IMDb रेटिंग
5.0/10
16 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA private eye shadows a female serial killer of men all over the U.S. without her knowing as he, strangely enough, occasionally acts as her guardian angel.A private eye shadows a female serial killer of men all over the U.S. without her knowing as he, strangely enough, occasionally acts as her guardian angel.A private eye shadows a female serial killer of men all over the U.S. without her knowing as he, strangely enough, occasionally acts as her guardian angel.
- पुरस्कार
- कुल 1 जीत
कहानी
क्या आपको पता है
- ट्रिवियाDirector Stephan Elliott had originally envisioned an older woman to play Joanna Eris. However, after Ashley Judd campaigned for the part, he relented.
- गूफ़A scene shows an electrified train leaving Pittsburgh. The PA railroad only electrified as far west as Harrisburg.
- क्रेज़ी क्रेडिटAt the start of the movie the following appears on screen: "Every man has his own destiny: the only imperative is to follow it, to accept it, no matter where it leads him." - Henry Miller "The Wisdom of the Heart"
- इसके अलावा अन्य वर्जनOverseas prints are longer than U.S. prints; including extra scenes such as one with Jean and John Teodoro as doormen.
- कनेक्शनFeatured in Killing Priscilla (2000)
- साउंडट्रैकI Wish You Love
(Que Reste-t-il de nos Amours ?)
Music by Charles Trenet and Léo Chauliac
French lyrics by Charles Trenet
English lyrics by Albert Beach
Produced by Marius De Vries
Performed by Chrissie Hynde
Used by permission of EMI Virgin Music, Inc.
Courtesy of Warner Music UK Limited
फीचर्ड रिव्यू
This thing must have looked good on paper--the only reason I can think of that Ewan MacGregor and Ashley Judd would associate themselves with it. Funny thing is, I think there might be a good movie in here somewhere. I mean, was it good at some point until some outside force--a producer or a test audience, for instance-started messing with it? The plot is incomprehensible, something producers in screening rooms tend to not like. "But we have to put SOMETHING out there for god's sake! It's got two big stars in it!" My question is, did their tinkering make the film more or less confusing?
We may never know. Having paid close attention to the film (the interesting direction and photography held my attention), however, I have been able to surmise the following: a spy code-named Eye,' (the miscast Ewan MacGregor) who's afraid of his own shadow, not to mention losing his mind since his wife left him (this same subject was covered in the far superior Zero Effect), falls in love with a beautiful killer (Ashley Judd). He's supposed to be getting her arrested but, as he keeps following her, becoming more and more obsessed, he starts protecting her. Judd's "Joanna" is a parasite. She targets well-to-do men, feeds off of them for a while, then kills them. Eye also tries to protect her victims from her, but usually fails--until she becomes a victim herself at the hands of the scary, creepy Jason Priestley (yes, THAT Jason Priestley). He saves her, only to lose her, then finds her again. This time he has the nerve to actually talk to her. But will he finally do his job and turn her in or will he become her next victim?
Before I start sounding too much like the back of a video box, let me just say that there is a lot here for those willing to pay close attention to it. Too often, though, it seems like it's trying too hard to be interesting, doing so at the expense of storytelling. It also seems self-important--as if they don't want the audience to understand. Some parts of it are just plain bad (like every one of k.d. lang's scenes).
Like I said, watch closely and you may get something out of it. Then again, no one should have to work that hard at watching a movie.
Grade: D
We may never know. Having paid close attention to the film (the interesting direction and photography held my attention), however, I have been able to surmise the following: a spy code-named Eye,' (the miscast Ewan MacGregor) who's afraid of his own shadow, not to mention losing his mind since his wife left him (this same subject was covered in the far superior Zero Effect), falls in love with a beautiful killer (Ashley Judd). He's supposed to be getting her arrested but, as he keeps following her, becoming more and more obsessed, he starts protecting her. Judd's "Joanna" is a parasite. She targets well-to-do men, feeds off of them for a while, then kills them. Eye also tries to protect her victims from her, but usually fails--until she becomes a victim herself at the hands of the scary, creepy Jason Priestley (yes, THAT Jason Priestley). He saves her, only to lose her, then finds her again. This time he has the nerve to actually talk to her. But will he finally do his job and turn her in or will he become her next victim?
Before I start sounding too much like the back of a video box, let me just say that there is a lot here for those willing to pay close attention to it. Too often, though, it seems like it's trying too hard to be interesting, doing so at the expense of storytelling. It also seems self-important--as if they don't want the audience to understand. Some parts of it are just plain bad (like every one of k.d. lang's scenes).
Like I said, watch closely and you may get something out of it. Then again, no one should have to work that hard at watching a movie.
Grade: D
- mercury-26
- 5 जुल॰ 2000
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Eye of the Beholder?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Obsesión
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,65,00,786
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $59,59,447
- 30 जन॰ 2000
- दुनिया भर में सकल
- $1,75,89,705
- चलने की अवधि1 घंटा 49 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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