La muerte llama a las 10

The killer wore gloves: of course he did... this is a giallo, after all. He also packs a cut-throat razor, with which he kills his first victim, but switches to a curved sickle gardening tool for subsequent murders. All par for the course.

The killer, who also wears a leather jacket, is searching for a missing $1million in cash, half of which falls into the lap of pretty artist Peggy Foster (Gillian Hills), meaning that she is in constant peril throughout the film. Peggy knows nothing of the origin of the money, but thinks that it has something to do with her reporter boyfriend Michael, who is currently on assignment in Vietnam - or is he?

I admit that following obscure Spanish giallo The Killer Wears Gloves was a bit of a struggle for me, not because it is a particularly complex movie, but because it failed to hold my attention, being far from compelling or original. There's very little here to excite avid fans of the genre - no dazzling visuals, no amazingly choreographed death sequences, and no clever revelations - just some nudity (star Hills is very attractive and takes a shower) and a bit of nice travelogue footage of 70s London, where the film is set (although the car chase finalé was very clearly shot in Spain).

4.5/10, rounded up to 5 for Peggy's groovy apartment, complete with giant egg-shaped lamp/ornament, but rounded down to 4 for Peggy having a handy revolver - in the UK?!?!.