Die Päpstin

the subject is far to be new. but it remains source of the same controversies. and the film has the rare gift to create a coherent, seductive image for a theory who remains obscure. the film has all the ingredients of genre. and it gives an interesting portrait of a woman who, against the social rules, step by step, sacrifice by sacrifice, becomes one of the most important figures of Catholic Church. the important thing is not the story itself. but the manner to use its nuances. because it has the romanticism and the tension, the fight scenes and the chain of dark secrets who define many other films. its specificity remains the beautiful performance of Johanna Wokalek who discovers the right rhythm for define in clear , delicate, precise manner her character. her admirable work is the axis of the inspired recreation of the atmosphere. and basic ingredient about a image of success and its price.