रोटी कपड़ा और मकान

I was expecting more from a movie that was such a blockbuster and winner of several filmfare awards. Notwithstanding the amazing suspension of disbelief requirement, contrived song sequences and coincidences that were considered staple of Indian films of that time, the plot themes are so mixed up on purpose to get full 'masala' that you have a potpourri of a love triangle, family drama of a joint family, patriotism, secularism, and a social and political commentary - all of which are half baked and poorly done. This film was made in 1974 when youth unemployment and poverty were big issues. Indira Gandhi had won the previous general elections in 1971 on a 'Garibi Hatao' or 'Banish Poverty' manifesto, and then failed to deliver on these fronts because of her continued socialist/crypto-communist agenda. Yet, and most disappointingly and dishonestly, the film blames all evils on dhoti clad lalas and banias, while absolving the political leadership by explicitly relaying Indira Gandhi's 15th Aug broadcast, showing Vote Congress graffiti and singing paeans to socialism. Actually I have lost a lot of respect for the cinema going public of India of those times and for Manoj Kumar as well after watching this silly film. Even my favorite singer Mukesh sounded off-key in all songs.