एक युवा प्रेमी युगल अपने न्यू इंग्लैंड शहर से भाग जाता है, तो उनकी खोज के लिए स्थानीय खोजी दस्ता दूर तक फैल जाता है.एक युवा प्रेमी युगल अपने न्यू इंग्लैंड शहर से भाग जाता है, तो उनकी खोज के लिए स्थानीय खोजी दस्ता दूर तक फैल जाता है.एक युवा प्रेमी युगल अपने न्यू इंग्लैंड शहर से भाग जाता है, तो उनकी खोज के लिए स्थानीय खोजी दस्ता दूर तक फैल जाता है.
- 1 ऑस्कर के लिए नामांकित
- 36 जीत और कुल 121 नामांकन
Robert Hadlock
- Deluca
- (as Rob Campbell)
Wes Anderson Films as Ranked by IMDb Rating
कहानी
क्या आपको पता है
- ट्रिवियाThe dance scene on the beach was saved for the very end of filming, so that the two young leads would be comfortable around each other, and was done on a closed set (just the two leads, co-writer and director Wes Anderson, and the cameraman).
- गूफ़The pilot of the plane incorrectly says the word "five" as "fiver". In standard aviation phonetics--NATO alphabets--the number "nine" is pronounced "niner", to distinguish it from "five", which is pronounced as "fife".
- क्रेज़ी क्रेडिटDuring the final credits, Alexandre Desplat's music is vocally decomposed, like it was for the piece of classical music during the movie.
- कनेक्शनFeatured in At the Movies: Cannes Film Festival 2012 (2012)
- साउंडट्रैकThe Young Person's Guide to the Orchestra, Op. 34: Themes A.-F.
(1946)
Composed by Benjamin Britten
Performed by New York Philharmonic
Conducted by Leonard Bernstein
Narrated by Henry Chapin (uncredited)
फीचर्ड रिव्यू
The year is 1965 and a remote North Eastern coastal community is plunged into confusion when it discovers that two kids have run away. Sam, a discontented Khaki Scout, and Suzy, a put-upon older sister and forgotten daughter, abscond into the forest to escape their dissatisfying existences. The responsible adults – Sam's Scout Master Ward (Edward Norton) and Suzy's parents (Bill Murray and Frances McDormand) – and the entire town set out on a frenzied search, which gets wild when the largest storm in recorded history touches down and puts everyone's life into question. What ensues is a battle between youth and age, hope and disillusionment, faith and cynicism.
In terms of story and character, Wes Anderson's previous films, especially The Royal Tenenbaums and The Darjeeling Limited, are superior. Even in the most compelling relationship in the film between Captain Sharp (Bruce Willis) and Sam doesn't embody Anderson's ability to take his characters into deep emotional places of hurt and healing without melodrama. However, the newest addition to the Anderson canon is a cinematic experience.
Moonrise Kingdom's story, co-written with Roman Coppola, takes a definite backseat to style, as Anderson saturates the entire film with a "Norman Rockwell-type of Americana". Stylistically, it may be Anderson's most masterful work, as the costumes, sets, and settings transport the viewer to an alternate universe, a place of wonder and adventure. The soundtrack is especially effective, as it recalls a time when things were simpler: Hank Williams was on the radio, and children listened to records instead of playing video games. However, Anderson isn't content with reminiscing about the year 1965. He takes this nostalgia and twists it, infusing the film with a twinge of sadness through the reality of life's disappointments. He doesn't reject the Rockwellian view of America, but argues that it doesn't tell the whole story.
Moonrise Kingdom is that place of beauty and passion that we all have been in at least once in our lives – the one place on earth where we believe that anything is possible. It has since been lost, but it persists in our memories in moments of nostalgia.
In terms of story and character, Wes Anderson's previous films, especially The Royal Tenenbaums and The Darjeeling Limited, are superior. Even in the most compelling relationship in the film between Captain Sharp (Bruce Willis) and Sam doesn't embody Anderson's ability to take his characters into deep emotional places of hurt and healing without melodrama. However, the newest addition to the Anderson canon is a cinematic experience.
Moonrise Kingdom's story, co-written with Roman Coppola, takes a definite backseat to style, as Anderson saturates the entire film with a "Norman Rockwell-type of Americana". Stylistically, it may be Anderson's most masterful work, as the costumes, sets, and settings transport the viewer to an alternate universe, a place of wonder and adventure. The soundtrack is especially effective, as it recalls a time when things were simpler: Hank Williams was on the radio, and children listened to records instead of playing video games. However, Anderson isn't content with reminiscing about the year 1965. He takes this nostalgia and twists it, infusing the film with a twinge of sadness through the reality of life's disappointments. He doesn't reject the Rockwellian view of America, but argues that it doesn't tell the whole story.
Moonrise Kingdom is that place of beauty and passion that we all have been in at least once in our lives – the one place on earth where we believe that anything is possible. It has since been lost, but it persists in our memories in moments of nostalgia.
- hipstercritic
- 3 जून 2012
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
24 Frames From Wes Anderson Films
24 Frames From Wes Anderson Films
Explore the memorable career of Wes Anderson through 24 stills from his movies.
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Moonrise Kingdom. Un reino bajo la luna
- फ़िल्माने की जगहें
- Fort Wetherill State Park, Jamestown, रोड आइलैंड, यूएसए(moonrise kingdom cove)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,60,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,55,12,466
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $5,22,996
- 27 मई 2012
- दुनिया भर में सकल
- $6,82,65,576
- चलने की अवधि1 घंटा 34 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें