IMDb रेटिंग
8.0/10
36 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThe guests at an upper-class dinner party find themselves unable to leave.The guests at an upper-class dinner party find themselves unable to leave.The guests at an upper-class dinner party find themselves unable to leave.
- पुरस्कार
- 4 जीत और कुल 2 नामांकन
José Baviera
- Leandro Gomez
- (as Jose Baviera)
Luis Beristáin
- Cristián Ugalde
- (as Luis Beristain)
César del Campo
- Alvaro
- (as Cesar Del Campo)
Enrique García Álvarez
- Alberto Roc
- (as Enrique Garcia Alvarez)
Ofelia Guilmáin
- Juana Avila
- (as Ofelia Guilmain)
Xavier Loyá
- Francisco Avila
- (as Xavier Loya)
Xavier Massé
- Eduardo
- (as Xavier Masse)
कहानी
क्या आपको पता है
- ट्रिवियाLuis Buñuel has publicly stated that he considers the film a failure and that if he had shot it later in Paris, he would have gone more extreme with it (cannibalism).
- गूफ़After the butler trips in the dining room, the lady of the house follows him into the kitchen. While they speak the boom mic can clearly be seen at the bottom of the screen, extending out from under a table.
- भाव
Rita Ugalde: I believe the common people, the lower class people, are less sensitive to pain. Haven't you ever seen a wounded bull? Not a trace of pain.
[Creo que la gente del pueblo, la gente baja, es menos sensible al dolor. ¿Usted ha visto un toro herido alguna vez? Impasible]
- इसके अलावा अन्य वर्जनIn the uncut print (featured on the Criterion DVD) the guests enter the mansion and go upstairs twice. Some versions omit the surrealistic second arrival.
- कनेक्शनEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
फीचर्ड रिव्यू
The Exterminating Angel, what a movie- I've seen it twice now and each time it went against (in the best possible way) my better logic. It's a work that's the product of a kind of madman place, and it stays impressive forty plus years later due to its humor. Like Dr. Strangelove, or maybe more so akin to a Kafka work submerged in Catholic plague, the film subverts expectations. At the start of the film, Luis Bunuel makes it clear as day that his only explanation is that its nonsense. If one were wanting to dig on a pure comedy level it would work because the dialog is so strange and out of place (if taken seriously) but consistently so, and the timing of the sort of downward spiral that plunges into the denouement (if there is one). If one were wanting to look at it for more of the technical reasons, its peerless- Bunuel has a steady, carefully controlled camera, quite tradition at times. But then at others he reveals his revealing, awesome flashes of symbolism, which may or may not fly over some viewers heads.
And then, if one were to go so far, on an existential level it goes into the realm of nothingness, a kind of study of how a nonsensical existence, trapped for reasons not made clear to the viewer (barely to the rich cast of bourgeois, a running gag almost), which also calls in the Kafka aspect. By the hand of a surrealist comes a deadpan satire, and it almost becomes a dark fable (the Catholic aspect to the film) by the end. It's a rather shocking film on the first try, which is why it probably had some controversy when it first opened. Giving it another chance, the film works better, on a more sensory level almost. This is the kind of film where you're either scratching your head and turning it off midway through, or laughing (while in the grips of cringing perhaps) and in a weird awe. One of Bunuel's very best Mexican films.
And then, if one were to go so far, on an existential level it goes into the realm of nothingness, a kind of study of how a nonsensical existence, trapped for reasons not made clear to the viewer (barely to the rich cast of bourgeois, a running gag almost), which also calls in the Kafka aspect. By the hand of a surrealist comes a deadpan satire, and it almost becomes a dark fable (the Catholic aspect to the film) by the end. It's a rather shocking film on the first try, which is why it probably had some controversy when it first opened. Giving it another chance, the film works better, on a more sensory level almost. This is the kind of film where you're either scratching your head and turning it off midway through, or laughing (while in the grips of cringing perhaps) and in a weird awe. One of Bunuel's very best Mexican films.
- Quinoa1984
- 19 अग॰ 2005
- परमालिंक
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