दो आयरिश कैथोलिक भाई सतर्क हो जाते हैं और भगवान के नाम पर बोस्टन के आपराधिक अंडरवर्ल्ड का सफाया कर देते हैं।दो आयरिश कैथोलिक भाई सतर्क हो जाते हैं और भगवान के नाम पर बोस्टन के आपराधिक अंडरवर्ल्ड का सफाया कर देते हैं।दो आयरिश कैथोलिक भाई सतर्क हो जाते हैं और भगवान के नाम पर बोस्टन के आपराधिक अंडरवर्ल्ड का सफाया कर देते हैं।
Dot-Marie Jones
- Rosengurtle Baumgartener
- (as Dorothy-Marie Jones)
Robert Eaton
- Officer Langley
- (as Robert Vernon Eaton)
कहानी
क्या आपको पता है
- ट्रिवियाSir Billy Connolly was so stoked to be playing against type in the role of Il Duce, and having so much fun playing a psycho with guns strapped all over him, that they had to add the large cigar the character incessantly smokes because unless they stuck something in his mouth, he simply couldn't stop smiling.
- गूफ़When the bar fight scene begins the brothers are telling the Russians some phrases in Russian, which are translated in subtitles. Actually the words that they are saying not only don't respond to the translation, they are mostly made up and make no sense at all.
- क्रेज़ी क्रेडिटClips of people being interviewed about their opinions on "the saints" are shown while the credits roll.
- इसके अलावा अन्य वर्जनThe so-called North American widescreen DVD release is cropped from a full-frame version that has aired on Canadian cable television.
- कनेक्शनEdited into The Boondock Saints II: All Saints Day (2009)
फीचर्ड रिव्यू
I've always enjoyed non-linear storytelling. A number of people seem to have picked up on this aspect of the movie and thus dubbed it similar to Pulp Fiction (though no one mentions Reservoir Dogs) when this movie takes non-linear storytelling to a level beyond where Quentin Tarrantino was ever able to go.
Now, certainly Memento came along afterwards and transformed the entire art of non-linear storytelling. However, Memento uses it to keep the movie watcher guessing until the very end, whereas Boondock Saints puts the pieces on the table, letting you try to put them together, but then will continue handing you pieces until the picture becomes clearer.
Clearly the movie is designed to be over-the-top, both from Williem Dafoe's character to the action sequences themselves. Williem Dafoe makes this movie for me. The plot, which centers on religiously-inspired vigilante justice, has an air of being somewhat cliched, although I would be hard pressed to name another movie which handles it in this matter.
I still fail to see how others consider this movie vacuous and without meaning, when its message about the pitfalls of our current legal system and the need for something that transcends it is quite clear. I thought the ending, in which various people are interviewed about their opinion of the "Saints" and how for some vigilante justice was an incredibly sensitive issue, made this point very clear.
Now, certainly Memento came along afterwards and transformed the entire art of non-linear storytelling. However, Memento uses it to keep the movie watcher guessing until the very end, whereas Boondock Saints puts the pieces on the table, letting you try to put them together, but then will continue handing you pieces until the picture becomes clearer.
Clearly the movie is designed to be over-the-top, both from Williem Dafoe's character to the action sequences themselves. Williem Dafoe makes this movie for me. The plot, which centers on religiously-inspired vigilante justice, has an air of being somewhat cliched, although I would be hard pressed to name another movie which handles it in this matter.
I still fail to see how others consider this movie vacuous and without meaning, when its message about the pitfalls of our current legal system and the need for something that transcends it is quite clear. I thought the ending, in which various people are interviewed about their opinion of the "Saints" and how for some vigilante justice was an incredibly sensitive issue, made this point very clear.
- stumblefoot
- 27 जुल॰ 2003
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- El quinto infierno
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $60,00,000(अनुमानित)
- US और कनाडा में सकल
- $30,471
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $19,930
- 23 जन॰ 2000
- दुनिया भर में सकल
- $30,471
- चलने की अवधि1 घंटा 48 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें