निर्वासन में रहते हुए, डॉ हनीबाल लेक्टर अब बदनाम एफबीआई के साथ फिर से जुड़ने की कोशिश करता है। एजेंट क्लेरिस स्टार्लिंग,।निर्वासन में रहते हुए, डॉ हनीबाल लेक्टर अब बदनाम एफबीआई के साथ फिर से जुड़ने की कोशिश करता है। एजेंट क्लेरिस स्टार्लिंग,।निर्वासन में रहते हुए, डॉ हनीबाल लेक्टर अब बदनाम एफबीआई के साथ फिर से जुड़ने की कोशिश करता है। एजेंट क्लेरिस स्टार्लिंग,।
- पुरस्कार
- 9 जीत और कुल 25 नामांकन
Frankie Faison
- Barney
- (as Frankie R. Faison)
Robert Rietty
- Sogliato
- (as Robert Rietti)
कहानी
क्या आपको पता है
- ट्रिवियाSir Anthony Hopkins wrote a screenplay for a sequel to this movie, most likely titled "Hannibal Ending", which would've involved Starling killing Lecter. However, this was never used.
- गूफ़(at around 35 mins) When Lecter writes his first letter to Clarice, he licks the envelope to seal it. When we see it on her desk before she opens it, the only thing keeping it shut is the seal wax in the center. however, Lecter licks the envelope to provide DNA to verify it is not a fake, as he is "re-emerging" from hiding.
- भाव
Hannibal Lecter: People don't always tell you what they are thinking. They just see to it that you don't advance in life.
- क्रेज़ी क्रेडिटAfter the credits, we hear Lecter say "Ta ta, H.", the closing line of the post-script in his letter to Clarice.
- इसके अलावा अन्य वर्जनThe Indian theatrical version was cut by the CBFC to mute the word 'pussy' from the dialogue spoken by Krendler, the word 'fucking' spoken by Pazzi, the word 'fuck' and 'cocksucker' spoken by Mason, the visuals of blood falling on the ground, blood spurting out of the throat of a dead man, and the close visuals of a pig putting Mason's face into the mouth to achieve an 'A' (adults) rating. It remained cut since.
- साउंडट्रैकVide Cor Meum
Written by Patrick Cassidy
Libretto Taken from Dante Alighieri (as Dante)'s "La Vita Nuova"
Produced by Patrick Cassidy and Hans Zimmer
Performed by Danielle de Niese and Bruno Lazzaretti
फीचर्ड रिव्यू
Anthony Hopkins gave an impeccable performance. However, the material he was given to work with was not as good as Silence of the Lambs. In fairness, perhaps there was no way it could be. In SOTL, he was somehow more foreboding, more of a sort of superhuman monster; in Hannibal, he's more accessible, a guy you meet on the street. Maybe it was impossible to maintain the mystery of Lecter that we saw in SOTL because of the risk of doing a rehash. I'd give the overall Dr Lecter character a 9 of 10 in this film, vs. a 10 of 10 in the last one. Not quite as good, but still very good.
Starling's character, on the other hand, fell flat in this film. In SOTL, Foster perfectly portrayed Starling's flat surface with a turbulent depth; in Hannibal, there was nothing under her surface. Foster's Clarice evoked feelings of sympathetic grief, Moore's Clarice evoked nothing. I do not necessarily blame Moore, this could be due to writing and/or directing. Obviously, though SOTL focused mainly on Starling's character, Hannibal focuses on, well, Hannibal. Still, that's no excuse for what was done to Starling. Her character gets a 3 of 10.
The story was much weaker in Hannibal than in SOTL. It almost seemed like an excuse to present us with the characters, rather than a story in and of itself. Still, it had no other major flaws, so it gets a 6 of 10.
Now, there's another category I'll call the shock factor. It's different than ordinary gore, it's... creative gore. The sick, disgusting depravity we expect to see and like to see in this type of film. I can't go into detail without spoiling it, but I'll have to say it goes even beyond what I expected. Do not watch this film if you are squeamish or dislike gore. There isn't a lot of gore in the film, but what there was, was... concentrated. Shock Factor, 10 of 10.
Overall I give the film an 8 of 10. Very well done with a few weaknesses, well worth watching.
Starling's character, on the other hand, fell flat in this film. In SOTL, Foster perfectly portrayed Starling's flat surface with a turbulent depth; in Hannibal, there was nothing under her surface. Foster's Clarice evoked feelings of sympathetic grief, Moore's Clarice evoked nothing. I do not necessarily blame Moore, this could be due to writing and/or directing. Obviously, though SOTL focused mainly on Starling's character, Hannibal focuses on, well, Hannibal. Still, that's no excuse for what was done to Starling. Her character gets a 3 of 10.
The story was much weaker in Hannibal than in SOTL. It almost seemed like an excuse to present us with the characters, rather than a story in and of itself. Still, it had no other major flaws, so it gets a 6 of 10.
Now, there's another category I'll call the shock factor. It's different than ordinary gore, it's... creative gore. The sick, disgusting depravity we expect to see and like to see in this type of film. I can't go into detail without spoiling it, but I'll have to say it goes even beyond what I expected. Do not watch this film if you are squeamish or dislike gore. There isn't a lot of gore in the film, but what there was, was... concentrated. Shock Factor, 10 of 10.
Overall I give the film an 8 of 10. Very well done with a few weaknesses, well worth watching.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Hannibal
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $8,70,00,000(अनुमानित)
- US और कनाडा में सकल
- $16,50,92,268
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $5,80,03,121
- 11 फ़र॰ 2001
- दुनिया भर में सकल
- $35,16,92,268
- चलने की अवधि2 घंटे 11 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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