अपनी भाषा में प्लॉट जोड़ेंWhen French King Louis XIV (Beau Bridges) learns that his twin brother, Philippe (Beau Bridges), could usurp his crown, he sets out to imprison him in the Bastille prison but four loyal musk... सभी पढ़ेंWhen French King Louis XIV (Beau Bridges) learns that his twin brother, Philippe (Beau Bridges), could usurp his crown, he sets out to imprison him in the Bastille prison but four loyal musketeers are protecting Philippe.When French King Louis XIV (Beau Bridges) learns that his twin brother, Philippe (Beau Bridges), could usurp his crown, he sets out to imprison him in the Bastille prison but four loyal musketeers are protecting Philippe.
Alan Hale Jr.
- Porthos
- (as Alan Hale)
José Ferrer
- Athos
- (as Jose Ferrer)
Olivia de Havilland
- Queen Mother Anne
- (as Olivia DeHavilland)
कहानी
क्या आपको पता है
- ट्रिवियाAlan Hale, Jr. plays Porthos, the same musketeer played by his father Alan Hale in The Man in the Iron Mask (1939), of which this movie is a direct remake, the earlier movie's screenplay is credited along with the Dumas novel as source material. Furthermore, in At Sword's Point (1952), a Hollywood-concocted sequel to Dumas' novel "The Three Musketeers", Hale played the son of Porthos, while this movie's D'Artagnan, Cornel Wilde, had the role of D'Artagnan's son.
- क्रेज़ी क्रेडिटThe longer version, titled Behind the Iron Mask, ends with a fadeout and no end credits at all. All of the film's credits are at the beginning.
- इसके अलावा अन्य वर्जनThe US release, running 1 hour and 44 minutes, was cut from an original version released overseas, running 1 hour and 56 minutes. Scenes excised from the US release:
- An extended scene of Louise de la Valliere's striptease for Louis XIV, exposing her full nudity.
- A scene of the Four Musketeers in their prison cell. They play a game of dice, tricking their jailers by inviting them into their game, then restraining them and grabbing their keys for release. Their escape is short-lived, as they see a party of rifle-aiming guards awaiting them. The Captain flatters their ingenuity, but urges them to return to their cell.
- An intro to the Musketeers and Philippe in the wine cellar of Bernard's Inn. They come out of hiding in empty wine casks.
- An extended scene of the Spanish Ambassador being fatally assaulted by the horse in the stable.
- A love scene of Philippe and Marie Theresa in bed together.
- A dressed Philippe seeing Marie Theresa sleeping in bed. She awakes.
- An extended scene of Marie Theresa dressing, exposing her breasts.
- A love scene of Louis and Louise in bed together. The exposed Louise questions Louis' decision to let Philippe live. Louis argues that he is his brother, but assures her that he will eventually die in the Iron Mask, perhaps strangling in the long beard he will grow inside it.
- An extended scene to Fouquet watching Colbert and Marie Theresa's Spanish-language conversion. He brings out a spy.
- An extended scene of Colbert heading to Bernard's Inn. Fouquet's spy follows Colbert. Bernard plays dumb to the spy's questions.
- An extended scene of Louis trying to rape Marie Theresa. The two fall off the bed with Marie Theresa moving away from his grasp (to drug Louis' goblet)
- An extended scene of Louise being stood up in her dinner date with Louis. She shouts at the musicians to stop.
- An extended scene of the Musketeers meeting with Marie Theresa. D'Artagnan throws his cloak around the breast-exposed princess.
- Fouquet shows Colbert the rack, demonstrating its work by pulling a stuffed dummy apart.
- An extended scene of Aramis' death. He is able to throw his Parrying Dagger at his assailant, killing him.
- An extended scene of Philippe's duel with Louis. Philippe is able to wound Louis in the thigh.
- कनेक्शनFeatured in The World According to Smith & Jones: The Napoleonic Wars (1987)
फीचर्ड रिव्यू
It's strange that THE FIFTH MUSKETEER leaves me with the impression that it's hardly worth watching despite a stellar cast and some gorgeous Austrian scenery. BEAU BRIDGES (in a dual role as a commoner and Louis XIV) does a competent but bland job in the film's major role, while assorted guest stars fill the supporting cast with some name value. One of the guest stars is OLIVIA DE HAVILLAND who might just as well have phoned in her role. She has about three minutes of screen time, at the most.
None of the main roles are really fleshed out and the plot is a muddled mess. JOSE FERRER, CORNEL WILDE, ALAN HALE, JR. and LLOYD BRIDGES are competent enough as the four musketeers while REX HARRISON and HELMUT DANTINE merely add some name recognition to the cast, as does de Havilland in her tiny role as Queen Anne (about whom little is explained).
It's a retread of familiar material done much better in the past, territory that would be revisited in the future with even more dash and vigor. A sleep inducing film that probably only gets male attention because URSULA ANDRESS and SYLVIA KRISTEL provide some feminine pulchritude in provocative period costumes.
The most unforgivable aspect are the fight scenes of the swashbuckling kind but badly choreographed duels, unlike the sort of thing done so splendidly in the Flynn epics. The blades flash without much flourish.
Summing up: Totally uninspired piece of work notable only for some lavish costumes and good location photography in Austria.
None of the main roles are really fleshed out and the plot is a muddled mess. JOSE FERRER, CORNEL WILDE, ALAN HALE, JR. and LLOYD BRIDGES are competent enough as the four musketeers while REX HARRISON and HELMUT DANTINE merely add some name recognition to the cast, as does de Havilland in her tiny role as Queen Anne (about whom little is explained).
It's a retread of familiar material done much better in the past, territory that would be revisited in the future with even more dash and vigor. A sleep inducing film that probably only gets male attention because URSULA ANDRESS and SYLVIA KRISTEL provide some feminine pulchritude in provocative period costumes.
The most unforgivable aspect are the fight scenes of the swashbuckling kind but badly choreographed duels, unlike the sort of thing done so splendidly in the Flynn epics. The blades flash without much flourish.
Summing up: Totally uninspired piece of work notable only for some lavish costumes and good location photography in Austria.
टॉप पसंद
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बॉक्स ऑफ़िस
- बजट
- $70,00,000(अनुमानित)
- चलने की अवधि1 घंटा 56 मिनट
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