अपनी भाषा में प्लॉट जोड़ेंComposer Johann Strauss becomes the "Waltz-King" and woos a baron's mistress in 19th-century Austria.Composer Johann Strauss becomes the "Waltz-King" and woos a baron's mistress in 19th-century Austria.Composer Johann Strauss becomes the "Waltz-King" and woos a baron's mistress in 19th-century Austria.
- पुरस्कार
- कुल 1 नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाThis film was presented in the Cinerama format overseas. This would be the last film shown in Cinerama.
- गूफ़All of the men's hairstyles and sideburns are strictly in the longer, trendy 1972 international mode, a far cry from 19th-century Austria.
- कनेक्शनFeatured in Strauss and Vienna: On Location: The Great Waltz (1972)
फीचर्ड रिव्यू
This big budget major Hollywood studio movie has never received a home video release, and it's pretty easy to guess why. Certainly there being no big stars in the cast plays a factor, as well as the fact that Strauss today is nowhere as popular as what plays on the radio most of the time nowadays. But I think another large factor dooming the movie to obscurity is that it comes across as very old fashioned. Even considering what society was like in the 1970s, I am sure people who saw the movie back then felt the movie played out more like a movie made 30 or so years earlier.
There are a couple of additional problems with the movie. First, the movie's look into Strauss is for the most part lacking focus. For the most part, we don't learn what drove him, or what he was like as a person. There are large stretches of the movie when he becomes a secondary character. The second problem is that the movie has a number of touches that are unintentionally silly, from the singing narrator to the dance choreography.
I will say the movie looks good, from the cinematography to the locations. In that aspect, the old saying that you can't polish a... well, you know... does not apply to this particular movie. But a glossy look doesn't really compensate that much for 135 otherwise misguided minutes.
There are a couple of additional problems with the movie. First, the movie's look into Strauss is for the most part lacking focus. For the most part, we don't learn what drove him, or what he was like as a person. There are large stretches of the movie when he becomes a secondary character. The second problem is that the movie has a number of touches that are unintentionally silly, from the singing narrator to the dance choreography.
I will say the movie looks good, from the cinematography to the locations. In that aspect, the old saying that you can't polish a... well, you know... does not apply to this particular movie. But a glossy look doesn't really compensate that much for 135 otherwise misguided minutes.
टॉप पसंद
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विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $8,90,450
- चलने की अवधि2 घंटे 15 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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