1990 के दशक के दो भाई-बहन खुद को 1950 के दशक के सिटकॉम में पाते हैं, जहाँ उनका प्रभाव उस जटिल दुनिया को गहराई से बदलने लगता है।1990 के दशक के दो भाई-बहन खुद को 1950 के दशक के सिटकॉम में पाते हैं, जहाँ उनका प्रभाव उस जटिल दुनिया को गहराई से बदलने लगता है।1990 के दशक के दो भाई-बहन खुद को 1950 के दशक के सिटकॉम में पाते हैं, जहाँ उनका प्रभाव उस जटिल दुनिया को गहराई से बदलने लगता है।
- 3 ऑस्कर के लिए नामांकित
- 18 जीत और कुल 45 नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाAt one point, when Jennifer tries to use a bathroom there aren't any toilets. This is a clever reference to an FCC ruling during the 1950's, which stated that toilets (or any reference to their use, such as the sound of flushing) could not be presented on television. While this continued on broadcast television well in to the late seventies, the barrier in movies fell in 1960 (two years after the Pleasantville scenario) when Alfred Hitchcock persuaded the film censors to allow the flushing of a toilet in साइको (1960) because it was integral to the iconic shower scene.
- गूफ़Various inconsistencies and plot holes (stopped clocks, phantom opposing basketball teams) with the real world are consistent with Pleasantville being a TV world, and hence consistent with the movie.
- क्रेज़ी क्रेडिटThe New Line logo plays in complete silence.
- कनेक्शनFeatured in Fiona Apple: Across the Universe (1998)
- साउंडट्रैकAcross the Universe
Written by John Lennon and Paul McCartney
Performed by Fiona Apple
Produced by Jon Brion
Courtesy of Clean Slate/The WORK Group
फीचर्ड रिव्यू
I thoroughly enjoyed "Pleasantville" from the 'Once upon a time' through the film fading to black.
The acting was top notch all around, as was the use of special effects; in very few films has colour been used so effectively that it can convey a story seemingly without help from dialogue or music.
I can see how some people would perceive it as merely another mouthpiece of liberalism, but I watched it twice, and I only noticed it attacking bigotry and censorship. What was wrong wasn't that these people were living according conservative values, but that they didn't really choose those values in the first place!
I like the fact that the film was bold, and that it made its point as directly as it contrasted the black and white with the splotches of Technicolour. While "Pleasantville" had little subtlety in its allegory, it was, like any good fairytale, beautiful in its simplicity.
Nine out of ten =)
The acting was top notch all around, as was the use of special effects; in very few films has colour been used so effectively that it can convey a story seemingly without help from dialogue or music.
I can see how some people would perceive it as merely another mouthpiece of liberalism, but I watched it twice, and I only noticed it attacking bigotry and censorship. What was wrong wasn't that these people were living according conservative values, but that they didn't really choose those values in the first place!
I like the fact that the film was bold, and that it made its point as directly as it contrasted the black and white with the splotches of Technicolour. While "Pleasantville" had little subtlety in its allegory, it was, like any good fairytale, beautiful in its simplicity.
Nine out of ten =)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Amor a colores
- फ़िल्माने की जगहें
- Petaluma, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Scenes filmed at Petaluma Blvd and Western Ave.)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $6,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,05,84,421
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $88,55,063
- 25 अक्तू॰ 1998
- दुनिया भर में सकल
- $4,98,05,462
- चलने की अवधि2 घंटे 4 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें