ड्रग तस्करों के गिरोह को पकड़ने के लिए दो नए जोड़े वाले पुलिस जो पूरी तरह से विपरीत हैं, उन्हें अपने मतभेदों को एक तरफ रखना चाहिए।ड्रग तस्करों के गिरोह को पकड़ने के लिए दो नए जोड़े वाले पुलिस जो पूरी तरह से विपरीत हैं, उन्हें अपने मतभेदों को एक तरफ रखना चाहिए।ड्रग तस्करों के गिरोह को पकड़ने के लिए दो नए जोड़े वाले पुलिस जो पूरी तरह से विपरीत हैं, उन्हें अपने मतभेदों को एक तरफ रखना चाहिए।
- 1 ऑस्कर के लिए नामांकित
- 5 जीत और कुल 3 नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाJackie Swanson performed the high fall on her own, trained by legendary stuntman Dar Robinson. Also, the stunt was done using an airbag covered with a life-size painting of the driveway and cars, which, like a foreground miniature, visually blends into the real scene. Thus, the editor is able to hold the shot until just as she makes contact with the airbag, for greater realism.
- गूफ़When Riggs jumps off the building after handcuffing himself to the jumper, a close up shot just after they step off the ledge shows that the rubber trick handcuffs break. When they get out of the air bag, they have connected real handcuffs on.
- भाव
[Repeated line in all 4 movies]
Roger Murtaugh: I'm too old for this shit!
- इसके अलावा अन्य वर्जनThe original home video and television prints had the 1984 Warner Bros. logo with the Warner Communications byline at the beginning of the film, current prints had plastered instead with the 1998 Warner Bros. logo, but with the 2003 TimeWarner byline, The logo was also used on post-2003 prints of other films in the series including लीथल वेपन २ (1989), लीथल वेपन ३ (1992), and लीथल वेपन ४ (1998).
- कनेक्शनEdited into Belle da morire (2002)
फीचर्ड रिव्यू
Lethal Weapon is a nearly perfectly structured action movie. The acting, the story, the script, the directing, even the IDEA of the movie all combine to make up a fascinating and thrill-packed police film. The cross-cutting at the beginning of the film was particularly effective, in my opinion, as Martin Riggs (Mel Gibson) and Roger Murtaugh (Danny Glover) are introduced. The startling difference between their separate lives provides for tons of fun to be had later in the movie. Roger starts his day off as the family man reluctantly celebrating his 50th birthday party with his numerous children and his loving wife in the big family house, while Riggs is shown waking up naked in his trashy trailer and beginning his day with a healthy breakfast of a cigarette and a beer.
The fact that both Roger and Riggs hated that they had to work together was especially effective in creating a touching atmosphere as they grew to be closer and closer friends. They worked so well together in this movie; it was a symbiotic relationship. It was almost like they fed off of each other, and kept each other in line and out of trouble. I also liked the way that they showed that Riggs was deeply angered when he learned that the bad guys had taken Murtaugh's daughter. Things like this, when done right, can really get you to sit up and really get into the movie, and it was definitely done right here. Riggs was also very amusing in his anxiousness about being a cop (`Why don't you let me go to sleep?' `No, come on, we gotta get up and catch bad guys!'), and Gary Busey delivers an excellent performance as the lead bad guy. This is the type of role that he plays best (see "Under Siege").
Although the violence was painfully present in some parts (the torture scenes were short but extremely difficult to watch), the film never relied on violence to pull it along or keep the audience's attention. The story was sufficient enough so that there was no overindulgence necessary in anything like that. In this film you see the first of the now traditional Lethal Weapon scenes in which Riggs and Murtaugh stagger away from a smoking crime scene, seeming to hold each other up. The final fight scene between Riggs and Mr. Joshua (Busey) was a little excessive, and there were a few scenes which were a bit faulty (how did the guy on the building ledge expect to kill himself when there was such a huge air bag inflated on the ground directly below him?), but overall this was a spectacular crime thriller. The movie rushes along at a feverish pace, and particularly Gibson's and Glover's success working together on screen make this a timeless action film that is not to be missed.
The fact that both Roger and Riggs hated that they had to work together was especially effective in creating a touching atmosphere as they grew to be closer and closer friends. They worked so well together in this movie; it was a symbiotic relationship. It was almost like they fed off of each other, and kept each other in line and out of trouble. I also liked the way that they showed that Riggs was deeply angered when he learned that the bad guys had taken Murtaugh's daughter. Things like this, when done right, can really get you to sit up and really get into the movie, and it was definitely done right here. Riggs was also very amusing in his anxiousness about being a cop (`Why don't you let me go to sleep?' `No, come on, we gotta get up and catch bad guys!'), and Gary Busey delivers an excellent performance as the lead bad guy. This is the type of role that he plays best (see "Under Siege").
Although the violence was painfully present in some parts (the torture scenes were short but extremely difficult to watch), the film never relied on violence to pull it along or keep the audience's attention. The story was sufficient enough so that there was no overindulgence necessary in anything like that. In this film you see the first of the now traditional Lethal Weapon scenes in which Riggs and Murtaugh stagger away from a smoking crime scene, seeming to hold each other up. The final fight scene between Riggs and Mr. Joshua (Busey) was a little excessive, and there were a few scenes which were a bit faulty (how did the guy on the building ledge expect to kill himself when there was such a huge air bag inflated on the ground directly below him?), but overall this was a spectacular crime thriller. The movie rushes along at a feverish pace, and particularly Gibson's and Glover's success working together on screen make this a timeless action film that is not to be missed.
- Anonymous_Maxine
- 11 नव॰ 2000
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- विनाशक हथियार
- फ़िल्माने की जगहें
- 2817 Via Segovia, Palos Verdes Peninsula, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Michael Hunsaker's House)
- उत्पादन कंपनियां
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बॉक्स ऑफ़िस
- बजट
- $1,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,52,07,127
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $68,29,949
- 8 मार्च 1987
- दुनिया भर में सकल
- $12,02,07,127
- चलने की अवधि1 घंटा 49 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1
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