IMDb रेटिंग
7.1/10
38 हज़ार
आपकी रेटिंग
तीन दोस्त पेरिस में काम खोजने के लिए संघर्ष करते हैं। चीजें तब और जटिल हो जाती हैं जब उनमें से दो एक ही महिला के प्यार में पड़ जाते हैं।तीन दोस्त पेरिस में काम खोजने के लिए संघर्ष करते हैं। चीजें तब और जटिल हो जाती हैं जब उनमें से दो एक ही महिला के प्यार में पड़ जाते हैं।तीन दोस्त पेरिस में काम खोजने के लिए संघर्ष करते हैं। चीजें तब और जटिल हो जाती हैं जब उनमें से दो एक ही महिला के प्यार में पड़ जाते हैं।
- 6 ऑस्कर जीते
- 11 जीत और कुल 7 नामांकन
Georges Guétary
- Henri Baurel
- (as Georges Guetary)
Robert Ames
- Ballet Dancer
- (बिना क्रेडिट के)
Joan Anderson
- Child in Ballet
- (बिना क्रेडिट के)
Marie Antoinette Andrews
- News Vendor
- (बिना क्रेडिट के)
Larry Arnold
- Frenchman
- (बिना क्रेडिट के)
Martha Bamattre
- Mathilde Mattieu
- (बिना क्रेडिट के)
Felice Basso
- Ballet Dancer
- (बिना क्रेडिट के)
Charles Bastin
- Smiling Young Man
- (बिना क्रेडिट के)
Joan Bayley
- Ballet Dancer
- (बिना क्रेडिट के)
Janine Bergez
- Girl
- (बिना क्रेडिट के)
Rodney Bieber
- Ballet Dancer
- (बिना क्रेडिट के)
Madge Blake
- Edna Mae Bestram
- (बिना क्रेडिट के)
Ralph Blum
- Patron at Flodair Café
- (बिना क्रेडिट के)
Nan Boardman
- Maid
- (बिना क्रेडिट के)
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
कहानी
क्या आपको पता है
- ट्रिवियाLeslie Caron had suffered from malnutrition during World War II and was not used to the rigorous schedule of filming a movie. Because she would tire so easily, she was only able to work every other day to the annoyance of Gene Kelly.
- गूफ़Adam is seen in his studio three times. When first seen, he is alone and playing a black baby grand. The second time, he is playing a brown baby grand upon which Jerry dances. In the third sequence, he is again alone and playing the black grand. Perhaps the brown piano was fashioned to accommodate and withstand Jerry's dancing on it.
- भाव
Jerry Mulligan: That's... quite a dress you almost have on.
Milo Roberts: Thanks.
Jerry Mulligan: What holds it up?
Milo Roberts: Modesty.
- क्रेज़ी क्रेडिटAnd Presenting The American In Paris Ballet
- इसके अलावा अन्य वर्जनIn 1995 a restored version was prepared for release on video/laserdisc, with the 18-minute ending ballet soundtrack reprocessed in stereo.
- कनेक्शनEdited into Histoire(s) du cinéma: Seul le cinéma (1994)
- साउंडट्रैकOur Love Is Here to Stay
(1937) (uncredited)
Music by George Gershwin
Lyrics by Ira Gershwin
Sung by Gene Kelly
Danced by Gene Kelly and Leslie Caron
Played often in the score as the love theme between Jerry and Lise
फीचर्ड रिव्यू
Don't get me wrong: the musical numbers are still top rate. Watching Kelly dance anything from the tap on the sidewalks to the full blown ballet at the end is still very much a marvel to behold. But the story? Ehhhh... not so much.
Granted, plots in MGM musicals are pretty thin affairs anyway, little more than slight variations on their Broadway cousins (who, at the time, weren't anywhere near Shakespeare themselves!): stock formulae that involved a boy and a girl and a happy ending. But in American IN Paris, we're to somehow believe that Gene and Leslie are a perfect couple from their very first glance, even though it means trampling all over the feelings of the two people genuinely in love with these two (and Lord only knows why). Poor Nina Foch gets the worst of it: her storyline doesn't even get a proper resolution... and I'm not quite sure I hold to the idea that she wanted to make Kelly a "kept man": instead, she comes across as a woman who falls in love way too easily and has the cash on hand to help her man of the moment realize his own dream with little thought of her own. Certainly she gets twisted in all directions from the moment Kelly, spurned by Caron, shows up at her apartment, seemingly ready to accept her a "real woman"... only to discover that she's just a rebound relationship -- and we all know how well those work out, right? Meanwhile, the guy who's kept Caron's body and soul together comes across as the kind of nice guy that would do *anything* to keep his wife happy... even if it means giving her up for some schmuck he (and she!) barely knows. Again, we're looking at someone with a fierce sense of devotion and the means to create a perfect world for his intended... only to find out that she never really loved him like she said she did. I have little doubt that when his act finally *did* tour the States, it was a huge disaster, because it's difficult to sing something about a stairway to Paradise through a layer of bitter cynicism.
It's interesting that we have these parallel relationships, both set up along the same dynamics of one person totally in love and happy to lay out anything his/her partner wants, no matter the cost -- and that in both cases, the wealthy one, despite the integrity of his/her feelings, get dumped for a somewhat duplicious, deceitful little affair. Maybe, in some alternate MGM universe, these two unfortunate people found each other and got their own happy ending. I sure hope so.
Granted, plots in MGM musicals are pretty thin affairs anyway, little more than slight variations on their Broadway cousins (who, at the time, weren't anywhere near Shakespeare themselves!): stock formulae that involved a boy and a girl and a happy ending. But in American IN Paris, we're to somehow believe that Gene and Leslie are a perfect couple from their very first glance, even though it means trampling all over the feelings of the two people genuinely in love with these two (and Lord only knows why). Poor Nina Foch gets the worst of it: her storyline doesn't even get a proper resolution... and I'm not quite sure I hold to the idea that she wanted to make Kelly a "kept man": instead, she comes across as a woman who falls in love way too easily and has the cash on hand to help her man of the moment realize his own dream with little thought of her own. Certainly she gets twisted in all directions from the moment Kelly, spurned by Caron, shows up at her apartment, seemingly ready to accept her a "real woman"... only to discover that she's just a rebound relationship -- and we all know how well those work out, right? Meanwhile, the guy who's kept Caron's body and soul together comes across as the kind of nice guy that would do *anything* to keep his wife happy... even if it means giving her up for some schmuck he (and she!) barely knows. Again, we're looking at someone with a fierce sense of devotion and the means to create a perfect world for his intended... only to find out that she never really loved him like she said she did. I have little doubt that when his act finally *did* tour the States, it was a huge disaster, because it's difficult to sing something about a stairway to Paradise through a layer of bitter cynicism.
It's interesting that we have these parallel relationships, both set up along the same dynamics of one person totally in love and happy to lay out anything his/her partner wants, no matter the cost -- and that in both cases, the wealthy one, despite the integrity of his/her feelings, get dumped for a somewhat duplicious, deceitful little affair. Maybe, in some alternate MGM universe, these two unfortunate people found each other and got their own happy ending. I sure hope so.
- info-12388
- 26 मई 2009
- परमालिंक
टॉप पसंद
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विवरण
- रिलीज़ की तारीख़
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- इस रूप में भी जाना जाता है
- Amerikanac u Parizu
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- पेरिस, फ़्रांस(second unit exterior photography)
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बॉक्स ऑफ़िस
- बजट
- $27,23,903(अनुमानित)
- US और कनाडा में सकल
- $2,67,824
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,82,606
- 19 जन॰ 2020
- दुनिया भर में सकल
- $2,75,077
- चलने की अवधि1 घंटा 54 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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