IMDb रेटिंग
7.6/10
6.8 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThree struggling artists try to make passable livings in Paris despite setbacks and tragedies.Three struggling artists try to make passable livings in Paris despite setbacks and tragedies.Three struggling artists try to make passable livings in Paris despite setbacks and tragedies.
- पुरस्कार
- 5 जीत और कुल 2 नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाNeither Matti Pellonpää or Kari Väänänen could speak any French in real life. The script contained instructions how to pronounce the lines. The phonetically written lines were regularly taped on the forehead of the actor opposite of Matti Pellonpää where he could read them.
- कनेक्शनFeatured in L.A. Without a Map (1998)
- साउंडट्रैकChantez pour moi, Violons
(Play, Fiddle, Play)
Music by Emery Deutsch and Arthur Altman
English lyrics by Jack Lawrence
French lyrics by Jacques Réale
Performed by Damia
फीचर्ड रिव्यू
This was phenomenal. Really fun to see Kaurismäki take these Finnish actors and have them act in French and making it really work. I had no idea what to expect and the film blew my away with its drama and humor.
What really makes this whole thing work is the trio of main characters. They work excellently with each other. They have sharp dialogue, witty fast humor and best of all; They are relate able. This is a film were small moments matter. For example, there's a scene were a person is unable to pay for a meal and an older man overhears it and pays it for the person. What's the explanation for the older man helping? Simple, he was behaving kindly to someone in need. This older man never appears again and has no other relevance, but it works very well here. The inclusion of that moment was nice because it shows you how important those small gestures can be.
Kari Väänänen was probably my favorite character. He always provided some levity when needed and Andre Wilms always delivered a smart comeback to whatever bad thing faced him, he is like the french Roger Moore (only less upper class). Matti Pellonpää was very subtle and sold all the emotional torment his character went through.
I can see that Kaurismäki adopted a very classic look to tell this story. The tone feels like an Italian Neo realism film mixed with the elements from Aki's work. There's even a little bit of Ozu in this. Don't know if it was intentional, but I could feel the influence.
In short: It was witty, smart and fast, but at the same time tragic, joyful and most importantly; very human.
What really makes this whole thing work is the trio of main characters. They work excellently with each other. They have sharp dialogue, witty fast humor and best of all; They are relate able. This is a film were small moments matter. For example, there's a scene were a person is unable to pay for a meal and an older man overhears it and pays it for the person. What's the explanation for the older man helping? Simple, he was behaving kindly to someone in need. This older man never appears again and has no other relevance, but it works very well here. The inclusion of that moment was nice because it shows you how important those small gestures can be.
Kari Väänänen was probably my favorite character. He always provided some levity when needed and Andre Wilms always delivered a smart comeback to whatever bad thing faced him, he is like the french Roger Moore (only less upper class). Matti Pellonpää was very subtle and sold all the emotional torment his character went through.
I can see that Kaurismäki adopted a very classic look to tell this story. The tone feels like an Italian Neo realism film mixed with the elements from Aki's work. There's even a little bit of Ozu in this. Don't know if it was intentional, but I could feel the influence.
In short: It was witty, smart and fast, but at the same time tragic, joyful and most importantly; very human.
- paulijcalderon
- 6 सित॰ 2016
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Bohemian Life?Alexa द्वारा संचालित
विवरण
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