This was definitely Sandra Dee's signature movie, and as a teen-age boy growing up in the sixties I was really taken with her. (Of course, I was not an aberration.) I saw this movie for the first time in the summer of 1959. I liked the beautiful California beach scenery, and the Four Preps music, and I was reasonably impressed with the acting.
The cast was well-chosen. The cuddlesome-looking Sandra Dee was drawing, but she did not receive as much acclaim, as an actress. as she deserved; she was not only a cute bumess, but that little girl was strong-willed and outspoken in this movie. James Darren was a sharp-looking actor and singer, but his character was disgusting, since he was a bitter teen-ager with a big chip on his shoulder. If Arthur O'Connell was supposed to be serious in this movie, he did not do a good job of it as he played the role of Gidget's laughable high-strung father. Mary LaRoche was a beautiful, appealing lady who was wonderful as Gidget's mother. Jo Morrow, beautiful California beach scenery herself, was drawing in her minor role. Tom Laughlin, here about a dozen years before his "Billy Jack" days, seemed to click well with Dee in what was here his minor role.
The story was more than what it appeared to be initially on the surface. It was about a teen-age girl who was at a crucial age, namely 16, and thus was in an identity crisis, and it was also about a girl who was, again, strong-willed as well. This movie was also a character study: she was infatuated with Mahuna, (Robertson)- an ex-Korean War vet in his middle thirties who lived only to surf and stay on the beach in a small hut there-, but she also was very up-front when she intonated to him that that was no way for him, nor anyone else, to live, and she thus had a pressing effect on him. (Only recently when I saw the movie on a DVD did I really notice the more serious aspect of the story.)
Again, Sandra Dee was as cute as cute could be, but the movie did have a serious side. For more than one reason is it worth the time to see it.
