IMDb रेटिंग
7.0/10
4.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAfter marrying her long-lost love, a musician finds the relationship threatened by a wealthy composer who is besotted with her.After marrying her long-lost love, a musician finds the relationship threatened by a wealthy composer who is besotted with her.After marrying her long-lost love, a musician finds the relationship threatened by a wealthy composer who is besotted with her.
John Alban
- Concertgoer
- (बिना क्रेडिट के)
Russell Arms
- Music Student
- (बिना क्रेडिट के)
Lois Austin
- Norma - Wedding Guest
- (बिना क्रेडिट के)
Patricia Barry
- Music Student
- (बिना क्रेडिट के)
Brandon Beach
- Concertgoer
- (बिना क्रेडिट के)
Lulu Mae Bohrman
- Restaurant Diner
- (बिना क्रेडिट के)
Paul Bradley
- Concertgoer
- (बिना क्रेडिट के)
James Carlisle
- Restaurant Diner
- (बिना क्रेडिट के)
Gertrude Carr
- Wedding Guest
- (बिना क्रेडिट के)
James Conaty
- Well-Wisher at Concert
- (बिना क्रेडिट के)
Marcelle Corday
- Hat Check Woman
- (बिना क्रेडिट के)
Gino Corrado
- Waiter
- (बिना क्रेडिट के)
Suzi Crandall
- Music Student
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाPaul Henreid could not play the cello. While he was able to fake it in the long shots, to achieve the illusion in closeup, he wore a special jacket with no sleeves and holes for two real cellists to insert their arms - one to bow, and one to accurately finger the music - while seated behind him, out of shot.
- गूफ़While Christine, alone in her studio, is talking to Alexander Hollenius on the telephone, the highly visible shadow of a crew member is moving back and forth across the piano behind her.
- भाव
Alexander Hollenius: [to Christine] Good evening, my dear. Why, you look positively majestic. I think I'd better remain seated.
- कनेक्शनEdited into Dead Men Don't Wear Plaid (1982)
- साउंडट्रैकHollenius' Cello Concerto
Music by Erich Wolfgang Korngold
Performed by Paul Henreid (dubbed by Eleanor Slatkin)
फीचर्ड रिव्यू
I'll dispense with the details of the plot and move directly to Mr. Rains' performance as Hollenius the composer in this musico-melodrama.
This is his show although Davis and Henreid attempt to hold their own in this film.
His flair for manipulation and deception, hence the title, dominates the film.
He does a great job of it, driving everyone crazy with his shenanigans and jealousy.
The cinematography is well done and the story's setting in the world of post-WW II classical/modern music is interesting.
I noted that early on, for instance, as Henreid finished a performance, audience members asked him who his favorite living composer was..."Sibelius...or Shostakovich...?" No mention of Aaron Copland or the many other composers alive at the time.
Hollenius' work as a composer was a curious mix of tonal, traditional and slightly atonal influences, attempting to display "modern" music but watered down to keep the audience and us interested.
The mimicking of the piano and cello performances by all three actors was fairly well done.
I found it quite interesting too that both Davis and Rains were not "starving artists" like Henreid. Opulent apartments and lifestyles for piano teachers and composers were not common, but these two were well-off in an even garish sense.
This was not the reality of the time in the music world.
I'd recommend this film if you're a Rains or Davis fan. Henreid was not used for his full potential.
This is his show although Davis and Henreid attempt to hold their own in this film.
His flair for manipulation and deception, hence the title, dominates the film.
He does a great job of it, driving everyone crazy with his shenanigans and jealousy.
The cinematography is well done and the story's setting in the world of post-WW II classical/modern music is interesting.
I noted that early on, for instance, as Henreid finished a performance, audience members asked him who his favorite living composer was..."Sibelius...or Shostakovich...?" No mention of Aaron Copland or the many other composers alive at the time.
Hollenius' work as a composer was a curious mix of tonal, traditional and slightly atonal influences, attempting to display "modern" music but watered down to keep the audience and us interested.
The mimicking of the piano and cello performances by all three actors was fairly well done.
I found it quite interesting too that both Davis and Rains were not "starving artists" like Henreid. Opulent apartments and lifestyles for piano teachers and composers were not common, but these two were well-off in an even garish sense.
This was not the reality of the time in the music world.
I'd recommend this film if you're a Rains or Davis fan. Henreid was not used for his full potential.
- blitzebill
- 15 नव॰ 2013
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Deception?Alexa द्वारा संचालित
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