अपनी भाषा में प्लॉट जोड़ेंAfter her humiliated husband kills himself, an embittered pregnant widow loses her child, and embarks on a mission of vengeance against a woman and her family.After her humiliated husband kills himself, an embittered pregnant widow loses her child, and embarks on a mission of vengeance against a woman and her family.After her humiliated husband kills himself, an embittered pregnant widow loses her child, and embarks on a mission of vengeance against a woman and her family.
फ़ोटो
Anu Agarwal
- Kiran
- (as Annu Agarwal)
- …
Sahebzadi Kohli
- Sahiba R. Kapoor
- (as Baby Sahebzadi Kohli)
Bharat B. Bhalla
- Haniman Sethiya
- (as Bhaarat B. Bhalla)
Kamleshwar
- Self
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाSubhash Ghai had no problem with the films title being similar to Khal Nayak. Ghai told Sawaan his version was the female version of Khal Nayak. Ghai told Sawaan he had no issue with the title. This convsation happened at a party at Shatrughan Sinha's house. When the film's mahurat happened, Subhash Ghai did not show up despite being invited. Ghai later filed a legal complaint against Sawan Kumar Tak for using the title Khalnaaika. The complaint was later overruled. When Ghai met Sawan Kumar Tak he asked him to remove his title. Ghai reasoned to simiilar sounding titled would harm both films. Sawan Kumar Tak reminded Ghai that he had already told him about the films title and he had no objection at that time. Ghai told Sawan Kumar Tak he thought that he was joking when he mentioned the title Khalnaaika. Sawan Kumar Tak stated he would have changed the title if Ghai would have phoned him to ask. Instead Ghai filed a legal complaint and made it a serious issue .
- कनेक्शनReferences Pyar Kiye Jaa (1970)
फीचर्ड रिव्यू
Saawan Kumar Tak's 'Khal Naaikaa' rips off Curtis Hanson's psycho-nanny thriller 'The Hand That Rocks The Cradle'. There's something about actresses playing evil women on screen which is why I decided to see this. Considering that it's a Bollywood film it expectedly looks quite bad (shoddy camera-work, poor sound design, terrible costumes (especially of the male cast), awful colour correction). In addition the songs are terrible. The few things that I liked about it are: It attempts to raise awareness about sexual assault victims who shouldn't keep mom about what happened to them, fearing for their reputation and honour but they should expose their perpetrators. The other thing I liked was how the guilt and grief is depicted in the husband and wife after the loss of a close friend (this was absent in its Hollywood counterpart). Jaya Prada does quite a fine job here as the modern and gullible homemaker/occasional singer. Varsha Ushgaonkar performs adequately but even though her character is supposed to be a chain smoker, each time she lights a cigarette it looks fake and campy. Jeetendra is quite annoying. Anu Agarwal is brilliant as the conniving vindictive nanny. Her performance isn't as subtle as that of Rebecca de Mornay's but she approaches her character slightly differently and that's where she succeeds. Overall, it's pretty much a scene by scene copy of its Hollywood counterpart with the exception of the Bollywood additives (and the friend character playing a journalist).
- Chrysanthepop
- 1 फ़र॰ 2013
- परमालिंक
टॉप पसंद
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