अपनी भाषा में प्लॉट जोड़ेंThe lives and work of the staff of an inner city police precinct.The lives and work of the staff of an inner city police precinct.The lives and work of the staff of an inner city police precinct.
- 26 प्राइमटाइम एमी जीते
- 60 जीत और कुल 109 नामांकन
एपिसोड ब्राउज़ करें
कहानी
क्या आपको पता है
- ट्रिवियाThe theme music, written by Mike Post, became a hit song on its own and won a Grammy. Post said that when he was writing the theme, he first wanted the music to match the gritty visuals he was shown. He then decided to do the opposite, to create a theme that was beautiful and serene, that "took you away" from what you were seeing.
- गूफ़When the various characters speak into the radio microphone in their patrol cars, they seldom press the "transmit" switch, and Andy Renko is occasionally seen speaking into the back of the microphone.
- भाव
[repeated line]
Sergeant Phil Esterhaus: [at end of roll call] All right, that's it, let's roll. And Hey!... let's be careful out there.
- क्रेज़ी क्रेडिटAfter the credits it shows the MTM kitten wearing a policeman's hat to match this show.
- कनेक्शनEdited into Roll Call: Looking Back on Hill Street Blues (2006)
फीचर्ड रिव्यू
This TV series is a testament to Brandon Tartikoff, who was then head of Entertainment at NBC, who championed this show and stayed with it because he knew that this was a groundbreaking show.
I remember watching the pilot for this show way back in high school. It was unlike anything I had ever seen on television. I remember the episode when the characters Renko and Bobby Hill were shot and lying in the hallway, and you had no idea if they were alive or dead. I remember gasping out loud. Stuff like that just wasn't on TV at the time.
Ensemble casts, story lines that continued for weeks at a time, and truly compelling, realistic writing. Television was pretty much a wasteland back in 1981 -- and unfortunately, has gotten far, far worse -- and this show, which took a year to find a permanent spot on NBC's lineup and introduced the whole concept of the landmark Thursday night at 10 pm drama on NBC.
Another testament to this show is that in one year every single Emmy nomination for the outstanding supporting actor in a drama series category was for a cast member from Hill Street Blues. That was, and still is, unprecedented stuff. I had the pleasure of taping the show as it came on late night on one of the local channels here in NYC several years ago. Brilliant, and still holds up well. What I would give for something similar to blanket the vapid horizon that is network television today.
I remember watching the pilot for this show way back in high school. It was unlike anything I had ever seen on television. I remember the episode when the characters Renko and Bobby Hill were shot and lying in the hallway, and you had no idea if they were alive or dead. I remember gasping out loud. Stuff like that just wasn't on TV at the time.
Ensemble casts, story lines that continued for weeks at a time, and truly compelling, realistic writing. Television was pretty much a wasteland back in 1981 -- and unfortunately, has gotten far, far worse -- and this show, which took a year to find a permanent spot on NBC's lineup and introduced the whole concept of the landmark Thursday night at 10 pm drama on NBC.
Another testament to this show is that in one year every single Emmy nomination for the outstanding supporting actor in a drama series category was for a cast member from Hill Street Blues. That was, and still is, unprecedented stuff. I had the pleasure of taping the show as it came on late night on one of the local channels here in NYC several years ago. Brilliant, and still holds up well. What I would give for something similar to blanket the vapid horizon that is network television today.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
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