ग्रामीण ग्रीष्मकालीन पिकनिक के दौरान, एक ऑस्ट्रेलियाई लड़कियों के स्कूल के कुछ छात्र और एक शिक्षक बिना किसी निशान के गायब हो जाते हैं।ग्रामीण ग्रीष्मकालीन पिकनिक के दौरान, एक ऑस्ट्रेलियाई लड़कियों के स्कूल के कुछ छात्र और एक शिक्षक बिना किसी निशान के गायब हो जाते हैं।ग्रामीण ग्रीष्मकालीन पिकनिक के दौरान, एक ऑस्ट्रेलियाई लड़कियों के स्कूल के कुछ छात्र और एक शिक्षक बिना किसी निशान के गायब हो जाते हैं।
- 1 BAFTA अवार्ड जीते गए
- 4 जीत और कुल 11 नामांकन
Anne-Louise Lambert
- Miranda St Clare
- (as Anne Lambert)
Tony Llewellyn-Jones
- Tom
- (as Anthony Llewellyn-Jones)
कहानी
क्या आपको पता है
- ट्रिवियाRussell Boyd reportedly enhanced the film's diffuse and ethereal look with the simple technique of placing a piece of bridal veil over the camera lens.
- गूफ़14 February 1900 was a Wednesday, not a Saturday. While this seems to be a factual error, it could be a subtle hint that this is a fictional story.
- इसके अलावा अन्य वर्जनThe Director's Cut released in 1998 (available on Criterion DVD) is seven minutes shorter than the original version.
- कनेक्शनEdited into Picnic at Wolf Creek (2006)
- साउंडट्रैकEine Kleine Nachtmusik, 2nd Movement
Written by Wolfgang Amadeus Mozart
फीचर्ड रिव्यू
I first saw PAHR while in high school, and it was the beginning of a long and drawn-out love affair with the film. The look, feel and sound of it drew me in at once, and the open-endedness of it appealed to my romantic teenage notions, striking me as being terribly, terribly profound. I searched out the book, and the sequel (both out of print in the US) and had a good long obsession over the film.
Years later, I still appreciate it deeply, but I realize now that if I were to see it for the first time today, I might not be quite so entranced. Yes, it is moody and beautiful, full of deliciously gossamar images, beautiful actresses, a haunting soundtrack, and a hypnotically slow and deliberate pace... but I can now see that it is a very youthful effort on Wier's part. It is decidedly a young director's film, firmly mired in the style of its era (the 70s). The heavy-handedness of the direction is evident in many ways, mostly in the repeated metaphors of Miranda as a swan, an angel, etc.... It has anachronistic costumes, makeup and hair, although the sets design is attractive and accurate enough.
However, let it be noted that the film is far more about symbolism and atmosphere than anything else, and on that front, it succeeds admirably. Among the highlights:
The repressed Victorian schoolgirls, whose burgeoning sexual longings are channeled into torrid, purple verse and close romantic friendships
The famous corset-lacing scenelet
The implied relationship between Mrs. Appleyard and the "masculine" Miss McCraw
The disappearance of only the "pure": Miranda (love), Marion (science), Miss McCraw (math), and the rock's rejecting Edith (gluttony), Irma (worldliness), and all men.
One might go on about the sexual imagery of the rock itself, with its monoliths and chasms, but I will refrain. Because after you've seen the movie, you realize how many times these things have been hammered into your head.
I still love this film dearly, despite the obviousness of it all. I wish that a soundtrack were available, as the original music is lovely. If you know a teenager, or are one, this is the movie for you. May your love affair with it go on as long as mine.
Years later, I still appreciate it deeply, but I realize now that if I were to see it for the first time today, I might not be quite so entranced. Yes, it is moody and beautiful, full of deliciously gossamar images, beautiful actresses, a haunting soundtrack, and a hypnotically slow and deliberate pace... but I can now see that it is a very youthful effort on Wier's part. It is decidedly a young director's film, firmly mired in the style of its era (the 70s). The heavy-handedness of the direction is evident in many ways, mostly in the repeated metaphors of Miranda as a swan, an angel, etc.... It has anachronistic costumes, makeup and hair, although the sets design is attractive and accurate enough.
However, let it be noted that the film is far more about symbolism and atmosphere than anything else, and on that front, it succeeds admirably. Among the highlights:
The repressed Victorian schoolgirls, whose burgeoning sexual longings are channeled into torrid, purple verse and close romantic friendships
The famous corset-lacing scenelet
The implied relationship between Mrs. Appleyard and the "masculine" Miss McCraw
The disappearance of only the "pure": Miranda (love), Marion (science), Miss McCraw (math), and the rock's rejecting Edith (gluttony), Irma (worldliness), and all men.
One might go on about the sexual imagery of the rock itself, with its monoliths and chasms, but I will refrain. Because after you've seen the movie, you realize how many times these things have been hammered into your head.
I still love this film dearly, despite the obviousness of it all. I wish that a soundtrack were available, as the original music is lovely. If you know a teenager, or are one, this is the movie for you. May your love affair with it go on as long as mine.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Picknick am Valentinstag
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- A$4,40,000(अनुमानित)
- US और कनाडा में सकल
- $83,212
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $27,492
- 28 जून 1998
- दुनिया भर में सकल
- $1,42,666
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें