अपनी भाषा में प्लॉट जोड़ेंDr. Frankenstein and his assistant Morpho are killed just as they bring their creation to life. The monster is taken by Cagliostro and he now controls the monster and plans to have it mate a... सभी पढ़ेंDr. Frankenstein and his assistant Morpho are killed just as they bring their creation to life. The monster is taken by Cagliostro and he now controls the monster and plans to have it mate and create the perfect master race.Dr. Frankenstein and his assistant Morpho are killed just as they bring their creation to life. The monster is taken by Cagliostro and he now controls the monster and plans to have it mate and create the perfect master race.
- Doctor Seward
- (as Alberto Dalbes)
- Doctor Frankenstein
- (as Denis Price)
- Madame Orloff
- (as Britt Nichols)
- Tanner
- (as Daniel Gerome)
- Abigail
- (as Doris Tom)
- Morpho
- (as J. Franco)
- Dr. Frankenstein
- (Spanish version)
- (वॉइस)
- (बिना क्रेडिट के)
- Asistente de Vera Frankenstein
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाFilm debut of Lina Romay.
- गूफ़Vera asks Dr. Seward if her father could have been killed by mountain lions. An odd question to ask, given there are no mountain lions in Europe.
- भाव
Melisa: Melisa speaks to you on behalf of her great master Cagliostro. Cagliostro created me and half of me is a bird. He meant for me to be his own daughter, but I am blind and therefore unworthy. Cagliostro now transmits the words he wishes you to hear through the fabulous creature that I am. Listen to the master speak these words to you: "I have accorded you the privilege of rising from your graves. But I cannot prevent your flesh from rotting. Originally, I started creating with nature's materials, but I was mistaken. I brought corpses back to life, only their bodies kept on rotting. To create the creature through whom I talk, I contrived to impregnate an egg with human semen. It was the beginning of my research. Now I use only living ingredients. Different elements of various women served to engender this composite woman and through her a new master race will arise. You are now going to witness the melding of this creature with the monster of Frankenstein. The monster has entered the crypt. He will perform Cagliostro's commands. Witness the miracle, the holy covenant between these two: the creature of Cagliostro and... the monster of Frankenstein. Cagliostro's magnetic power steals into their bodies. It is taking hold. Now they are about to procreate. Their procreation is perfection. They are fabulous creatures. They are divinities. Their most marvelous bodies will mate and remain united."
Cagliostro: The time has arrived. The monster will begin his work. Enjoy it, Melisa. I want you to enjoy it most particularly.
- इसके अलावा अन्य वर्जनTwo (if not more) versions of this film exist La Maldicion de Frankenstein and The Curse of Frankenstein. The main difference between the two is that Curse is the 'hot' version containing male and female full frontal nudity, Maldicion is the 'cool' version with the same scenes but with the actors clothed. Maldicion is the version released in Spain in the General Franco era hence the lack of nudity although several topless scenes briefly remain. There are however many other differences between Maldicion and Curse, neither can be called definite since both contain footage the other doesn't. Both contain different beginning and end credits, Maldicion has nominal black and white titles, Curse opens it's credits to footage in Frankenstein's lab not found in Maldicion and ends with the credits set against a blue painting of the sea with more lyrical credits 'Robert De Nesle has presented'. Maldicion adds another character Esmeralda the Gypsy (played by Lina Romay) completely alien to Curse who appears throughout the film in a trance under the influence of Cagliostro, while impressive scenes of Cagliostro's zombies dressed in white robes walking though a misty forest can't be found in Curse. However Maldicion is lacking several scenes important to the narrative that curse can boast, noticeably Cagliostro and Melissa the bird women's first meeting in the film.
- कनेक्शनEdited into Dr. Wong's Virtual Hell (1999)
Being fair to it, "Curse" is a lot better than "Dracula: Prisoner" and with some alterations could even have made a tolerable 70s horror film in its own right. Its core plot isn't too far removed from the Hammer films being churned out at the time and there's some vaguely interesting stuff going on in it. However, that doesn't mean to say it's any good. Mercifully, Franco has vastly cut down on the number of crash zooms though still seems to have problems in focussing the camera a third of the time, and most exterior footage seems to suggest that every building in Spain is situated on an ungodly ground subsidence. The musical score is also questionable, giving us some nicely eerie tunes here and there and then assaulting us with jazzy percussion tempos during key action scenes, such as when Frankenstein's monster breaks into a poor young lady's bedroom and leaps on her on the bed. Ah yes, there's some naughty hijinks going on in this film including a truly nasty whipping scene that goes on for too long (and is even worse in the "Erotic" version, simply because one of the people being whipped is a nude 50 year old man urgh ) but certainly nothing to get heated about. Then again, Franco's idea of erotica seemed to be to just point a camera at a naked woman and stay there for 30 seconds a throw. Ho hum.
Dr Frankenstein (Price) is reanimating a somewhat shinier version of his monster, with help from his assistant, Morpho (what is Franco's fetish with the name 'Morpho'???). Despite playing the title character, Price is killed approximately two minutes into the film. Now, poor old Price's characters often have a run of bad luck. I've seen him getting throttled, impaled, drowned, drained of blood, tipped into acid and "excited to death", but I think I wouldn't be wrong in saying that Curse gives us the most novel method of Price dispatchment: bitten and bled by a blind and cannibalistic bird woman. Mmm. There's something to write home about. The bird woman and a gurning helper steal Frankenstein's monster and take him to the true villain of the piece, Cagliostro: a ranting nutter who doesn't blink (yes, it's Howard Vernon again, far better playing some bloke we've never heard of than the legendary Count Dracula). Cagliostro initially seems to want the monster to steal lots of virgins for him but then decides that he wants to create the ultimate woman as a bride of sorts for the monster. Quite why I don't know but I'm sure if he had the chance he'd list his reasons. Frankenstein's daughter, Vera, comes to pay her respects at her dad's funeral, following which she steals the body and reanimates it back at the "castle" to learn who did the poor bugger in. Eventually she reasons that the best way to get her revenge on Cagliostro is to let herself get captured by his monster and um, get hypnotised into being his completely willing slave. Yes. Erm, not quite sure what she was getting at, there. In any case, that's the status quo and it's not even including the activities of the good Dr Seward, wandering around the plot and chatting to people (probably looking for Bram Stoker for an explanation as to what on Earth he's doing there).
I said it wasn't as bad as "Dracula: Prisoner" and that's true. For a start, it can only tarnish the memory of one horror staple rather than three, but aside from that it at least seems to know where it's going half the time. Most of this is thanks to the dialogue, in stark contrast with its prequel; yes, this time characters actually talk to each other, a revolutionary concept if ever I've heard one. Dr Seward actually gets stuff to do here and even comes across as a decent enough hero character (even if he does try to chat up Vena at her dad's own funeral yes, really), having a hand in the baddie's downfall as opposed to his spare part status in "Dracula: Prisoner". Dennis Price appears several times throughout the narrative despite the seemingly overwhelming drawback of having been killed but spends most of the time lying on a bed, twitching spasmodically and rambling about his monster and Cagliostro. From what I can make out, Price seems to be giving an interesting performance (in other words, going over the top to exceptional degrees) but as it's dubbed in Spanish with English subtitles I can't really tell. Eventually Frankenstein dies after one ramble too many, only to come back from the dead as a (somewhat mincing) zombie who staggers into the next room to have a go at strangling Dr Seward. Price's demise is finally made certain when a police inspector chucks a container of acid over him, which seems to disintegrate Price's head in 0.5 seconds. Golly.
And then, 20 minutes later, it sort of... stops. I ought to be grateful that it ended at all.
- The_Secretive_Bus
- 31 जुल॰ 2006
- परमालिंक
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Dracula prisoner of Frankenstein
- फ़िल्माने की जगहें
- Av. Rei Humberto II de Itália Parque Marechal Camona, 2750-319 Cascais, पुर्तगाल(Cagliostro's castle)
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