अपनी भाषा में प्लॉट जोड़ेंA showgirl stranded in a Wyoming town ends up being hired as a maid at a ranch.A showgirl stranded in a Wyoming town ends up being hired as a maid at a ranch.A showgirl stranded in a Wyoming town ends up being hired as a maid at a ranch.
John Hubbard
- Richard Raymond
- (as Anthony Allan)
Charles Dorety
- Barker
- (काटे गए सीन)
Ralph McCullough
- Barker
- (काटे गए सीन)
कहानी
क्या आपको पता है
- ट्रिवियाThe first of ten movies starring Ann Sothern as the heroine Maisie Ravier.
- गूफ़When Slim Martin shoots out the flames in the arcade, he fires one too many times. We hear the shots fired one by one, and we see the flames going out, one for each shot. Then the scene cuts away with just one flame left, but we hear two more rifle shots.
- भाव
'Slim' Martin: What kind of language do you understand?
Maisie Ravier: English and doubletalk.
- कनेक्शनFollowed by Congo Maisie (1940)
- साउंडट्रैकLittle Joe the Wrangler
Music by Friedrich Hollaender
Lyrics by Frank Loesser
Played on guitar by Cliff Edwards and on harmonica by Art Mix and sung by the ranch hands
फीचर्ड रिव्यू
Plot-- A jobless brassy blonde worms her way into a spot on a Wyoming cattle ranch thanks to an infatuation with the foreman. There she gets mixed up with the cultured ranch owner and his philandering wife.
Ann Sothern brings off the wise-cracking Maisie in winning fashion. At times she's a little much, but the role's harder than it may look. She's got to be feisty, on one hand, without becoming dislikable, on the other. And that's a challenge since most every line is caustic even if humorous. I really liked the first part where Maisie sort of knocks around eking out a living. But once she settles in on Slim's (Young) ranch and gets involved with the Ames's (Hunter and Hussey), plot takes over and personality recedes. Looks to me like the screenwriter didn't know where to take the storyline, and reached for something melodramatic. Whatever the reason, the two parts don't blend that well despite Sothern's lively bridging performance.
On a different note, catch how Maisie's rather dubious background is finessed. It may not be exactly respectable, but no hint of anything immoral. There were quite a few movie series at the time (1939), mostly amateur sleuths, Charlie Chan, The Falcon, et al. The Maisie series, I believe, was one of the few to feature a female lead. Still, Sothern's so good in the tradition of sassy 30's dames, I'm not surprised a number of sequels followed.
On the whole, the movie's a Sothern showcase with a solid line-up of supporting players-- nice guy Young, a classy Hunter, and a vixenish Hussey. So catch the first part, especially.
Ann Sothern brings off the wise-cracking Maisie in winning fashion. At times she's a little much, but the role's harder than it may look. She's got to be feisty, on one hand, without becoming dislikable, on the other. And that's a challenge since most every line is caustic even if humorous. I really liked the first part where Maisie sort of knocks around eking out a living. But once she settles in on Slim's (Young) ranch and gets involved with the Ames's (Hunter and Hussey), plot takes over and personality recedes. Looks to me like the screenwriter didn't know where to take the storyline, and reached for something melodramatic. Whatever the reason, the two parts don't blend that well despite Sothern's lively bridging performance.
On a different note, catch how Maisie's rather dubious background is finessed. It may not be exactly respectable, but no hint of anything immoral. There were quite a few movie series at the time (1939), mostly amateur sleuths, Charlie Chan, The Falcon, et al. The Maisie series, I believe, was one of the few to feature a female lead. Still, Sothern's so good in the tradition of sassy 30's dames, I'm not surprised a number of sequels followed.
On the whole, the movie's a Sothern showcase with a solid line-up of supporting players-- nice guy Young, a classy Hunter, and a vixenish Hussey. So catch the first part, especially.
- dougdoepke
- 6 मार्च 2017
- परमालिंक
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