Brendan Gleeson is a fine actor and the subject is a highly fascinating one, if difficult to bring to screen. It was also the subject of 'Michael Collins' from five years later (being based on the same subject it is inevitable to compare), and while that film was bigger in budget and had actors that were better known, also a film with many great merits, but it is one of those films to be watched on its own terms as a film rather than a true and un-biased piece of history.
Of which 'The Treaty' does a much better job at being. It is not as big in budget or as visually stunning as 'Michael Collins', but it is more truthful and appreciatively less speculative, explores the subject in much more depth with more sides being explored, has more complexity in characterisation and is nowhere near as black and white. It also doesn't have Julia Roberts's unspeakably awful performance.
Would also have liked a little more focus on the division, but there is really very little wrong with 'The Treaty'.
Its main merits are the cast and script. Brendan Gleeson gives a towering performance as Collins, and the support from particularly Ian Bannon and Tony Doyle is also splendid. The script is also very layered and thought-provoking, with the refusal to not take sides and showing that it was a complex situation shining through. On a factual level, it is very accurate and is not reliant at all on speculation or sacrificing the truth for trying to appeal to modern audiences (like with casting Roberts as a crass box office draw decision).
'The Treaty's' storytelling is nowhere near close to being as dry as it may sound on paper. It absorbs from start to finish and captures everything that was so interesting and complex about the Treaty itself in the first place with different view-points shown effectively. All the characters are well-drawn and non-biased, no clichés or heroes and villains here (not saying that 'Michael Collins' was that exactly, but still stand by finding some of it black-and-white).
Production values are not lavish as such and it is not as beautifully photographed as 'Michael Collins', but they are not cheap either and are perhaps more evocative.
Overall, very good and never less than compelling. 8/10 Bethany Cox
