IMDb रेटिंग
7.4/10
45 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA film crew follows a ruthless thief and heartless killer as he goes about his daily routine. But complications set in when the film crew lose their objectivity and begin lending a hand.A film crew follows a ruthless thief and heartless killer as he goes about his daily routine. But complications set in when the film crew lose their objectivity and begin lending a hand.A film crew follows a ruthless thief and heartless killer as he goes about his daily routine. But complications set in when the film crew lose their objectivity and begin lending a hand.
- पुरस्कार
- 7 जीत और कुल 5 नामांकन
Jacqueline Poelvoorde-Pappaert
- Ben's Mother
- (as Jacqueline Poelvoorde Pappaert)
Édith Le Merdy
- Nurse
- (as Edith Lemerdy)
कहानी
क्या आपको पता है
- ट्रिवियाDue to budget problems, it took the filmmakers over a year to complete the film. The company ran out of money several times and shooting had to be postponed until more money could be raised. A lot of friends and family of the filmmakers contributed to the film, both behind and in front of the cameras.
- गूफ़At the beginning, Benoît says that four times a child's body weight is needed to sink a dead child. However, at the bar where they drink Dead Baby Boys, Benoît asks René for the weight ratio needed to sink a child, to which René replies "Twice," and Benoit says, "Right!"
- इसके अलावा अन्य वर्जनENDING SPOILERS - In some versions, the final shot, where everyone dies, lasts until the film runs out of the camera, which leaves a blank white screen after the film slips out of the camera's gate. In other versions, there is a dissolve between the the final shot and the blank screen at a much sooner point--and the viewer does not see the film slip out of the gate. The Criterion Collection edition released in 2002 has the latter version of the final shot.
- कनेक्शनFeatured in Zomergasten: एपिसोड #12.2 (1999)
- साउंडट्रैकIce Ice Baby
Written by David Bowie, Earthquake (as Floyd Brown), John Deacon, Mario 'Chocolate' Johnson (as Mario Johnson), Brian May, Freddie Mercury, Roger Taylor & Vanilla Ice (as Robert Van Winkle)
Performed by Vanilla Ice
Courtesy of Capitol Records, LLC
Contains a sample of "Under Pressure"
Performed by Queen & David Bowie
Courtesy of Hollywood Records, Inc. for USA & Canada and Courtesy of Island Records
Under license from Universal Music Enterprises
फीचर्ड रिव्यू
Man Bites Dog (C'est arrivé près de chez vous).
To say this movie is disturbing would be an understatement. A massive, gigantic understatement! But it is also a display of film-genius.
The movie is filmed in Black and White and is presented as a "documentary" of a serial killer. The film crew follows Benoit, the killer, around town as he recites poetry, muses on welfare and housing reform, ponders philosophy, and ... well, kills. Totally randomly.
He explains to the film crew the lessons he has learned about killing, how to stay low key, who to go after, and what potential victims are a waste of time. For Benoit, killing is an art form, but not one that should be undertaken frivolously.
There are scenes when his lunacy are briefly pierced by humanity - he counsels one of the film crew not to kill, because once you start it becomes a habit. In another scene he laments having killed a suburban family, because they had nothing good to steal, as it turned out. He proclaims that "there should be a law against" killing for no good reason.
Those who shy from blood and killing - about the most graphical violence you'll ever see "documented" in a film - should shy from this movie. But anyone with an interest in a glimpse at the darkest side of human nature will appreciate this film, not necessarily for its story or its darkness, but for its ability to make us think, and open our eyes to human behaviour we don't like to admit might exist.
During the course of the movie you become totally numb to the act of killing (or maming or torture or rape or any violent crime). It is no longer shocking when he kills yet another victim. It has become commonplace. You just sort of scratch your head and wonder - why this one? why now? why him? why her? This mental numbness is made possible by the way it is filmed - as though it were a documentary. Not long into the movie you begin to wonder if this is real, or just a movie. I wonder if this is the kind of numbness that soldiers experienced in wars like WWI, entrenched and under constant fire - to where the violence around become the norm. I read a book once called "My War Gone By, I Miss it So" (that's a whole 'nother review) in which a war-writer kept returning to the front because after experiencing violence all around him day after day after day, he could no longer live without it. In Man Bites Dog the killing is Benoit's addiction, but we, as viewers become complacent to it. We have been numbed to where it is no longer disturbing. Makes you scratch your head and wonder: is such detachment from emotion and what's right really possible???
To add to the realism, all the actors play characters with their real names. The killer's mother and grandparents in the movie - are really the actor's mother and grandparents in real life. During most of the filming they were not told it was about serial killing, just that they were in a movie with their son. So they just act normal around the son they love, only to find out in later scenes that the whole film is about killing. Imagine the look of shock on their faces to find this out - to them the story then is no longer acting but real: they've just discovered their son/grandson made a film about brutal killings and the shock shows in their faces.
Is it real? Is it a movie? What defines the difference?
When I told him about this movie, a friend mentioned that "society,as a whole, is already numb to brutal killing and violence." He's right about that. But this movie is so ridiculously brutal and violent it is more a mockery of our society's complacence to violence, not an endorsement.
To say this movie is disturbing would be an understatement. A massive, gigantic understatement! But it is also a display of film-genius.
The movie is filmed in Black and White and is presented as a "documentary" of a serial killer. The film crew follows Benoit, the killer, around town as he recites poetry, muses on welfare and housing reform, ponders philosophy, and ... well, kills. Totally randomly.
He explains to the film crew the lessons he has learned about killing, how to stay low key, who to go after, and what potential victims are a waste of time. For Benoit, killing is an art form, but not one that should be undertaken frivolously.
There are scenes when his lunacy are briefly pierced by humanity - he counsels one of the film crew not to kill, because once you start it becomes a habit. In another scene he laments having killed a suburban family, because they had nothing good to steal, as it turned out. He proclaims that "there should be a law against" killing for no good reason.
Those who shy from blood and killing - about the most graphical violence you'll ever see "documented" in a film - should shy from this movie. But anyone with an interest in a glimpse at the darkest side of human nature will appreciate this film, not necessarily for its story or its darkness, but for its ability to make us think, and open our eyes to human behaviour we don't like to admit might exist.
During the course of the movie you become totally numb to the act of killing (or maming or torture or rape or any violent crime). It is no longer shocking when he kills yet another victim. It has become commonplace. You just sort of scratch your head and wonder - why this one? why now? why him? why her? This mental numbness is made possible by the way it is filmed - as though it were a documentary. Not long into the movie you begin to wonder if this is real, or just a movie. I wonder if this is the kind of numbness that soldiers experienced in wars like WWI, entrenched and under constant fire - to where the violence around become the norm. I read a book once called "My War Gone By, I Miss it So" (that's a whole 'nother review) in which a war-writer kept returning to the front because after experiencing violence all around him day after day after day, he could no longer live without it. In Man Bites Dog the killing is Benoit's addiction, but we, as viewers become complacent to it. We have been numbed to where it is no longer disturbing. Makes you scratch your head and wonder: is such detachment from emotion and what's right really possible???
To add to the realism, all the actors play characters with their real names. The killer's mother and grandparents in the movie - are really the actor's mother and grandparents in real life. During most of the filming they were not told it was about serial killing, just that they were in a movie with their son. So they just act normal around the son they love, only to find out in later scenes that the whole film is about killing. Imagine the look of shock on their faces to find this out - to them the story then is no longer acting but real: they've just discovered their son/grandson made a film about brutal killings and the shock shows in their faces.
Is it real? Is it a movie? What defines the difference?
When I told him about this movie, a friend mentioned that "society,as a whole, is already numb to brutal killing and violence." He's right about that. But this movie is so ridiculously brutal and violent it is more a mockery of our society's complacence to violence, not an endorsement.
- gregwombat
- 10 जन॰ 2004
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Man Bites Dog?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- BEF 10,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,05,569
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $15,176
- 18 जन॰ 1993
- दुनिया भर में सकल
- $2,05,569
- चलने की अवधि1 घंटा 35 मिनट
- रंग
- पक्ष अनुपात
- 1.66 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
टॉप गैप
By what name was C'est arrivé près de chez vous (1992) officially released in India in English?
जवाब