एक पागल, गुप्त निगरानी विशेषज्ञ दुविधा में पड़ जाता है, जब उसे संदेह होता है कि जिस दंपति पर वह जासूसी कर रहा है, उसकी हत्या कर दी जाएगी।एक पागल, गुप्त निगरानी विशेषज्ञ दुविधा में पड़ जाता है, जब उसे संदेह होता है कि जिस दंपति पर वह जासूसी कर रहा है, उसकी हत्या कर दी जाएगी।एक पागल, गुप्त निगरानी विशेषज्ञ दुविधा में पड़ जाता है, जब उसे संदेह होता है कि जिस दंपति पर वह जासूसी कर रहा है, उसकी हत्या कर दी जाएगी।
- 3 ऑस्कर के लिए नामांकित
- 14 जीत और कुल 17 नामांकन
Elizabeth MacRae
- Meredith
- (as Elizabeth Mac Rae)
Ramon Bieri
- Man at Party
- (बिना क्रेडिट के)
Gian-Carlo Coppola
- Boy in Church
- (बिना क्रेडिट के)
George Dusheck
- TV Anchor
- (बिना क्रेडिट के)
Robert Duvall
- The Director
- (बिना क्रेडिट के)
Richard Hackman
- Confessional Priest
- (बिना क्रेडिट के)
- …
George Meyer
- Salesman
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाThe blue Mercedes limousine that Cindy Williams is sitting in near the end of the film was won by Francis Ford Coppola on a bet with Paramount Pictures. Coppola had complained about the station wagon he shared with five other passengers during the filming of The Godfather (1972). Studio executives told him that if The Godfather had grossed a certain amount, they would spring for a new car. After The Godfather became the highest grossing film of all time, Coppola and George Lucas went to a dealer and picked out the Mercedes, telling the salesman to bill Paramount Pictures.
- गूफ़When Caul is in Stett's office alone, he walks over to the desk and picks up one of Stett's wife's cookies. He smells it and puts it back in the dish and then looks through the telescope. When Stett returns, he hands Caul the money and takes the tapes. When the film cuts to a shot of Caul thinking about the arrangement, the cookie reappears. Caul puts this cookie back in the dish, too.
- कनेक्शनEdited into The Green Fog (2017)
फीचर्ड रिव्यू
Anyone could market or even direct "The Conversation" as a mystery, but Francis Ford Coppola manages to reveal some of our human tendencies in his film just as well as he holds us in suspense. Voyeurism, like it or not, is a human characteristic. Modern day reality television proves both that point alone and simultaneously that "The Conversation" is an excellent film because it has only ripened over the years.
Coppola's character Harry Caul, portrayed by Gene Hackman in one of his finest performances, is the embodiment of this guilty pleasure of spying on others whether covertly or casually. He's a professional wire-tapper, one of the best in the business, seemingly able to capture the most pristine recordings for all his clients even though he is rarely enlightened as to the purpose of his jobs. It's not too long before we learn that Harry is a devout Catholic who harbors a bit of guilt because his career founds itself on the don't ask, don't tell principle.
The film open with what its title promises: a conversation. Harry has been hired to record a conversation of a man and a woman on their work break. The conversation seems inconspicuous, but the more Harry deals with his mysterious client and goes back to listen to the tapes, the more he begins to hear and infer from the conversation. He eventually comes to the conclusion he might have recorded a death warrant and begins to grow paranoid.
Harry's complexity is the finest element of Coppola's script. The story develops slowly but Harry becomes a more peculiar figure in the viewer's mind as time wears on. At first it seems like he isolates himself for protection purposes, but his loneliness becomes more and more apparent. He constantly feels threatened and there feels like a layer of ice between him and his relationships in the film, especially two memorable scenes where he interacts with women.
Coppola's elegant framing and precision pacing do the rest of the work drawing us further in as the story progresses, highlighting our own preoccupation with the truth behind this couple's conversation. We're made aware of our own tendency to twist words and misinterpret what someone is saying, not to mention how easy and commonplace it really is to essentially spy on someone and invade his or her privacy entirely.
"The Conversation" properly mixes drama with mystery while offering a complete character portrait and subtle social commentary. Most films don't have that many tools working for them but Coppola's masterful script does. No single element is consummate or overrides the rest, but together they make for a fine film.
~Steven C
Visit my site at http://moviemusereviews.com
Coppola's character Harry Caul, portrayed by Gene Hackman in one of his finest performances, is the embodiment of this guilty pleasure of spying on others whether covertly or casually. He's a professional wire-tapper, one of the best in the business, seemingly able to capture the most pristine recordings for all his clients even though he is rarely enlightened as to the purpose of his jobs. It's not too long before we learn that Harry is a devout Catholic who harbors a bit of guilt because his career founds itself on the don't ask, don't tell principle.
The film open with what its title promises: a conversation. Harry has been hired to record a conversation of a man and a woman on their work break. The conversation seems inconspicuous, but the more Harry deals with his mysterious client and goes back to listen to the tapes, the more he begins to hear and infer from the conversation. He eventually comes to the conclusion he might have recorded a death warrant and begins to grow paranoid.
Harry's complexity is the finest element of Coppola's script. The story develops slowly but Harry becomes a more peculiar figure in the viewer's mind as time wears on. At first it seems like he isolates himself for protection purposes, but his loneliness becomes more and more apparent. He constantly feels threatened and there feels like a layer of ice between him and his relationships in the film, especially two memorable scenes where he interacts with women.
Coppola's elegant framing and precision pacing do the rest of the work drawing us further in as the story progresses, highlighting our own preoccupation with the truth behind this couple's conversation. We're made aware of our own tendency to twist words and misinterpret what someone is saying, not to mention how easy and commonplace it really is to essentially spy on someone and invade his or her privacy entirely.
"The Conversation" properly mixes drama with mystery while offering a complete character portrait and subtle social commentary. Most films don't have that many tools working for them but Coppola's masterful script does. No single element is consummate or overrides the rest, but together they make for a fine film.
~Steven C
Visit my site at http://moviemusereviews.com
- Movie_Muse_Reviews
- 18 अप्रैल 2010
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- La conversación
- फ़िल्माने की जगहें
- American Roofing Co. Building - 1616 16th Street, Potrero Hill, सैन फ़्रांसिस्को, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Interior and exterior of Harry's workshop)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $16,00,000(अनुमानित)
- US और कनाडा में सकल
- $48,33,918
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $5,494
- 16 जन॰ 2022
- दुनिया भर में सकल
- $48,68,088
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