Paris Blues

For starters, this is one of those rare movies that would not have been as good if it had been shot in colour. B&W somehow fits the mood, the story and the setting. Yet it's not really a sad or dark story. As in many older B&W films, the lighting is magnificent with highlights and shadows and textures that simply aren't workable in colour. The performances are universally superb. The script is free of the usual clichés. And the music is great. (How could you possibly make a bad movie with the likes of Louis Armstrong, Paul Newman, Joanne Woodward, Sidney Poitier and Diane Carrol?) Nor, in that era (1961), did Hollywood zoom in and linger obsessively on sexual acrobatics. This is a mature, sexy film without any graphic sex. Those were the rules back then and this film is the better for them. A thoroughly enjoyable movie with a great cast that has stood the test of a half century very well indeed.