टॉम-रीगन, एक निषेध-युग के अपराध बॉस का सलाहकार, युद्धरत भीड़ के बीच शांति बनाए रखने की कोशिश करकरता है, लेकिन बंटी हुई वफ़ादारी में फंस जाता है।टॉम-रीगन, एक निषेध-युग के अपराध बॉस का सलाहकार, युद्धरत भीड़ के बीच शांति बनाए रखने की कोशिश करकरता है, लेकिन बंटी हुई वफ़ादारी में फंस जाता है।टॉम-रीगन, एक निषेध-युग के अपराध बॉस का सलाहकार, युद्धरत भीड़ के बीच शांति बनाए रखने की कोशिश करकरता है, लेकिन बंटी हुई वफ़ादारी में फंस जाता है।
- पुरस्कार
- 4 जीत और कुल 16 नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाWriters Joel Coen and Ethan Coen suffered writer's block while writing मिलर्स क्रॉसिंग (1990). They took a three week break and wrote बार्टन फिंक (1991) a film about a writer with writer's block. The name of Tom Regan's residence is "The Barton Arms". In one of the newspapers an article reads 'Seven Dead in Hotel Fire,' another reference to Barton Fink.
- गूफ़When Tom throws the glass at the mirror in the woman's washroom, the cracks in the glass change between shots.
- भाव
Tom Reagan: Nobody knows anybody. Not that well.
- क्रेज़ी क्रेडिटThe opening credits list production companies, the title, and the main cast. The crew is not listed until the ending credits, starting with a director credit.
- इसके अलावा अन्य वर्जनAlthough there is no mention of this on the packaging, the Criterion Blu-ray edition released in 2022 is over two minutes shorter than the theatrical release version. Among the cuts are Frankie's line 'Jesus, Tom' after Tom hits him in the face with a chair, and the line 'Take care now' said by Lazzare's messenger after Tom is subjected to a beating.
- साउंडट्रैकDanny Boy
Music by Rory Dall O'Cahan (uncredited)
Lyrics by Frederick Edward Weatherly (uncredited)
Sung by Frank Patterson
फीचर्ड रिव्यू
One of the great undiscovered gems of recent movie history. In my opinion, Miller's crossing is easily the best of the Coen brothers' films, and one of the true classics of American cinema.
On the surface, the story of warring gangsters in 1920's America is one that has been told many times before. But never before has it been handled with such artistry and precision. The (rather violent) action scenes keep the movie going along at a brisk pace, and the camera work is every bit the equal of "Fargo".
I became a lifelong Gabriel Byrne fan as a result of this movie, despite his best efforts to disappoint me since. Byrne's Tom Reagan is a compellingly amoral character, who takes more unchallenged beatings than perhaps anyone in film history. Men beat him up. Women beat him up. Collection men, bookies, gangsters, and even his boss gives him a terrible thrashing, and he hardly lifts a finger in opposition (with one notably humorous exception).
Albert Finney is tremendous as Leo, the local crime boss. His "Danny Boy" scene should go down in film history as one of the greatest pieces ever filmed. Jon Polito is at once absurdly funny and threateningly psychotic as Johnny Caspar, Leo's rival in the turf war. J.E. Freeman, John Turturro, and Marcia Gay Harden all lend strong support in a cast that was assembled and performs to near perfection.
I will never understand why this film has not received more recognition and acclaim. As an example of the modern style of Film Noir, it has no equals ("The Usual Suspects" would rate a close second). Among gangster films, only "The Godfather" can compete, and "Miller's Crossing" features superior pacing and dialog, although it lacks "The Godfather's" epic proportions. Perhaps someday this film will receive, like "The Manchurian Candidate" and "Touch of Evil", the belated accolades it so richly deserves.
On the surface, the story of warring gangsters in 1920's America is one that has been told many times before. But never before has it been handled with such artistry and precision. The (rather violent) action scenes keep the movie going along at a brisk pace, and the camera work is every bit the equal of "Fargo".
I became a lifelong Gabriel Byrne fan as a result of this movie, despite his best efforts to disappoint me since. Byrne's Tom Reagan is a compellingly amoral character, who takes more unchallenged beatings than perhaps anyone in film history. Men beat him up. Women beat him up. Collection men, bookies, gangsters, and even his boss gives him a terrible thrashing, and he hardly lifts a finger in opposition (with one notably humorous exception).
Albert Finney is tremendous as Leo, the local crime boss. His "Danny Boy" scene should go down in film history as one of the greatest pieces ever filmed. Jon Polito is at once absurdly funny and threateningly psychotic as Johnny Caspar, Leo's rival in the turf war. J.E. Freeman, John Turturro, and Marcia Gay Harden all lend strong support in a cast that was assembled and performs to near perfection.
I will never understand why this film has not received more recognition and acclaim. As an example of the modern style of Film Noir, it has no equals ("The Usual Suspects" would rate a close second). Among gangster films, only "The Godfather" can compete, and "Miller's Crossing" features superior pacing and dialog, although it lacks "The Godfather's" epic proportions. Perhaps someday this film will receive, like "The Manchurian Candidate" and "Touch of Evil", the belated accolades it so richly deserves.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Miller's Crossing
- फ़िल्माने की जगहें
- 619 Gravier Street, न्यू ऑरलियन्स, लुइसियाना, संयुक्त राज्य अमेरिका(exteriors: Shenandoah Club)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,40,00,000(अनुमानित)
- US और कनाडा में सकल
- $50,80,409
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $28,202
- 23 सित॰ 1990
- दुनिया भर में सकल
- $50,80,409
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें