ी क्रेडिटOpening credits prologue: The Spanish Main--cruel, oppressive and ruthless, where power alone was a man's single title to everything he held dear, including his very life. It was, thus, a cruel fate that a peaceful Dutch pilgrim ship should be driven there by torrential waves--and crash upon the rocks immediately outside Cartagena, its most remorseless citadel.
- कनेक्शनFeatured in Blackbeard, the Pirate (1952)
- साउंडट्रैकWhat Shall We Do with the Drunken Sailor?
(uncredited)
Traditional sea shanty
फीचर्ड रिव्यू
Paul Henreid apparently wanted his home studio Warner Brothers to make this, but in 1944, that studio was firmly committed to making large -scale war films, and besides, its number one star was Errol Flynn who was (and is) THE swashbuckler. So Henreid took it to RKO and, through a contractual sleight of hand, negotiated his release from Warners to make it at this normally low-budget studio. He should not have bothered.
The main problem with the film is that its central role is miscast. Henreid is both too effete and a bit too old for the part, and next to Miss O'Hara (who as usual, looks ravishing in colour) rather bland and lifeless. He is also clearly doubled in some of the duels.
The music score by Hanns Eisler (a surprising choice) is gestural note-spinning with not one memorable theme to sweep us along. He should have watched The Sea Hawk and listened to Korngold's thrilling score to see how this should be done.
As usual, Walter Slezak effortlessly steal every scene he is in and is a delight. When he is not on screen, the film sags. No wonder he was cast in so many similar roles in the 1940s.
This was RKO's first colour film but most prints I have seen are very poor - either faded, or overly gaudy as a result of the three-strip technicolor separations becoming unstable and running together. It is unlikely to be restored as I doubt the original elements survive.
The ingredients were all there but refused to gel somehow. Maybe if Jack Warner had said yes, it might have been better - and Korngold would have jumped at the chance I am sure! The supporting cast is full of familiar faces (J.M.Kerrigan, Jack La Rue, Curt Bois, Mike Mazurki, Antonio Moreno) and they provide some badly needed substance in this weak entry in the genre.
The main problem with the film is that its central role is miscast. Henreid is both too effete and a bit too old for the part, and next to Miss O'Hara (who as usual, looks ravishing in colour) rather bland and lifeless. He is also clearly doubled in some of the duels.
The music score by Hanns Eisler (a surprising choice) is gestural note-spinning with not one memorable theme to sweep us along. He should have watched The Sea Hawk and listened to Korngold's thrilling score to see how this should be done.
As usual, Walter Slezak effortlessly steal every scene he is in and is a delight. When he is not on screen, the film sags. No wonder he was cast in so many similar roles in the 1940s.
This was RKO's first colour film but most prints I have seen are very poor - either faded, or overly gaudy as a result of the three-strip technicolor separations becoming unstable and running together. It is unlikely to be restored as I doubt the original elements survive.
The ingredients were all there but refused to gel somehow. Maybe if Jack Warner had said yes, it might have been better - and Korngold would have jumped at the chance I am sure! The supporting cast is full of familiar faces (J.M.Kerrigan, Jack La Rue, Curt Bois, Mike Mazurki, Antonio Moreno) and they provide some badly needed substance in this weak entry in the genre.
- brendangcarroll
- 13 मई 2011
- परमालिंक
टॉप पसंद
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विवरण
बॉक्स ऑफ़िस
- बजट
- $20,00,000(अनुमानित)
- चलने की अवधि1 घंटा 40 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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